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The Ambitious Stepmother
''The Ambitious Stepmother'' is a 1700 tragedy by the British writer Nicholas Rowe. It was his debut play. Rowe set his play in Biblical times, but it had strong subtexts of the contemporary questions about the British succession that led to the Act of Settlement in 1701.Engel & McGirr p.122 At the court of Persia, Amestris schemes against her stepson Artaxerses. The original cast included John Verbruggen as Artaxerses, Barton Booth as Artaban, Thomas Betterton as Memnon, John Bowman as Magas, George Pack as Cleanthes, Elizabeth Barry as Artemisa, Elizabeth Bowman Elizabeth Bowman (c. 1677 – 1707) was an English stage actor of the seventeenth and early eighteenth century.Caines p.149 The daughter of Sir Francis Watson, 1st Baronet she was adopted by the actor manager Thomas Betterton. In 1692 she married ... as Cleone and Anne Bracegirdle as Amestris. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 170 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Rowe (writer)
Nicholas Rowe (; 20 June 1674 – 6 December 1718), English dramatist, poet and miscellaneous writer, was appointed Poet Laureate in 1715. His plays and poems were well-received during his lifetime, with one of his translations described as one of the greatest productions in English poetry. He was also considered the first editor of the works of William Shakespeare. Life Nicholas Rowe was born in Little Barford, Bedfordshire, England, son of John Rowe (d. 1692), barrister and sergeant-at-law, and Elizabeth, daughter of Jasper Edwards, on 20 June 1674. His family possessed a considerable estate at Lamerton in Devonshire. His father practised law and published Benlow's and Dallison's Reports during the reign of King James II. The future Poet Laureate was educated first at Highgate School, and then at Westminster School under the guidance of Richard Busby. In 1688, Rowe became a King's Scholar, which was followed by his entrance into Middle Temple in 1691. His entrance into Midd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bowman (actor)
John Bowman (1651–1739) was a British stage actor.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXVIII He began his career in the Duke's Company at the Dorset Garden Theatre. In 1692 he married Elizabeth Watson, who acted under the name Elizabeth Bowman. He later switched to act at the Drury Lane Theatre. He is also referred to as John Boman. Selected roles * Peter Santloe in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Saunter in '' Friendship in Fashion'' by Thomas Otway (1678) * Patroclus in '' The Destruction of Troy'' by John Banks (1678) * Pisander in '' The Loyal General'' by Nahum Tate (1679) * Crotchett '' The Virtuous Wife'' by Thomas D'Urfey (1679) * Patroclus in ''Troilus and Cressida'' by John Dryden (1679) * Mr Shatter in '' The Revenge'' by Aphra Behn (1680) * Duke of Clarence in ''The Misery of Civil War'' by John Crowne (1680) * Atticus in ''Theodosius'' by Nathaniel Lee (1680) * Dreswell in ''The City Heiress'' by Aphra Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Nicholas Rowe
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1700 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *'' Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Bracegirdle
Anne Bracegirdle (possibly 167112 September 1748) was an English actress. Biography Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her tombstone says that she died at the age of 85 (suggesting that she was born around 1663)."Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> She was probably raised by actors Thomas and Mary Betterton from an early age,J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> and it is speculated tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Bowman
Elizabeth Bowman (c. 1677 – 1707) was an English stage actor of the seventeenth and early eighteenth century.Caines p.149 The daughter of Sir Francis Watson, 1st Baronet she was adopted by the actor manager Thomas Betterton. In 1692 she married John Bowman and began acting at Drury Lane the following year as Mrs Bowman. She was a member of the United Company until 1695 then joined Betterton's breakaway at the Lincoln's Inn Fields Theatre. Selected roles * Sylvia in ''The Old Batchelor'' by William Congreve (1693) * Mrs Stockjobb in ''The Richmond Heiress'' by Thomas D'Urfey (1693) * Cecilia in '' The Married Beau'' by John Crowne (1694) * Mrs Foresight in ''Love For Love'' by William Congreve (1695) * Juliana in ''She Ventures and He Wins'' by Ariadne (1695) * Mrs Plant in '' The Lover's Luck'' by Thomas Dilke (1695) * Lucinda in '' The She-Gallants'' by George Granville (1695) * Arabella ''The City Bride'' by Joseph Harris (1696) * Selima in '' The Royal Mischief'' by Dela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Pack (actor)
George Pack ( fl. 1700 – 1724) was a British stage actor, singer and theatre manager of the eighteenth century.Heard p.48 His first known performance on the London stage was as Westmoreland in Shakespeare's '' Henry IV'' at the Lincoln's Inn Fields Theatre and he remained with the company until it transferred to the Queens's Theatre in the Haymarket in 1705. He played in a mixture of comedies and tragedies, originating roles in plays by many of the leading dramatists of the era including Nicholas Rowe, Mary Pix, John Vanbrugh and Susanna Centlivre. In 1708 Pack joined the Drury Lane company and remained with it until he left to join John Rich's new company at the revived Lincoln's Inn Fields Theare in 1715. His final original role was in '' The Chimera'' in 1721. The following year he announced his retirement but came back briefly to appear in a benefit performance for Frances Maria Knight in 1724 and also received his own benefit shortly afterwards. After leaving the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Betterton
Thomas Patrick Betterton (August 1635 – 28 April 1710), the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London. Apprentice and actor Betterton was born in August 1635 in Tothill Street, Westminster.''The National Cyclopaedia of Useful Knowledge'', Vol.III, London, Charles Knight, 1847, p.273 He was apprenticed to John Holden, Sir William Davenant's publisher, and possibly later to a bookseller named John Rhodes, who had been wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and on the reopening of this theatre in 1660, Betterton made his first appearance on the stage. Betterton's talents at once brought him into prominence, and he was given leading parts. On the opening of the new theatre in Lincoln's Inn Fields in 1661, Davenant, the patentee of the Duke's Company, engaged Betterton and all Rhodes's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth (priest), Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth (judge), Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria (comedy), Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's ''Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Verbruggen
John Baptista Verbruggen, d. 1708, was an English actor working in London. Verbruggen is first mentioned as a member of the United Company in a Lord Chamberlain's warrant in 1688. His name does not appear in any cast lists until October 1690. The ''Biographical Dictionary of Actors'' contains an inconclusive discussion of the statement in Thomas Davies's ''Dramatic Miscellanies'' (1784) that Verbruggen was identical to the actor referred to in 1680s and 90s cast lists as "Mr. Alexander", supposedly an alias based on the part of Alexander the Great in John Dryden's '' Rival Queens''. The evidence is confusing, and there is no independent support for Davies's anecdote, written down a century later. Verbruggen had never played the part of Alexander the Great and was not to do so until January 1703. One reason for Verbruggen to use a different name might have been that his own was often misspelled: Verbrugen, Verbrogell, Verkruggan, Verbrugger. As "John Verbuggin", he is recorded as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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