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That's A Plenty (Pointer Sisters Album)
''That's a Plenty'' is the second album by the American female vocal group the Pointer Sisters. It was released in 1974 on Blue Thumb Records. The album peaked at No. 82 on the ''Billboard'' 200. History Mixing the Pointers' brand of soul with rollicking blues numbers and jazz covers, the album also included the country-flavored "Fairytale", their second Top 40 hit. The song crossed over to the country charts, enabling the group to become the first African-American vocal group to perform at the Grand Ole Opry. The group won the Grammy Award for "Best Country Vocal Performance By A Duo Or Group". The album was the second by the group to be certified gold. The album was remastered and issued on CD in 2006 by Hip-O Select. Track listing Personnel * Anita Pointer, Ruth Pointer, Bonnie Pointer, June Pointer – vocals Musicians * Tom Salisbury – keyboards, Silverton accordion (1), brass and string arrangements * Herbie Hancock – acoustic piano (2, 6); electric piano, Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pointer Sisters
The Pointer Sisters are an American pop and R&B singing group from Oakland, California, that achieved mainstream success during the 1970s and 1980s. Their repertoire has included such diverse genres as pop, jazz, electronic music, bebop, blues, soul, funk, dance, country, and rock. The Pointer Sisters have won three Grammy Awards and received a star on the Hollywood Walk of Fame in 1994. The group had 13 US top 20 hits between 1973 and 1985. The group had its origins when sisters June and Bonnie Pointer began performing in clubs in 1969 as "Pointers, a Pair". The line-up grew to a trio when sister Anita joined them. Their record deal with Atlantic Records produced several unsuccessful singles. The trio grew to a quartet when sister Ruth joined in December 1972. They then signed with Blue Thumb Records, recorded their debut album, and began seeing more success, winning a Grammy Award in 1975 for Best Country Vocal Performance for "Fairytale" (1974). Bonnie left the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairytale (Pointer Sisters Song)
"Fairytale" is a song introduced on the Pointer Sisters' May 1974 album release ''That's a Plenty (Pointer Sisters album), That's a Plenty''; written by group members Anita Pointer and Bonnie Pointer, "Fairytale" became the second of the three Top 40 hits scored by the Pointer Sisters in their original embodiment as a quartet – Anita Pointer would sing lead on all three of these hits. History Anita Pointer has stated that she wrote this breakup song from personal experience: pre-stardom the Pointer Sisters had written and recorded radio advertisement, radio spots, for which purpose they'd borrowed equipment from San Francisco radio station KSAN (defunct), KSAN, and Anita had become romantically involved with a KSAN disc jockey, deejay who'd neglected to mention being married - "He lied to me so when I found out that's when that song 'came out' [ie. took shape]". "Fairytale" was written while the Pointer Sisters were on one of their earliest tours as support for Dave Mason: stayi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son House
Edward James "Son" House Jr. (March 21, 1902His date of birth is a matter of some debate. House alleged that he was middle-aged during World War I and that he was 79 in 1965, which would make his date of birth around 1886. However, all legal records give his date of birth as March 21, 1902. – October 19, 1988) was an American Delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also working as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed his musicianship to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salt Peanuts
"Salt Peanuts" is a bebop tune reportedly composed by Dizzy Gillespie in 1942, credited "with the collaboration of" drummer Kenny Clarke. It is also cited as Charlie Parker's. The original lyrics have no exophoric meaning. Instead, they are a skat/bebop vocal which matches the octave note interval played predominantly throughout the song. The Pointer Sisters subsequently included vocalese lyrics for their rendition of Salt Peanuts as recorded on their That's a Plenty album. Composition "Salt Peanuts" is a contrafact of "I Got Rhythm": it has the same 32-bar AABA structure and harmony, but its melody is different. It is a simple piece – "a four-measure riff phrase played twice in each A section, and a slightly more complex bridge (which incorporates the ubiquitous 9–7–8 figure twice)". While the verbal exhortation "Salt Peanuts, Salt Peanuts!" is closely identified with Dizzy Gillespie, the musical motif upon which it is based predates Gillespie/Clarke. Glenn Miller record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Ross (composer)
Jerry Ross (born Jerold Rosenberg; March 9, 1926 – November 11, 1955) was an American lyricist and composer whose works with Richard Adler for the musical theater include ''The Pajama Game'' and ''Damn Yankees'', winners of Tony Awards in 1955 and 1956, respectively, in both the "Best Musical" and "Best Composer and Lyricist" categories. Biography Jerold Rosenberg was born in the Bronx to a Russian-Jewish household, to immigrant parents, Lena and Jacob Rosenberg, in the Bronx, New York City. Growing up, he was a professional singer and actor in the Yiddish theater. "Jerry Ross Biography" AllMusic. Retrieved August 3, 2018 Following high school, he studied at under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Adler
Richard Adler (August 3, 1921 – June 21, 2012) was an American lyricist, writer, composer and producer of several Broadway shows. Life and career Adler was born in New York City, the son of Elsa Adrienne (née Richard) and Clarence Adler. His mother was a debutante from Mobile, Alabama. Adler had a musical upbringing, his father being a renowned Jewish concert pianist, as well as teacher of such composers as Aaron Copland. He graduated from the University of North Carolina at Chapel Hill in 1943 and served in the U.S. Naval Reserve during World War II. After his Navy service he began his career as a lyricist, teaming up with Jerry Ross in 1950. As a duo they worked in tandem, both taking credit for lyrics and music. Adler and Ross Years (1950–1955) After establishing their partnership, Adler and Ross quickly became protégés of composer, lyricist and publisher Frank Loesser. Their first notable composition was the song "Rags to Riches", which was recorded by Tony Bennet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steam Heat
"Steam Heat" is a show tune from the 1954 in music, 1954 Broadway theatre, Broadway musical theater, musical ''The Pajama Game'', written by Richard Adler and Jerry Ross (composer), Jerry Ross. "Steam Heat" was one of four songs which Adler and Ross wrote ("within two days, I think" - Adler) and submitted to George Abbott in hopes of being hired to score the stage musical Abbott was developing, which would become ''The Pajama Game''. Rather than complementing the musical's storyline of a labor unrest, labor dispute at a textile manufacturing, garment factory, "Steam Heat" manifests as an overt staged number being a song-and-dance number featured as the "entertainment portion" of a trade union, union demonstration (people), rally with the factory boss' s secretary Gladys as lead performer. Carol Haney originated the role of Gladys and she sang and danced the "Steam Heat" number in the original production of ''The Pajama Game'' with the accompaniment of Peter Gennaro and Buzz Miller. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-O Records
Hip-O Records is a record label that specializes in reissues and compilations. It is part of Universal Music Group. Established in 1996, the label has distributed releases from 'out of style' genres such as disco and early hip-hop music as well as publishing film soundtracks. The label's name is a pun on the name 'hippo'. History The name "Hip-O Records" is a play on the word "hip" and the already-existing Rhino Records. The formation of Hip-O Records has its roots in Universal Music Group Chairman & CEO Doug Morris' relationship with Rhino. As co-Chairman of Atlantic Records during the early 1990s and then President & C.O.O. of Warner Music Group (U.S.), Morris observed Rhino's great financial success at cross country rivals Capitol/EMI. EMI had taken an equity position in Rhino Records as an ideal two way relationship. Rhino provided invaluable assistance in the packaging and marketing of EMI's catalog, and EMI provided Rhino with increasingly difficult to access master reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded Phonograph, gramophone. The Grammys are the first of the Big Three television networks, Big Three networks' major music awards held annually, and is considered one of the EGOT, four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The 1st Annual Grammy Awards, first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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