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The Americanization Of Ooga Booga
''The Americanization of Ooga Booga'' is a live album by South African jazz trumpeter Hugh Masekela. MGM released the record in June 1966. Background The album is a blend of American jazz themes and traditional South African musical influences. It was recorded live in November 1965 at The Village Gate night club in New York City and released in June 1966 via MGM Records label. MGM's president was convinced that Masekela's albums were too African for American tastes, so soon after Masekela moved to Chisa/Blue Thumb labels. Verve Records re-released the album in 1996 as a CD named ''The Lasting Impression of Ooga-Booga'', adding five more tracks from his 1968 album ''The Lasting Impression of Hugh Masekela''. Reception Bruce Eder of Allmusic noted about this album: "The influence of Dizzy Gillespie and Freddie Hubbard can be heard, along with McCoy Tyner in the playing of pianist Larry Willis, and he shows his debt to John Coltrane as an inspiration on 'Mixolydia' as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Masekela
Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and " Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass". Early life Hugh Ramapolo Masekela was born in the township of KwaGuqa in Witbank (now called Emalahleni), South Africa, to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. His younger sister Barbara Masekela is a poet, educator and ANC activist. As a child, he began singing and playing piano and was largely raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the 1950 film '' Young Man with a Horn'' (in which Kirk Douglas plays a character modelled on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amoeba Music
Amoeba Music is an American independent music store chain with locations in Berkeley, San Francisco, and Hollywood, Los Angeles, California. It was founded in 1990 in Berkeley, California, and remains in operation, having survived the decline of CD sales in the 2000s. History Original Berkeley store (1990) Amoeba Music was founded by former employees of nearby Rasputin Records and opened on Telegraph Avenue in Berkeley in 1990. Cofounders include but are not limited to Marc Weinstein, Dave Prinz, Yvonne Prinz, and Kent Randolph. The iconic Amoeba logo was designed by comic book artist Shepherd Hendrix. Primarily operating on reselling used goods, Amoeba has survived the decline of CD sales since the early 2000s with its trade-in program and the advent of the vinyl revival. Second store (San Francisco, 1997) A second location, in San Francisco, opened on November 15, 1997, in the Haight-Ashbury neighborhood near Golden Gate Park. It is located in the former Park Bowl b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Ben
Jorge Duílio Lima Menezes (born March 22, 1939) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben (). His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter. _Biography_))).html" ;"title="allmusic ((( Jorge Ben > Biography )))">allmusic ((( Jorge Ben > Biography )))/ref> His hits include "Chove Chuva", " Mas, que Nada!", "Ive Brussel" and "Balança Pema", and have been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte. Ben's broad-minded and original approach to samba led him through participation in some of Brazilian popular music's most important musical movements, such as bossa nova, Jovem Guarda, and Tropicália, with the latter period defined by his albums ''Jorge Ben'' (1969) and ''Fôrça Bruta'' (1970). He has been called "the father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Makeba
Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including African popular music, Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa. Born in Johannesburg to Swazi people, Swazi and Xhosa people, Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks (South African vocal group), the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantaloupe Island
"Cantaloupe Island" is a jazz standard composed by Herbie Hancock and recorded for his 1964 album '' Empyrean Isles'' during his early years as one of the members of Miles Davis' 1960s quintet. Hancock later recorded a jazz-funk fusion version of the track, as Cantalope Island, on his 1976 album ''Secrets''. Musicians The musicians for the original 1964 recording were: Hancock (piano), Freddie Hubbard ( cornet), Ron Carter ( bass) and Tony Williams (drums). The 1976 recording featured Bennie Maupin (saxophone), Wah Wah Watson (guitar), Paul Jackson (bass), and James Levi (drums). Samples The jazz rap group Us3 sampled "Cantaloupe Island" in their song "Cantaloop (Flip Fantasia)", from their album ''Hand On the Torch'' (1993). "Cantaloop (Flip Fantasia)" was recorded as a demo a year before the group's first release. but in the US, "Cantaloop (Flip Fantasia)" reached, No. 21 on the R&B Single Sales chart No. 9 on the ''Billboard'' Hot 100, becoming the group's only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monterey Pop Festival
The Monterey International Pop Festival was a three-day music festival held June 16 to 18, 1967, at the Monterey County Fairgrounds in Monterey, California. The festival is remembered for the first major American appearances by the Jimi Hendrix Experience, the Who and Ravi Shankar, the first large-scale public performance of Janis Joplin and the introduction of Otis Redding to a mass American audience. The festival embodied the theme of California as a focal point for the counterculture and generally is regarded as one of the beginnings of the " Summer of Love" in 1967 and the public debut of the hippie, flower power and flower children movements and era. Because Monterey was widely promoted and heavily attended, featured historic performances, and was the subject of a popular theatrical documentary film, it became an inspiration and a template for future music festivals, including the Woodstock Festival two years later. ''Rolling Stone'' publisher Jann Wenner said "Monterey wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Willis
Lawrence Elliott Willis (December 20, 1942 – September 29, 2019) was an American jazz pianist and composer. He performed in a wide range of styles, including jazz fusion, Afro-Cuban jazz, bebop, and avant-garde jazz, avant-garde. Willis was born in New York City. After his first year studying music theory at the Manhattan School of Music he began performing regularly with Jackie McLean. After he graduated he made his first jazz recording, McLean's ''Right Now! (Jackie McLean album), Right Now!'' in January 1965, which featured two of Willis' compositions. His first recording of any type, however, was as a singer with the Music and Arts Chorale Ensemble, performing an opera by Aaron Copland under the direction of Leonard Bernstein. He decided to concentrate on jazz because of the difficulties African-American musicians had in finding work in concert music. Throughout his career he performed with a wide range of musicians, including several years as keyboardist for Blood, Sweat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
