The Au Go Go Singers
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The Au Go Go Singers
The Au Go Go Singers were a nine-member folk group formed in New York City in 1964, and best remembered for featuring Stephen Stills and Richie Furay two years before they formed Buffalo Springfield. Career Stills and Furay met while performing in folk clubs in Greenwich Village, alongside Furay's former college classmates Bob Harmelink and Nels Gustafson. They were seen by songwriter Ed E. Miller, the credited co-writer of the Serendipity Singers' hit "Don't Let the Rain Come Down". In early 1964, Miller was preparing a revue, ''America Sings'', which chronicled the history of folk music in America, and suggested that the four, together with an existing group, the Bay Singers – Roy Michaels, Mike Scott, Fred Geiger and Jean Gurney – and Kathy King (Kathrin King Segal), provide the music in the show. Although the show only ran for two weeks, Miller secured a contract with Roulette Records for the nine-strong group to record an album, which they did with producers Hu ...
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Greenwich Village
Greenwich Village ( , , ) is a neighborhood on the west side of Lower Manhattan in New York City, bounded by 14th Street to the north, Broadway to the east, Houston Street to the south, and the Hudson River to the west. Greenwich Village also contains several subsections, including the West Village west of Seventh Avenue and the Meatpacking District in the northwest corner of Greenwich Village. Its name comes from , Dutch for "Green District". In the 20th century, Greenwich Village was known as an artists' haven, the bohemian capital, the cradle of the modern LGBT movement, and the East Coast birthplace of both the Beat and '60s counterculture movements. Greenwich Village contains Washington Square Park, as well as two of New York City's private colleges, New York University (NYU) and The New School. Greenwich Village is part of Manhattan Community District 2, and is patrolled by the 6th Precinct of the New York City Police Department. Greenwich Village has underg ...
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Billy Edd Wheeler
Billy Edward "Edd" Wheeler (born December 9, 1932, Boone County, West Virginia, United States) is an American songwriter, performer, writer, and visual artist. His songs include "Jackson" (Grammy award winner for Johnny Cash and June Carter) "The Reverend Mr. Black", "Desert Pete", "Ann", " High Flyin' Bird", "The Coming of the Roads", " It’s Midnight", "Ode to the Little Brown Shack Out Back", "Coal Tattoo", "Winter Sky", and "Coward of the County" (which inspired a 1981 television movie of the same name) and have been performed by over 160 artists including Judy Collins, Jefferson Airplane, Bobby Darin, The Kingston Trio, Neil Young, Kenny Rogers, Hazel Dickens, Florence and the Machine, Kathy Mattea, Nancy Sinatra, and Elvis Presley. "Jackson" was also recorded by Joaquin Phoenix and Reese Witherspoon for the movie ''Walk the Line''. His song "Sassafras" was covered in the folk rock era by Modern Folk Quartet and The West Coast Pop Art Experimental Band. Wheeler is the a ...
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The Company (folk Rock Band)
Stephen Arthur Stills (born January 3, 1945) is an American musician, singer and songwriter best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in ''Rolling Stone''s 2003 list of "The 100 Greatest Guitarists of All Time"''Rolling Stone'The 100 Greatest Guitarists of All Time2003-08-27. and number 47 in the 2011 list. Stills became the first person to be inducted twice with his groups on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart ...
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Stage Fright
Stage fright or performance anxiety is the anxiety, fear, or persistent phobia which may be aroused in an individual by the requirement to perform in front of an audience, real or imagined, whether actually or potentially (for example, when performing before a camera). Performing in front of an unknown audience can cause significantly more anxiety than performing in front of familiar faces. In some cases, the person will suffer no such fright from this, while they might suffer from not knowing who they're performing to. In some cases stage fright may be a part of a larger pattern of social phobia (social anxiety disorder), but many people experience stage fright without any wider problems. Quite often, stage fright arises in a mere anticipation of a performance, often a long time ahead. It has numerous manifestations: stuttering, tachycardia, tremor in the hands and legs, sweaty hands, facial nerve tics, dry mouth, and dizziness. People and situations Stage fright can occur in pe ...
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Draft Notice
In the United States, military conscription, commonly known as the draft, has been employed by the U.S. federal government in six conflicts: the American Revolutionary War, the American Civil War, World War I, World War II, the Korean War, and the Vietnam War. The fourth incarnation of the draft came into being in 1940, through the Selective Training and Service Act. It was the country's first peacetime draft. From 1940 until 1973, during both peacetime and periods of conflict, men were drafted to fill vacancies in the U.S. Armed Forces that could not be filled through voluntary means. Active conscription in the United States ended in 1973, when the U.S. Armed Forces moved to an all-volunteer military. However, conscription remains in place on a contingency basis and all male U.S. citizens, regardless of where they live, and male immigrants, whether documented or undocumented, residing within the United States, who are 18 through 25 are required to register with the Selective ...
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British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ...
