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The American Epic Sessions
''The American Epic Sessions'' is a documentary film in which an engineer restores the fabled long-lost first electrical sound recording system from 1925, and twenty contemporary artists pay tribute to the momentous machine by attempting to record songs on it for the first time in 80 years. The film was directed and co-written by Bernard MacMahon and stars Nas, Alabama Shakes, Elton John, Willie Nelson, Merle Haggard, Jack White, Taj Mahal, Ana Gabriel, Pokey LaFarge, Beck, Ashley Monroe, Los Lobos, The Avett Brothers, Bettye LaVette, Rhiannon Giddens, Raphael Saadiq, Edie Brickell, Steve Martin, and others. The film employed a diverse line-up of performers both ethnically and musically to represent the breadth of cultures that were first given a national platform through the invention of this recording machine. It also explored the extent to which the recordings made on it in the 1920s influenced and inspired contemporary music. Development The film involved a decade of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard MacMahon (filmmaker)
Bernard MacMahon is a British-American film director and screenwriter. Early life Bernard MacMahon was born in England and grew up in South London. He developed an interest in early American cinema at a young age and was shooting and editing 8 mm short films by the age of 12. MacMahon said “America has fascinated me since I was a child. My big love is American cinema, especially early American cinema, and I’ve always been fascinated by that period in the 20s when the technology and artistic language of film was being invented.” Film career Bernard MacMahon's debut film was ''American Epic'', an award-winning documentary film series about the first recordings of roots music in the United States during the 1920s and their cultural, social and technological impact on North America and the world. Directed and co-written by MacMahon, the story was told through twelve ethnically and musically diverse musicians who auditioned for and participated in those pioneering reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Lobos
Los Lobos (, Spanish for "the Wolves") are an American rock band from East Los Angeles, California. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. The band rose to international stardom in 1987, when their version of Ritchie Valens' " La Bamba" peaked at the top of the ''Billboard'' Hot 100, and also topped the charts in the United Kingdom, and several other countries. Songs by Los Lobos have been recorded by Elvis Costello, Waylon Jennings, Frankie Yankovic, and Robert Plant. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. In 2018, they were inducted into the ''Austin City Limits'' Hall of Fame. They are also known for performing the theme song for ''Handy Manny''. History 1973–79: Formation and early releases Vocalist and guitarist David Hidalgo and drummer Louie Pérez met at Garfield High School in East Los Angeles, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith in Hove, who used medium close-ups in films as early as 1898 and by 1900 was incorporating extreme close-ups in films such as ''As Seen Through a Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tracking Shot
A tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. In cinematography, the term refers to a shot in which the camera is mounted on a camera dolly that is then placed on rails – like a railroad track. As a result, this type of shot is often referred to as a dolly shot. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed or moved manually when using a handheld rig. The technique is often used to follow a subject that would otherwise leave the frame (ergo, it is often called a following shot), such as an actor or vehicle in motion. In this spirit, any conveyance, such as a motorized vehicle like a car, may also be used to create a tracking shot. A handheld or Steadicam mounted camera following a similar trajectory is called a tracking shot as well. While the core idea is that the camera moves parallel to its subjec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Recording
The term studio recording means any recording made in a studio, as opposed to a live recording, which is usually made in a concert venue or a theatre, with an audience attending the performance. Studio cast recordings In the case of Broadway musicals, the term studio cast recording applies to a recording of the show which does not feature the cast of either a stage production or film version of the show. The practice has existed since before the advent of Broadway cast albums in 1943. That year the songs from Rodgers and Hammerstein's ''Oklahoma!'', performed by the show's cast, were released on a multi-record 78-RPM album by American Decca. (London original cast albums have existed since the early days of recording, however, and there are recordings in existence of excerpts from such shows as ''The Desert Song'', '' Sunny'', and ''Show Boat'', all performed by their original London stage casts.) History Before 1943, musicals were recorded in the U.S. with what might be termed s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Martin
Stephen Glenn Martin (born August 14, 1945) is an American actor, comedian, writer, producer, and musician. He has won five Grammy Awards, a Primetime Emmy Award, and was awarded an Honorary Academy Award in 2013. Additionally, he was nominated for two Tony Awards for his musical '' Bright Star'' in 2016. Among many honors, he has received the Mark Twain Prize for American Humor, the Kennedy Center Honors, and an AFI Life Achievement Award. In 2004, Comedy Central ranked Martin at sixth place in a list of the 100 greatest stand-up comics. ''The Guardian'' named him one of the best actors never to have received an Academy Award nomination. Martin came to public notice in the 1960s as a writer for ''The Smothers Brothers Comedy Hour'', for which he won a Primetime Emmy Award in 1969, and later as a frequent host on ''Saturday Night Live''. In the 1970s, Martin performed his offbeat, absurdist comedy routines before sold-out theaters on national tours. Since the 1980s, having ret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edie Brickell
Edie Arlisa Brickell (born March 10, 1966) is an American singer-songwriter widely known for 1988's ''Shooting Rubberbands at the Stars'', the debut album by Edie Brickell & New Bohemians, which went to No. 4 on the ''Billboard'' albums chart. She is married to singer-songwriter Paul Simon. Early life Brickell was born in the Oak Cliff neighborhood of Dallas, Texas to Larry Jean (Sellers) Linden and Paul Edward Brickell. She was raised with her older sister, Laura Strain. She attended Booker T. Washington High School for the Performing and Visual Arts in Dallas, and later studied at Southern Methodist University until she joined a band and decided to focus on songwriting. Music career Edie Brickell & New Bohemians In 1985, Brickell was invited to sing one night with friends from her high school in a local folk rock group, New Bohemians. She joined the band as lead singer. After the band was signed to a recording contract, the label changed the group's name to Edie Brickel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Saadiq
Raphael Saadiq (; born Charles Ray Wiggins; May 14, 1966) is an American singer, songwriter, multi-instrumentalist, and record producer. He rose to fame as a member of the multiplatinum group Tony! Toni! Toné! In addition to his solo and group career, he has also produced songs for such artists as Erykah Badu, Jill Scott (singer), Jill Scott, Stevie Wonder, Joss Stone, D'Angelo, TLC (group), TLC, En Vogue, Kelis, Mary J. Blige, Ledisi, Whitney Houston, Solange Knowles and John Legend. Music critic Robert Christgau has called Saadiq the "preeminent R&B artist of the '90s". Saadiq was also a member of The Ummah, a music production collective, alongside D'Angelo, Q-Tip (rapper), Q-Tip, Ali Shaheed Muhammad, and J Dilla; and was a member of the Supergroup (music), supergroup Lucy Pearl with Dawn Robinson. He has released five solo albums, including the critically acclaimed retro-styled ''The Way I See It'' (2008) and ''Stone Rollin''' (2011). The more contemporary-sounding ''Jimmy L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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