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The Art Of The Trio
''The Art of The Trio'' is a studio album by pianist Sonny Clark. It features alternate takes of three October 1957 pieces originally appeared on ''Sonny Clark Trio'', while the new tracks were recorded on November 16, 1958. The album was released only in Japan in 1980 as GXF 3069, then reissued, again in Japan, in the 1990s as ''The 45 Sessions'' featuring an alternate take of "Gee Baby, Ain't I Good To You?". The tracks #4-9 can be found on the compilation ''Standards'' and on the 2014 Japanese release of '' Blues in the Night''; tracks #1-3 are included on the CD reissue of ''Sonny Clark Trio''. Track listing # "Tadd's Delight" lternate Take- 5:01 # "Two Bass Hit" lternate Take- 4:01 # "I Didn't Know What Time It Was" (Richard Rodgers, Lorenz Hart) lternate Take- 4:25 # "Ain't No Use" (Leroy Kirkland, Sidney Wyche) - 4:49 # " Black Velvet" (Illinois Jacquet, Jimmy Mundy) - 3:23 # "I'm Just a Lucky So-and-So (Mack David, Duke Ellington) - 4:33 # "Gee, Baby, Ain't I Good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Clark
Conrad Yeatis "Sonny" Clark (July 21, 1931 – January 13, 1963) was an American jazz pianist and composer who mainly worked in the hard bop idiom. Early life Clark was born and raised in Herminie, Pennsylvania, a coal mining town east of Pittsburgh.Stephenson, Sam (January 13, 2011"Notes from a Biographer: Sonny Clark" ''The Paris Review''. His parents were originally from Stone Mountain, Georgia. His miner father, Emery Clark, died of a lung disease two weeks after Sonny was born. Sonny was the youngest of eight children. At age 12, he moved to Pittsburgh. Later life and career While visiting an aunt in California at age 20, Clark decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, was working with clarinetist Buddy DeFranco in 1953. Clark toured the United States and Europe with DeFranco until January 1956, when he joined The Lighthouse All-Stars, led by bassist Howard Rumsey. Wishing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illinois Jacquet
Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument. Early life Jacquet's parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet,The Sons and Daughters of Jean Baptiste Jacquet (1995) When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Give You Anything But Love
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's ''Blackbird Revue'', which opened on Broadway later that year as the highly successful '' Blackbirds of 1928'' (518 performances), wherein it was performed by Adelaide Hall, Aida Ward, and Willard McLean. In the 100-most recorded songs from 1890 to 1954, "I Can't Give You Anything But Love, Baby" (1928) is No. 24. Background Jimmy McHugh and Dorothy Fields had written the score for a revue at Les Ambassadeurs Club on 57th Street, New York, which featured the vocalist Adelaide Hall. However, the producer Lew Leslie believed that they still missed a 'smash' tune. The team pondered for a while before finally playing Leslie "I Can't Give You Anything but Love, Baby". This was the song Leslie had been looking for and he immediately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Stillman
Al Stillman ''(né'' Albert Irving Silverman; 26 June 1901 Manhattan, New York – 17 February 1979 Manhattan, New York) was an American lyricist. Biography Stillman was born to Jewish parents Herman Silverman and Gertrude Rubin ''(maiden).'' He adopted the name "Albert Stillman" as a professional pseudonym. He chose the name, reportedly, because it was the recognizable surname of a well-known New York banking family. He was Jewish. He attended New York University. After graduation, he contributed to Franklin P. Adams' newspaper column, and in 1933 became a staff writer at Radio City Music Hall, a position he held for almost 40 years. Stillman collaborated with a number of composers: Fred Ahlert, Robert Allen, Percy Faith, George Gershwin, Ernesto Lecuona, Paul McGrane, Kay Swift, and Arthur Schwartz. Many of his collaborations with Allen were major hits in the 1950s for The Four Lads; the Stillman/Allen team also wrote hit songs for Perry Como and Johnny Mathis. Stillman was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Lecuona