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Morris Levy
Morris Levy (born Moishe Levy; August 27, 1927 – May 21, 1990) was an American entrepreneur in the fields of jazz clubs, music publishing, and the independent record industry. Levy was cofounder and owner of Roulette Records, founding partner of the Birdland jazz club and the Roulette Room. He was a prominent subject of investigations into organized crime and the music industry, and was convicted of extortion shortly before his death. At the peak of his business career, Levy owned more than 90 companies employing 900 people, including record-pressing plants, tape-duplicating plants, a distribution company, a prominent New England chain of 81 record stores (Strawberries), and many record labels. Levy, who went by "Moishe" or "Mo" within the record industry, was described by ''Billboard'' magazine as "one of the record industry's most controversial and flamboyant players" and by ''Variety'' as "The Octopus", for his far-reaching control, disproportionate to the size of his com ...
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San Francisco Bay Blues
"San Francisco Bay Blues" is an American folk song and is generally considered to be the most famous composition by Jesse Fuller. Fuller first recorded the song in 1954, which was released by the World Song label in 1955. A "one-man band" rendition of the song featuring a kazoo solo was recorded by Fuller during a 1962 concert. It appears on a Smithsonian Folkways compilation, ''Friends of Old Time Music''. Topic Records issued the original Jesse Fuller version on a 10-inch vinyl LP called ''Working on the Railroad'' in 1959 and included it as track six of the first CD of the Topic Records 70 year anniversary boxed set ''Three Score and Ten ''Three Score and Ten: A Voice to the People'' is a multi-CD box set album issued by Topic Records in 2009 to celebrate 70 years as an independent British record label. The album consists of a hardback book containing the seven CDs and a paper ...''. References 1954 songs American folk songs Blues songs Songs about San Francisco
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Lee Hays
Lee Elhardt Hays (March 14, 1914 – August 26, 1981) was an American folksinger and songwriter, best known for singing bass with the Weavers. Throughout his life, he was concerned with overcoming racism, inequality, and violence in society. He wrote or cowrote "Wasn't That a Time?", "If I Had a Hammer", and " Kisses Sweeter than Wine", which became Weavers' staples. He also familiarized audiences with songs of the 1930s labor movement, such as "We Shall Not Be Moved". Childhood Hays came naturally by his interest in folk music since his uncle was the eminent Missouri and Arkansas folklorist Vance Randolph, author of, among other works, the bestselling ''Pissing in the Snow and Other Ozark Folktales'' and ''Who Blewed Up the Church House?''. Hays' social conscience was ignited when at age five he witnessed public lynchings of African-Americans. He was born in Little Rock, Arkansas, the youngest of the four children of William Benjamin Hays, a Methodist minister, and Ell ...
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John Stewart (musician)
John Coburn Stewart (September 5, 1939 – January 19, 2008) was an American songwriter and singer. He is known for his contributions to the American folk music movement of the 1960s while with the Kingston Trio (1961–1967) and as a popular music songwriter of the Monkees' No. 1 hit "Daydream Believer" and his own No. 5 hit "Gold" during a solo career spanning 40 years that included almost four dozen albums and more than 600 recorded songs. Early life Born in San Diego, Stewart was the son of horse trainer John S. Stewart and spent his childhood and adolescence in Southern California, living mostly in the cities of Pasadena and Claremont. He graduated in 1957 from Pomona Catholic High School, which at the time was a coeducational school. Following graduation from high school, John went on to attend Mt. San Antonio Junior College in Pomona, California, during 1957–1958, when he was active in its music and theater programs. He demonstrated an early talent for music, learnin ...
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Jesse Fuller
Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Early life Fuller was born in Jonesboro, Georgia, near Atlanta. He was sent by his mother to live with foster parents when he was a young child, in a rural setting where he was badly mistreated. Growing up, he worked at numerous jobs: grazing cows for ten cents a day; working in a barrel factory, a broom factory, and a rock quarry; working on a railroad and for a streetcar company; shining shoes; and even peddling hand-carved wooden snakes.Koenig, Lester (1963). Liner notes to ''Jesse Fuller: San Francisco Bay Blues''. Good Time Jazz S10051. By the age of 10, he was playing the guitar in two techniques, which he described as "frailing" and "picking". In the 1920s he lived in southern California, where he operated a hot-dog stand and was befriended by Douglas Fairbanks. He worked briefly as a film extra in '' The Thief of Bagdad'' (1924) an ...
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Hootenanny
A hootenanny is a party involving music in the United States. It is particularly associated with folk music. Etymology Placeholder Hootenanny is an Appalachian colloquialism that was used in the early twentieth century U.S. as a placeholder name to refer to things whose names were forgotten or unknown. In this usage it was synonymous with '' thingamajig'' or '' whatchamacallit'', as in: "Hand me that hootenanny." Party ''Hootenanny'' was also an old country word for "party". It can refer to a folk music party with an open mic, at which different performers are welcome to get up and play in front of an audience. Folk music use According to Pete Seeger he first heard the word ''hootenanny'' in Seattle, Washington in the summer of 1941 while touring the area with Woody Guthrie. It was used by Hugh DeLacy's New Deal political club to describe their monthly music fund raisers. After some debate the club voted in ''hootenanny'', which narrowly beat out ''wingding''. Seeger, Woody Gu ...
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