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Thaïs (1917 Italian Film)
''Thaïs'' is a 1917 Italian silent film directed by Anton Giulio Bragaglia. The movie is the sole surviving Italian Futurist film, and currently kept at the Cinémathèque Française. It is not based on the novel of the same name by Anatole France. Plot The plot is fairly conventional and refers to the love stories of turbid "diva-film" typical of the period. The beautiful Slavic countess Vera Preobrajenska (played by Thaïs Galitzy) is a seductress of married men, dragging them to the brink of ruin. Vera resolves to seduce Count San Remo, the lover of her best friend, the Countess Bianca Stagno-Bellincioni (played by Ileana Leonidoff). Bianca, in the midst of depression, falls off her horse and dies. Vera feels guilty and commits suicide. Characteristics The film sets are characteristic of the Futurist movement. They were designed by Enrico Prampolini who used geometric shapes based on a strong black/white contrast: spiral, diamond, chess, symbolic figures (cats, masks s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Giulio Bragaglia
__NOTOC__ Anton Giulio Bragaglia (11 February 1890 – 15 July 1960) was a pioneer in Italian Futurist Futurists (also known as futurologists, prospectivists, foresight practitioners and horizon scanners) are people whose specialty or interest is futurology or the attempt to systematically explore predictions and possibilities abo ... photography and Italian Futurism (cinema), Futurist cinema. A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance. Early life Bragaglia was born in Frosinone, Lazio. His brothers were actor Arturo Bragaglia and film director Carlo Ludovico Bragaglia. In 1906 Bragaglia went to work as an assistant director of a Roman movie studio managed by his father Francesco. He gained a great deal of technical and artistic experience there, learning from directors Mario Caserini and Enrico Guazzoni. His younger siblings Arturo Bragaglia, Arturo (actor) and Carlo Ludovico Bragaglia, Carlo Ludovico (film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Prampolini
Enrico Prampolini (20 April 1894, Modena – 17 June 1956, Rome) was an Italian Futurist painter, sculptor and scenographer. He assisted in the design of the Exhibition of the Fascist Revolution and was (like Gerardo Dottori) active in Aeropainting. He pursued a programme of abstract and quasi-abstract painting, combined with a career in stage design. His ''Spatial-Landscape Construction'' (1919) is quasi-abstract with large flat areas in bold colours, predominantly red, orange, blue and dark green. His ''Simultaneous Landscape'' (1922) is totally abstract, with flat colours and no attempt to create perspective. In his ''Umbrian Landscape'' (1929), produced in the year of the Aeropainting Manifesto, Prampolini returns to figuration, representing the hills of Umbria. But by 1931 he had adopted "cosmic idealism", a biomorphic abstractionism quite different from the works of the previous decade, for example in ''Pilot of the Infinite'' (1931) and ''Biological Apparition'' (1940) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1917 Films
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood". __TOC__ Events *January – ''Panthea'' is released, the first film from the company that Joseph Schenck formed with his wife, Norma Talmadge, after leaving Loew's Consolidated Enterprises. *February – Buster Keaton first meets Roscoe "Fatty" Arbuckle in New York and is hired as a co-star and gag man. *April 9 – Supreme Court of the United States rule in Motion Picture Patents Co. v. Universal Film Manufacturing Co. which ends the Motion Picture Patents Company appeal and results in the end of the company. *April 23 â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà , Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsilio Editori (1275–1342), Italian scholar
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Marsilio is an Italian name most likely to refer to: * Marsilio Ficino (1433–1499), Italian scholar and Catholic priest It may also refer to: *Marco Marsilio (born 1968), Italian politician *Marsilio da Carrara (1294–1338), Lord of Padua * Marsilio Landriani (bishop) (1528–1609), Roman Catholic prelate and bishop of Vigevano * Marsilio Rossi (1916–1942), Italian sprinter *Marsilius of Padua Marsilius of Padua (Italian: ''Marsilio'' or ''Marsiglio da Padova''; born ''Marsilio dei Mainardini'' or ''Marsilio Mainardini''; c. 1270 – c. 1342) was an Italian scholar, trained in medicine, who practiced a variety of professions. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thaïs (opera)
''Thaïs'' () is an opera, a ''comédie lyrique'' in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel ''Thaïs'' by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898. The work was first performed in Italy at the Teatro Lirico Internazionale in Milan on 17 October 1903 with Lina Cavalieri in the title role and Francesco Maria Bonini as Athanaël. In 1907, the role served as Mary Garden's American debut in New York in the U.S. premiere performance. ''Thaïs'' takes place in Egypt under the rule of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thais (American Film)
''Thais'' is a 1917 American silent drama film produced by Samuel Goldwyn, and based on the 1890 novel ''Thaïs'' by Anatole France. This film featured opera prima donna Mary Garden, making her film debut at the then-lavish weekly salary of US$15,000. Other cast members include Lionel Adams, Crauford Kent, and Charles Trowbridge. This film is considered "one of the most colossal flops in movie history, both artistically and financially". Plot As described in a film magazine, Thais (Garden), a lustful dancer, tries to get Paphnutius (Revelle) under her power, but since he is a Christian he leaves to become a monk. Later, he returns to reclaim her soul and convinces the petted, spoiled, and lustrous Thais to cast off her riches, luxuries, and friends and to follow in his footsteps. Attempting to live solitary lives, the tortuous remembrance of their past lives causes them to forget everything and rush out into the desert. Thais is rescued by some sisters who take her to a nunnery. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Futurism (cinema)
Futurism ( it, Futurismo, link=no) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà , Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