Ernesto Lecuona y Casado (; August 7, 1896 – November 29, 1963) was a Cuban composer and pianist, many of whose works have become standards of the Latin, jazz and classical repertoires. His over 600 compositions include songs and zarzuelas as well as pieces for piano and symphonic orchestra. In the 1930s, he helped establish a popular band, the Lecuona Cuban Boys, which showcased some of his most successful pieces and was later taken over by Armando Oréfiche. In the 1950s, Lecuona recorded several LPs, including solo piano albums for RCA Victor. He moved to the United States after the Cuban Revolution and died in Spain in 1963. Early years Lecuona was born in Guanabacoa, Havana, Cuba, Kingdom of Spain, to a Cuban mother and a Canarian father. There are inconsistencies surrounding his birthdate, with some sources indicating the year 1895, and others still giving the day as August 6. He started studying piano at the age of five, under the tuition of his sister Ernestina Lecu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutti Camarata
Salvador "Tutti" Camarata (May 11, 1913 – April 13, 2005) was an American composer, arranger, trumpeter, and record producer. Also known as "Toots" Camarata. Early life and career Camarata, born in Glen Ridge, New Jersey, United States, and studied music at Juilliard School in New York — a student of Bernard Wagenaar, Joseph Littau, Cesare Sodero, and Jan Meyerowitz. His early career was as a trumpet player for bands such as Jimmy and Tommy Dorsey, Benny Goodman and others, eventually becoming the lead trumpet and arranger for Jimmy Dorsey (arranging such hits as ''Tangerine'', ''Green Eyes'' and ''Yours''). He also did arranging for Glen Gray and the Casa Loma Orchestra, Benny Goodman, Louis Armstrong, Bing Crosby, Nancy Sinatra, Billie Holiday, Ella Fitzgerald, Duke Ellington and many others. He conducted and orchestrated a recording of Jascha Heifetz. During World War II, he served as a flight instructor in the Army Air Forces. London Records In 1944, J. Arthur Rank su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, music arrangement, arranger, bandleader, and composer. Biography Redman was born in Piedmont, West Virginia, Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become Swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Razaf
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) was an American poet, composer and lyricist of such well-known songs as " Ain't Misbehavin'" and " Honeysuckle Rose". Biography Razaf was born in Washington, D.C., United States. His birth name was Andriamanantena Paul Razafinkarefo. He was the son of Henri Razafinkarefo, nephew of Queen Ranavalona III of the Imerina kingdom in Madagascar, and Jennie Razafinkarefo (née Waller), the daughter of John L. Waller, the first African American consul to Imerina. The French invasion of Madagascar (1894-95) left his father dead, and forced his pregnant 15-year-old mother to escape to the United States, where he was born in 1895. He was raised in Harlem, Manhattan, and at the age of 16 he quit school and took a job as an elevator operator at a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. During this time he would spend many ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gee, Baby, Ain't I Good To You
"Gee, Baby, Ain't I Good to You" is a 1929 song written by Andy Razaf and Don Redman. It was recorded by the Redman-led McKinney's Cotton Pickers on Victor on November 5, 1929 as "Gee, Ain't I Good to You." King Cole Trio recording Nat King Cole's King Cole Trio recorded the song on November 30, 1943 during a 3-hour recording session at C.P. MacGregor Studios in Hollywood. "Straighten Up and Fly Right," "If You Can’t Smile and Say Yes," and "Jumpin' at Capitol" were recorded during the same session, produced by Johnny Mercer and engineered by John Palladino. The single peaked at #20 on the national charts and was the group's final #1 on the Harlem Hit Parade. The A-side of the song, "I Realize Now" peaked at #9 on the Harlem Hit Parade. It is usually played in E flat. Other notable recordings Other notable recordings of the song include versions by: Fats Waller, Dizzy Gillespie, Count Basie, Billie Holiday, Peggy Lee, Ella Fitzgerald, Stanley Turrentine, Sonny Clark, Art Bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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