The 10 Year Limited Edition Anniversary Box Set
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The 10 Year Limited Edition Anniversary Box Set
''The 10 Year Limited Edition Anniversary Box Set'' is a box set by the band Blur released in limited quantities on 17 August 1999. It contains 22 CDs with 126 tracks featuring all official UK singles from their debut album, '' Leisure'', to their 1999 album, '' 13'', and the b-sides, with the exception of three of the b-sides featured on the single No Distance Left to Run (this is due to the single being released after the boxset). Fanclub singles, promotional singles, and singles released in other countries are not included. Track listing Disc one #" She's So High (Edit)" – 3:49 #"I Know" – 3:31 #"Down" – 5:56 #"Sing" – 6:00 #"I Know (Extended Version)" – 6:29 Disc two #" There's No Other Way" – 3:14 #"Inertia" – 3:51 #"Mr Briggs" – 3:59 #"I'm All Over" – 2:00 #"There's No Other Way (The Blur Remix)" – 5:04 #"Won't Do It" – 3:19 #"Day upon Day (Live)" – 4:01 #"There's No Other Way (Extended Version)" – 4:04 Disc three #" Bang" – 3:34 #"Explain" ...
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Box Set
A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's ''Oh, by the Way'' and ''Discovery'' sets. Sometimes bands release expanded versions of their most successful albums such as Pink Floyd's ''Immersion'' box set versions of their ''The Dark Side of the Moon'' (1973), ''Wish You Were Here'' (1975) and ''The Wall'' (1979) albums. Pink Floyd have also released ''The Early Years 1965–1972'' box set which features mostly unreleased mate ...
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No Distance Left To Run
"No Distance Left to Run" is a song by English rock band Blur (band), Blur from their sixth studio album, ''13 (Blur album), 13'' (1999). It was released as the third and final single from the album on 15 November 1999, reaching number 14 on the UK Singles Chart. It is widely understood to refer to Blur vocalist Damon Albarn's split from long-term partner Justine Frischmann. Music and lyrics Damon Albarn says that he is affected by this song: "It upsets me, that song. It upset me singing it. Doing that vocal upset me greatly. To sing that lyric I really had to accept that that was the end of something in my life. It's amazing when you do have the guts to do that with your work, because it don't half help you." The name of the song is also No Distance Left to Run (film), the title of a documentary about the band, which was released in cinemas in January 2010. Music video The promotional video directed by Thomas Vinterberg is notable for using night-vision cameras to capture al ...
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Phil Daniels
Philip William Daniels (born 25 October 1958) is an English actor, musician and singer, most noted for film and television roles playing Londoners, such as the lead role of Jimmy Cooper in ''Quadrophenia'', Richards in '' Scum'', Stewart in ''The Class of Miss MacMichael'', Danny in '' Breaking Glass'', Mark in '' Meantime'', Billy Kid in ''Billy the Kid and the Green Baize Vampire'', Kevin Wicks in ''EastEnders'', DCS Frank Patterson in ''New Tricks'', and Grandad Trotter in the ''Only Fools and Horses'' prequel ''Rock & Chips''. He is also known for featuring on Blur's 1994 hit single "Parklife". Career Daniels went to Rutherford Comprehensive School from 1970 to 1975, the same school as Danny John-Jules, Paul Hardcastle and footballer Tony Grealish. After training at the Anna Scher Theatre School in Islington, Daniels has made appearances in many films and television series. He made his film debut in 1972 in ''Anoop and the Elephant''. He had an incidental appearance (with ...
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Parklife (song)
"Parklife" is the title track from English rock band Blur's third studio album, ''Parklife'' (1994). When released as the album's third single in August 1994, it reached No. 10 on the UK Singles Chart and No. 30 in Ireland. The song contains elements of spoken word in the verses, narrated by actor Phil Daniels, who also appears in the song's music video. The choruses are sung by lead singer Damon Albarn. The song won British Single of the Year and British Video of the Year at the 1995 Brit Awards and was also performed at the 2012 Brit Awards. The Massed Bands of the Household Division performed "Parklife" at the London 2012 Olympics closing ceremony. The song is one of the defining tracks of Britpop, and features on the 2003 compilation album '' Live Forever: The Rise and Fall of Brit Pop''. Background According to Coxon the song was sarcastic, rather than a celebration of Englishness. He explained the song "wasn't about the working class, it was about the park class: dustb ...
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Pet Shop Boys
The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of ''The Guinness Book of Records''. Three-time Brit Award winners and six-time Grammy nominees, since 1984 they have achieved 42 top 30 singles, 22 of these being top 10 hits on the UK Singles Chart, including four UK number ones: "West End Girls" (also number one on the US ''Billboard'' Hot 100), "It's a Sin", a synth-pop version of " Always on My Mind", and "Heart". Other hit songs include a cover of " Go West", and their own "Opportunities (Let's Make Lots of Money)", and " What Have I Done to Deserve This?" in a duet with Dusty Springfield. With five US top ten singles in the 1980s, they are associated with the Second British Invasion. At the 2009 Brit Awards in London, the Pet Shop Boys recei ...
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To The End (Blur)
"To the End" is a song by English alternative rock band Blur. It appears on their third studio album, '' Parklife'' (1994), and was released as a single in May 1994. The song describes a couple unsuccessfully trying to overcome a bad patch in a relationship, and features full orchestral accompaniment with a choric refrain in French by Lætitia Sadier from Stereolab. The song was produced by Stephen Hague, unlike the rest of the ''Parklife'' album, which was produced by Stephen Street. Blur have produced several different recordings of the song. Release Single "To the End" was released on 30 May 1994 as the second single from '' Parklife''. It was not one of Blur's major hits, charting only at number 16 in the UK Singles Chart, unlike the singles released before and after, which both reached the top 10. French version Blur also recorded a version in which Albarn sings the lead vocal in French. This was released as the third track on the 12" and CD2 editions of the " Parkl ...
