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The Amazing Charlatans
''The Amazing Charlatans'' is a compilation album by the American psychedelic rock band the Charlatans that was released in 1996 by Big Beat Records. The album is a collection of demos, tracks that appeared on singles, and previously unreleased sessions that the band recorded between August 1965 and early 1968, at a variety of different San Francisco studios. All but three of the tracks featured on the album were previously unreleased, although a number of them had appeared on unofficial or bootleg albums over the years. The tracks on the album that had been officially released before were "The Shadow Knows" and "32–20", which had both been issued on a 1966 single, " Codine Blues", which had first appeared as "Codine" on the 1985 Rhino Records' compilation, '' Nuggets, Volume 7: Early San Francisco'', and "Number One", which had appeared on the 1986 compilation, ''The Autumn Records Story''. The tracks on the album originate from four recording dates: an August 1965 demo sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Charlatans (American Band)
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound. Exhibiting more pronounced jug band, country and blues influences than many bands from the same scene, the Charlatans' rebellious attitude and distinctive late 19th-century fashions exerted a strong influence on the Summer of Love in San Francisco. The band's recorded output was small. Following difficulties with various record labels, their only album, '' The Charlatans'', was recorded and released by a reconstituted lineup (with only two members of the original group) in 1969. Original drummer Dan Hicks went on to form Dan Hicks & His Hot Licks, a more commercially successful ensemble that amalgamated elements of country, folk and jazz in a predominantly acoustic setting. Early years: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Advertisement
In the United States, commercial radio stations make most of their revenue by selling airtime to be used for running radio advertisements. These advertisements are the result of a business or a service providing a valuable consideration, usually money, in exchange for the station airing their commercial or mentioning them on air. The most common advertisements are "spot commercials", which normally last for no more than one minute, and longer programs, commonly running up to one hour, known as " informercials". The United States Federal Communications Commission (FCC), established under the Communications Act of 1934, regulates commercial broadcasting, and the laws regarding radio advertisements remain relatively unchanged from the Radio Act of 1927. In 2015, radio accounted for 7.8% of total U.S. media expenditures. History Commercial advertising by audio services goes back to even before the introduction of radio broadcasting, beginning with the 1893 establishment of telepho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Of Diamonds (song)
Jack of Diamonds (a.k.a. Jack o' Diamonds and Jack of Diamonds (Is a Hard Card to Play)) is a traditional folk song. It is a Texas gambling song that was popularized by Blind Lemon Jefferson. It was sung from the point of view of a railroad man who had lost money playing conquian. At least twelve artists recorded the tune before World War II. It has been recorded under various titles such as "A Corn Licker Still in Georgia" (Riley Puckett) and "Rye Whiskey" (Tex Ritter). The song is related to "Drunkard's Hiccoughs", "Johnnie Armstrong", "Todlen Hame", "Bacach", "Robi Donadh Gorrach", "The Wagoner's Lad", "Clinch Mountain", " The Cuckoo", "Rye Whiskey", "Saints Bound for Heaven", "Separation", and "John Adkins' Farewell." This family of tunes originally comes from the British Isles, though is most well known in North America. The lyrics may originate in the American Civil War song "The Rebel Soldier" and the melody from the Scottish song "Robie Donadh Gorrach", known by Nathaniel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John P
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skip James
Nehemiah Curtis "Skip" James (June 9, 1902October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "This emotional, lyrical performer was a talented blues guitarist and arranger with an impressive body of work." His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was rediscovered in 1964 by blues enthusiasts including John Fahey, helping further the blues and folk music revival of the 1950s and early 1960s. During this period, James appeared at folk and blues festivals, gave concerts around the country, and recorded several albums for various record labels. His songs have influenced generations of musicians and have been adapted by num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Akst
Harry Akst (August 15, 1894 – March 31, 1963) - accessed November 19, 2011 was an American songwriter, who started out his career as a in accompanying singers such as , Frank Fay and |
Jerry Leiber And Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Wilhelm (musician)
Michael Ray Wilhelm (March 18, 1942 – May 14, 2019) was an American guitarist, singer and songwriter, best known as a founding member of the influential Bay Area band the Charlatans, who have been widely credited as starting the Haight-Ashbury psychedelic scene during the 1960s. He later played with the bands Loose Gravel and the Flamin' Groovies. Early life and the Charlatans Wilhelm was born in Los Angeles on March 18, 1942, and first learned to play blues guitar in his teens, from legendary Tennessee bluesman Walter "Brownie" McGhee. He served for a short time in the U.S. Navy before starting his professional music career as an opening act for the Chambers Brothers. In 1964, Wilhelm became a founding member of the Charlatans. The band's music had more pronounced jug band, country and blues influences than many other Bay Area groups, while their distinctive late 19th-century fashions exerted a strong influence on the Summer of Love in San Francisco. The Charlatans' record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Hicks (singer)
Daniel Ivan Hicks (December 9, 1941 – February 6, 2016) was an American singer-songwriter known for an idiosyncratic style that combined elements of cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music. He led ″Dan Hicks and His Hot Licks″. He is perhaps best known for the songs "I Scare Myself" and "Canned Music". His songs are frequently infused with humor, as evidenced by the title of his tune "How Can I Miss You When You Won't Go Away?". His album ''Live at Davies'' (2013) capped over forty years of music. Writing about Hicks for ''Oxford American'' in 2007, critic David Smay said, " ere was a time from the ’20s through the ’40s when swing—'hot rhythm'—rippled through every form of popular music. That’s the music Dan Hicks plays, and there’s no single word for it because it wasn’t limited to any one genre. Django Reinhardt and the Mills Brothers and Spade Cooley and Hank Garland and the Boswell Sisters and Stuff Smith and Bing Crosby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
