|
The Baptism Of Christ (Verrocchio And Leonardo)
The ''Baptism of Christ'' is a painting finished around 1475 in the studio of the Italy, Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew's Gospel, Matthew, Mark's Gospel, Mark and Luke's Gospel, Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much special comment and mythology, that the importance and value of the picture as a whole and within the œuvre of Verrocchio is often overlooked. Modern critics also attribute much of the landscape in the background to Leonardo as well. The painting is housed in the Uffizi, Uffizi Gallery in Florence. Subject matter The picture depicts the Baptism of Jesus by John the Baptist on the banks of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verdiana
Veridiana (Virginia Margaret del Mazziere) (1182 – 1 February 1242) is an Italian saint. Born at Castelfiorentino, Tuscany, of a noble family, somewhat impoverished but still prestigious, Verdiana was noted from an early age for her generosity and sense of charity. She made a pilgrimage to Santiago de Compostela. Upon returning to Castelfiorentino and feeling a desire for solitude and penance, she had herself walled up as an anchorite in a little cell contiguous to the oratory of San Antonio. She remained secluded there for 34 years under the obedience of a Vallumbrosan abbey (however, the Franciscans claim her as one of their tertiaries). Like many recluses of her era, it is not certain whether Verdiana belonged to any particular monastic order. The Dominican order appropriated her after her death through the redaction of her vita, but probably belonged to none of the mendicant orders during her lifetime. One late account suggests that in 1221 she was visited by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vallombrosians
The Vallombrosians (alternately spelled Vallombrosans, Vallumbrosians or Vallumbrosans) are a monastic religious order in the Catholic Church. They are named after the location of their motherhouse founded in Vallombrosa ( la, Vallis umbrosa, shady valley), situated 30 km from Florence on the northwest slope of Monte Secchieta in the Pratomagno chain. They use the abbreviation O.S.B. Vall. to distinguish themselves from the Benedictines, who use the abbreviation O.S.B. Foundation The founder, a Florentine named Giovanni Gualberto, a member of the prominent Visdomini family, was born in the year 985 or 995, and died at Passignano in the year 1073, on 12 July, (his feast day is still celebrated on this day); he was canonized in 1193. His brother was murdered, and it was his duty was to avenge the deceased. He met the murderer in a narrow lane on Good Friday and was about to slay him, but when the man threw himself upon the ground with arms outstretched in the form of a cross and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin And Child With Two Angels (Andrea Del Verrochio)
''The Virgin and Child with Two Angels'' (Italian, sometimes: ''Madonna del Latte'') is a painting by the Italian Renaissance painter Andrea del Verrocchio, dating from circa 1467–1469. It is in the National Gallery, London, United Kingdom. Description The theme derives from Filippo Lippi's works such as the '' Lippina'' (c. 1465), with Mary holding the child Jesus on her womb, with the help of two baby angels. The scene is set in a marble enclosure, a reference to the ''hortus conclusus''. Behind it, in the background, is a stylized landscape. Sandro Botticelli was in turn inspired by this painting (which a restoration as confirmed to be from Verrocchio), for his '' Madonna and Child and Two Angels'' now on display in the Capodimonte Museum of Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lives Of The Most Excellent Painters, Sculptors, And Architects
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur'' translated by , in Art Documentation Vol 11 # 1, 1992 "some of the 's most influential writing on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany.G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried oil paint film. The addition of oil or alkyd medium can also be used to modify the viscosity and drying time of oil paint. Oil paints were first used in Asia as early as the 7th century AD and can be seen in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, but oil painting did not begin to be adopted as an artistic medium there until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Salvi
San Salvi, also known as San Michele a San Salvi, is a church in Florence, Italy. The church was built in the 11th century by the Vallombrosans as part of an abbey complex. During the 1529 Siege of Florence, the church was partially destroyed. It was reconstructed in accordance with its original style with the exception of the portico which was built with a 16th-century style. The interior of the church is of a single aisle, Latin-cross design with a rectangular apse In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. .... The refectory contains a masterwork fresco of the ''Last Supper'' (1519-1527) by Andrea del Sarto. References External links The Museums of Florence - Last Supper of San Salvi Salvi 11th-century Roman Catholic church buildings in Italy {{Italy-chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568– Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian language, Italian ''dipingere a tempera'' ("paint in Distemper (paint), distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on Ancient Egypt, early Egyptian sarcophagus decorations. Many of the Fayum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith named Andrea d' Oderigo. He was apprenticed to Andrea del Verrocchio, probably in the mid-1470s. He eventually became Verrocchio's primary assistant and inherited his workshop on Verrocchio's death in 1488. On Verrocchio's behalf he completed the famous ''Madonna di Piazza'' for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. Lorenzo's earliest independent works include an ''Annunciation'' in the Uffizi, two panels of the ''Madonna and Child'' at the Galleria Sabauda in Turin, another at the National Gallery in London and ''Adoration of the Child'' at the Pinacoteca Querini Stampal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