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Girls & Boys (Blur Song)
"Girls & Boys" is a 1994 song by British rock band Blur. It was released as the lead single from the group's third album, ''Parklife'' (1994). Charting at number five on the UK Singles Chart, "Girls & Boys" was Blur's first top 5 hit and their most successful single until "Country House" reached number one the following year. The single surpassed their previous commercial peak "There's No Other Way" by three spots on the UK Singles Chart, and saw the group achieve greater worldwide success. In the US, the track reached number 59 on the ''Billboard'' Hot 100 singles chart, becoming the band's second single to hit the chart after "There's No Other Way". It also reached number four on the ''Billboard'' Modern Rock songs chart. "Girls & Boys" was named single of the year by ''NME'' and ''Melody Maker''. It was also nominated for best song at the MTV Europe Music Awards. Composition Damon Albarn was inspired to write the song while on holiday in Magaluf, Spain, with then-girlfr ...
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Let's All Go Down The Strand
"Let's All Go Down the Strand" is a popular British music hall song of the late 19th and early 20th centuries, written by Harry Castling and C. W. Murphy. It was first performed by Castling, and was published in 1909. It was inspired by the Strand, a street in Westminster, Central London, that in the late 19th century became a centre for theatres, hotels and music halls. The song has three verses describing people trying to persuade others to abandon their current plans to "go down the Strand". The first verse is about a group of tourists planning a trip to Germany, the second about prisoners in jail and the third about sailors returning with Ernest Shackleton from a polar expedition. The song was popular with British soldiers in the First World War. A refrain of "have a banana", not included in the published lyrics, was often interposed after the first line of the chorus. Sometimes " Gertie Gitana" was sung instead, leading to the use of "Gertie" as rhyming slang for ...
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Sunday Sunday
"Sunday Sunday" is a song by English alternative rock band Blur, included on their second album, ''Modern Life Is Rubbish''. It was released 4 October 1993 as the final single from that album, and charted at number 26 on the UK Singles Chart. This is the highest-charting single from the album (although the lowest-selling single from the album); the record company thought the original album contained no singles, and had the band write the other two singles specifically for single release. The band's original name, 'Seymour', is credited as guest performer on the CD1 single, due to the B-sides being recordings from that era. The song is about traditional British Sunday activities, like a Sunday roast, seeing family and a walk in the park. The song "Daisy Bell" is a B-side on CD 2. Singer Damon Albarn once mentioned that he would like to make music his grandparents would approve of. Graham Coxon has admitted that the cover versions of "Daisy Bell" and "Let's All Go Down the Strand ...
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Chemical World
"Chemical World" is a song by English alternative rock band Blur, included on their second album, ''Modern Life Is Rubbish'' (1993). Tracks The single was released in the UK on 7-inch and 12-inch vinyl and two CDs. CD1 and the 12-inch featured the reworked demo version while CD2 and the 7-inch featured the Stephen Street version (in edited form on the 7-inch). The 12-inch and CD2 feature three exclusive tracks "Young & Lovely", "Es Schmecht" and "My Ark". "Young & Lovely" was hailed as one of the greatest "lost tracks" by ''Q'' in 2007. CD1 features three tracks recorded live at Glastonbury Festival 1992. The song "Never Clever" had not been previously released. It was originally intended as the follow-up to Blur's fourth single, "Popscene". However, the commercial death of "Popscene" prompted those plans to be abandoned. The studio version of "Never Clever" was eventually released on a promo CD to celebrate Food Records' 100th release in 1997. The 7-inch vinyl has a cover v ...
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For Tomorrow (song)
"For Tomorrow" is a song by English alternative rock band Blur. It is the lead track to their second album, '' Modern Life Is Rubbish'' (the title appears in the lyric). Released 19 April 1993 as the first single from the album, "For Tomorrow" charted at number 28 in the UK Singles Chart. The Visit to Primrose Hill Extended version of "For Tomorrow" was included in the band's compilation albums, '' Blur: The Best of'', (being the only song from ''Modern Life Is Rubbish'' to be featured) and '' Midlife: A Beginner's Guide to Blur''. Single background In this period the band had gone on a tour of the US which they greatly detested, especially as the country was the home of grunge and audiences were not receptive to their music. After that tour lead singer Damon Albarn started to write songs with a very British feel. This was one such song, written on Christmas Day 1992 at the family piano in his parents' house. David Balfe, the head of the band's record company, commissioned thi ...
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Popscene
"Popscene" is a song by English alternative rock band Blur, released as a non-album single on 30 March 1992. Despite its relatively low chart placing, it has since become critically praised and regarded as one of the pioneering songs of the Britpop genre. Recording The song was first played live in late 1991, and recorded at Matrix Studios in Holborn with producer Steve Lovell. The lyrics showed frontman Damon Albarn's distaste for the music business, complaining that there were too many insignificant indie bands. Musically, it was different to the style seen on the group's first album '' Leisure'' and featured heavily flanged guitars, a Can influenced drumbeat, and brass from session players the Kick Horns. The band considered "Popscene" to be the loudest and best thing they had worked on at that point. Reception The single reached No. 32 on the UK Singles Chart, and was panned by both ''Melody Maker'' and '' NME''. The Beastie Boys, guest reviewing for NME, suggested ...
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