|
The Aurum Film Encyclopedia
''The Aurum Film Encyclopedia'' is a multi-volume reference work on cinema, published in the UK by Aurum Press and edited by Phil Hardy. The first volume, devoted to western films, appeared in 1983, with eight subsequent volumes announced at that time as "forthcoming". However, only three additional entries were issued. All four volumes have been published in the U.S. by The Overlook Press, with the same contents as the UK editions but with the title changed to ''The Overlook Film Encyclopedia''. The Foreword to all four volumes is the same, describing the proposed nine-volume encyclopedia as "covering the principal film categories or genres which have developed since the birth of the industry." The intent was to produce a "complete and authoritative" body of information that, upon completion, would be seen as "a truly comprehensive and enduring reference guide to the fabulous world of film."Haggiag, Michael. ''The Aurum Film Encyclopedia: The Western'', Foreword, pg. vii, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reference Work
A reference work is a work, such as a paper, book or periodical (or their electronic equivalents), to which one can refer for information. The information is intended to be found quickly when needed. Such works are usually ''referred'' to for particular pieces of information, rather than read beginning to end. The writing style used in these works is informative; the authors avoid use of the first person, and emphasize facts. Indices are a common navigation feature in many types of reference works. Many reference works are compiled by a team of contributors whose work is coordinated by one or more editors, rather than by an individual author. Updated editions are usually published as needed, in some cases annually ('' Whitaker's Almanack'', '' Who's Who''). Reference works include almanacs, atlases, bibliographies, biographical sources, catalogs such as library catalogs and art catalogs, concordances, dictionaries, directories such as business directories and tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box Office
A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket. By extension, the term is frequently used, especially in the context of the film industry, as a synonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium. ''Box office'' business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales ( revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry. To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kim Newman
Kim James Newman (born 31 July 1959) is an English journalist, film critic and fiction writer. Recurring interests visible in his work include film history and horror fiction—both of which he attributes to seeing Tod Browning's ''Dracula'' at the age of eleven—and alternative fictional versions of history. He has won the Bram Stoker Award, the International Horror Guild Award, and the BSFA award. Early life Kim Newman was born 31 July 1959 in Brixton, London, the son of Bryan Michael Newman and Julia Christen Newman, both potters.Kim James Newman. ''Contemporary Authors Online'', Gale, 2007. His sister, Sasha, was born in 1961, and their mother died in 2003. Newman attended "a progressive kindergarten and a primary school in Brixton, and then Huish Episcopi County Primary School in Langport, Somerset." In 1966 the family moved to Aller, Somerset. He was educated at Dr. Morgan's Grammar School for Boys in Bridgwater. While he attended, the school merged with two others to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rollin
Jean Michel Rollin Roth Le Gentil (3 November 193815 December 2010) was a French film director, actor, and novelist best known for his work in the fantastique genre. Overview Rollins' career, spanning over fifty years, featured early short films and his achievements with his first four vampire classics '' Le viol du vampire'' (1968), ''La vampire nue'' (1970), '' Le frisson des vampires'' (1970), and '' Requiem pour un vampire'' (1971). Rollin's subsequent notable works include ''La rose de fer'' (1973), '' Lèvres de sang'' (1975), ''Les raisins de la mort'' (1978), ''Fascination'' (1979), and '' La morte vivante'' (1982). His films are noted for their exquisite, if mostly static, cinematography, off-kilter plot progression, poetic dialogue, playful surrealism and recurrent use of well-constructed female lead characters. Outlandish dénouements and abstruse visual symbols were trademarks. Belied by high production values and precise craftsmanship, his films were made with littl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pupi Avati
Giuseppe Avati, better known as Pupi Avati (born 3 November 1938), is an Italian film director, producer, and screenwriter. He is known to horror film fans for his two giallo masterpieces, ''The House with Laughing Windows'' (1976) and '' Zeder'' (1983). Early life and career Pupi Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member. Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's '' 8½'' and its portrait of the role of a director. Avati's passion for music, as well as his love for his hometown, which was the settin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Mojica Marins
José Mojica Marins (13 March 1936 – 19 February 2020) was a Brazilian filmmaker, actor, composer, screenwriter, and television horror host. Marins is also known for creating and playing the character Coffin Joe (loosely translated from Zé do Caixão) in a series of horror films; the character has since gone on to become his alter ego as well as a pop culture icon, a horror icon, and a cult figure. The popularity of Coffin Joe in Brazil has led to the character being referred to as "Brazil's National Boogeyman" and "Brazil's Freddy Krueger". Born in São Paulo, Marins made his feature film directorial debut the 1950s with the film '' Adventurer's Fate''. He went on to direct the 1964 film '' At Midnight I'll Take Your Soul'', which is considered Brazil's first horror film. ''At Midnight I'll Take Your Soul'' marks the first appearance of the Coffin Joe character, a role that Marins would reprise in ''This Night I'll Possess Your Corpse'' (1967) and ''Embodiment of Evil'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesús Franco
Jesús Franco Manera (12 May 1930 – 2 April 2013) was a Spanish filmmaker, composer, and actor, known as a prolific director of low-budget exploitation and B-movies. In a career spanning from 1959 to 2013, he wrote, directed, produced, acted in, and scored approximately 173 feature films, working both in his native Spain and (during the rule of Francisco Franco) in France, West Germany, Switzerland and Portugal. Additionally, during the 1960s, he made several films in Rio de Janeiro and Istanbul. Biography Of Cuban and Mexican parentage, Franco was born in Madrid and studied at the city's Instituto de Investigaciones y Experiencias Cinematográficas and the Institut des hautes études cinématographiques in Paris. He began his career in 1954 (aged 24) as an assistant director in the Spanish film industry, performing many tasks including composing music for some films as well as co-writing a number of the screenplays. He assisted directors such as Joaquín Luis Romero Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Milne
Tom Milne (2 April 1926 – 14 December 2005) was a British film critic. See also After war service, he studied English and French at Aberdeen University and later at the Sorbonne. Interested in the theatre too, he wrote for the magazine ''Encore'', which existed for a decade (1954 to 1965). Milne wrote for ''Sight & Sound'', the ''Monthly Film Bulletin'', ''The Observer'' and ''The Times'' during his career. During the 1960s he was associate editor of ''Sight & Sound'' and editor of the ''Monthly Film Bulletin''. His book length studies of film directors include monographs on Joseph Losey (1968) and Rouben Mamoulian (1969) in the Thames & Hudson Cinema One series, the former comprising a series of extended interviews with the director. He also wrote a short study on the Danish director Carl Theodor Dreyer (1971) and edited and translated an anthology of interviews and writings on Jean-Luc Godard (1972). In addition, Tom Milne oversaw the translation and subtitling of Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop Trick
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Gifford
Denis Gifford (26 December 1927 – 18 May 2000)Holland, Steve, Obituaries: Denis Gifford', ''The Guardian'', 26 May 2000. was a British writer, broadcaster, journalist, comic artist and historian of film, comics, television and radio. In his lengthy career, he wrote and drew for British comics; wrote more than fifty books on the creators, performers, characters and history of popular media; devised, compiled and contributed to popular programmes for radio and television; and directed several short films. Gifford was also a major comics collector, owning what was perhaps the largest collection of British comics in the world. Gifford's work in the history of film and comics, particularly in Britain, provided an account of the work in those media of previously unattempted scope, discovering countless lost films and titles and identifying numerous uncredited creators. He was particularly interested in the early stages in film and comics history, for which records were scarce an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
