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The Amazing Bud Powell, Vol. 2
''The Amazing Bud Powell, Vol. 2'' is a studio album by Jazz piano, jazz pianist Bud Powell, released on Blue Note Records in 1954, featuring a session Powell recorded with George Duvivier on bass and Art Taylor on drums at the WOR (AM), WOR Studios in New York, on August 14, 1953. It was remastered in 2001 by Rudy Van Gelder and reissued as part of Blue Note's RVG Edition series. Prior to this, on all releases bar the first, the album also contained a number of tracks from sessions originally on ''The Amazing Bud Powell, The Amazing Bud Powell, Vol. 1''. The version of the album included on the second disc of ''The Complete Blue Note and Roost Recordings'', a 4 disc box set, is that from the first CD release in 1989. ''The Penguin Guide to Jazz Recordings'' included the album in its suggested “core collection” of essential recordings. Releases The album was first released in 1954 as a 10" LP (BLP 5041), including eight master takes from the 1953 session, four of which were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Taylor
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who "helped define the sound of modern jazz drumming".Watrous, Peter (February 7, 1995)"Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians" ''The New York Times''. Career As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.Feather, Leonard & Gitler, Ira (2007), ''The Biographical Encyclopedia of Jazz'', p. 637. Oxford University Press. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka Dots And Moonbeams
"Polka Dots and Moonbeams" is a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke, published in 1940. It was Frank Sinatra's first hit recorded with the Tommy Dorsey Orchestra. The song is one of the top 100 most-frequently recorded jazz standards with arrangements by Gil Evans and others and notable recordings by Bill Evans, Chet Baker, Blue Mitchell,Dave Gregg. "Off the record" (music review column), ''Joplin Globe'' (Joplin, MO), May 21, 1967, ''Showtime'' magazine section, page 9: ''"... Blue can play with tenderness without slopping over into mawkish sentimentality. Just listen to his treatment of the gorgeous ballad, 'Polka Dots and Moonbeams.' " ''. Wes Montgomery, Sarah Vaughan (for the 1957 album '' Swingin' Easy''), Bud Powell, Lester Young, Gerry Mulligan, Lou Donaldson, Dexter Gordon and many others [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Harris
"Little" Benny Harris (April 23, 1919 in New York City – May 11, 1975 in San Francisco) was an American bebop trumpeter and composer. A self-taught musician, in the mid-1930s Benny Harris was already playing with Thelonious Monk. In later years, he participated in some of the jam sessions that gave birth to the bebop jazz style. Reportedly, it was Harris that persuaded Dizzy Gillespie of Charlie Parker's ability by playing one of Parkers's improvisations to Gillespie. Harris's first major gig was in 1939 with Tiny Bradshaw.Scott Yanow, Benny Harrisat AllMusic He played with Earl Hines on and off from 1941 to 1945, and worked the 52nd Street bebop circuit in New York City in the 1940s, where he collaborated with Benny Carter, John Kirby, Coleman Hawkins, Don Byas, and Thelonious Monk. He was with Boyd Raeburn from 1944 to 1945 and Clyde Hart in 1944; he and Byas worked together again in 1945. He played less in the late 1940s, though he appeared with Dizzy Gillespie in 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn In New York (song)
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical '' Thumbs Up!''. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra, which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Mary Lou Williams, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I've Got You Under My Skin
"I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year but lost out to The Way You Look Tonight. Popular recordings in 1936 were by Ray Noble and his Orchestra (vocal by Al Bowlly) and by Hal Kemp and his Orchestra (vocal by Skinnay Ennis). The song has subsequently been recorded by hundreds of artists. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. Charts Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons Versions by Frank Sinatra Sinatra first sang the song in 1946 on his weekly radio show, as the second part of a medley with "Easy to Love". He recorded a studio version of the song with Nelson Riddle orchestral arrangement, accompanied by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass Enclosure
"Glass Enclosure" (occasionally "The Glass Enclosure") is a composition by jazz pianist Bud Powell. The first recording was Powell's version for Blue Note Records in 1953, which was released as part of the album '' The Amazing Bud Powell, Vol. 2'' the following year. It was also released as one side of a single, with "I Want to Be Happy". Background Powell had been in a mental institution until six months before the recording session. He was contracted to play at the Birdland jazz club in New York, and its manager was Powell's legal guardian. He kept Powell locked in an apartment to ensure that the pianist would play at the club. According to Blue Note producer Alfred Lion, who went to the apartment one day, "There was a piano there and owellplayed me some new things. One piece really stood out. I asked him what he called it. He looked around the apartment and said, 'Glass Enclosure'." Alternative explanations for the title have been proposed by critic Kevin Whitehead: it could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10" LP
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Complete Blue Note And Roost Recordings
''The Complete Blue Note and Roost Recordings'' is a four-disc box set, released on October 4, 1994, containing the bulk of jazz pianist Bud Powell's recordings as leader for Blue Note Records, plus two early sessions for Roost Records. Track listing ''Except where otherwise noted, all songs composed by Bud Powell.'' Disc one #" I'll Remember April" (Gene de Paul, Patricia Johnston, Don Raye) – 2:54 #"(Back Home Again in) Indiana" ( James Hanley, Ballard MacDonald) – 2:45 #"Somebody Loves Me" (George Gershwin, Ballard MacDonald, B. G. De Sylva) – 2:56 #"I Should Care" (Axel Stordahl, Paul Weston, Sammy Cahn) – 3:02 #"Bud's Bubble" – 2:36 #"Off Minor" (Thelonious Monk) – 2:24 #" Nice Work If You Can Get It" (George Gershwin, Ira Gershwin) – 2:20 #"Everything Happens To Me" (Matt Dennis, Tom Adair) – 2:41 #"Bouncing with Bud" (alternate take #1) (Gil Fuller, Powell) – 3:03 #"Bouncing with Bud" (alternate take #2) (Fuller, Powell) – 3:12 #"Bouncing with Bud" (Full ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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