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Terese Capucilli
Terese Capucilli is an American modern dancer, interpreter of the roles originally performed by Martha Graham. She is one of the last generation of dancers to be coached and directed by Graham herself. A principal dancer with the Martha Graham Dance Company for twenty-six years, she became associate artistic director in 1997 and from 2002 to 2005 served as artistic director, with Christine Dakin, seeing the organization and its dancers through the rebirth of the company. A driving force of Graham's work for nearly three decades, she is now Artistic Director Laureate. Early years Born in Syracuse, New York, the middle child in a family of seven children, Capucilli received her Bachelor of Fine Arts degree from the State University of New York at Purchase where she studied with such prominent teachers as Kazuko Hirabayashi, Carol Fried, Mel Wong, Jim May, Aaron Osborne, Bill Bales, Rosanna Seravalli, Anne Parsons and Royes Fernandez. There she had the opportunity to delve into the wo ...
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Modern Dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed to ...
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Cave Of The Heart
''Cave of the Heart'' is a one-act ballet choreographed by Martha Graham to music (''Medea'' suite) by Samuel Barber.Martha Graham Dance Company Repertory http://marthagraham.org/press-presenters2/repertory It was first performed on May 10, 1946, with the title ''Serpent Heart'', at the second annual Festival of Contemporary American Music in the McMillin Theater of Columbia University. ''Serpent Heart'' was commissioned by the festival sponsor, The Alice M. Ditson Fund.John Martin, ''Ballet by Graham in World Premiere'', ''The New York Times'', May 11, 1946 http://memory.loc.gov/diglib/ihas/loc.natlib.ihas.200153626/pageturner.html Overview The piece is loosely based on Euripides' tragedy ''Medea''. The choreography is rich in Jungian symbolism, an important influence on Graham. According to the 1946 program notes, the work is “much like the myth of Jason, the warrior hero, and Medea, granddaughter of the sun…a dance of possessive and destroying love…” The four-person or ...
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New York City Center
New York City Center (previously known as the Mecca Temple, City Center of Music and Drama,. The name "City Center for Music and Drama Inc." is the organizational parent of the New York City Ballet and, until 2011, the New York City Opera. and the New York City Center 55th Street Theater) is a 2,257-seat Moorish Revival theater at 131 West 55th Street between Sixth and Seventh Avenues in Midtown Manhattan, New York City, one block south of Carnegie Hall. City Center is a performing home for several major dance companies as well as the Encores! musical theater series and the Fall for Dance Festival. The center is currently headed by Arlene Shuler, a former ballet dancer who has been president since 2003. The facility houses the 2,257 seat main stage, two smaller theaters, four studios and a 12-story office tower.New York Times, March 17, 2010, pg C1, "City Center Is to Start Renovations", by Robin Pogrebin Architecture The building's design is Neo-Moorish and features elaborate ...
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El Penitente
''El Penitente'' is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask. Theme, structure and original cast The ballet’s theme is taken from the Penitente religious traditions of the American Southwest in which believers expiate their sins through extreme penance, including mortification of the flesh. Its structure is derived from the mystery plays of the Middle Ages, in which small groups of traveling performers reenact scenes from the Bible. The original cast members were Graham as the Mary Figures (Virgin, Magdalene and Mater Dolorosa), Merce Cunningham as the Christ Figure and Erick Hawkins as the self-flagellating Penitent. In 1947, Graham relinquished the portrayal of Mary to Pearl Lang, marking the first time a "Graham" role was performed ...
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Mikhail Baryshnikov
Mikhail Nikolayevich Baryshnikov ( rus, Михаил Николаевич Барышников, p=mʲɪxɐˈil bɐ'rɨʂnʲɪkəf; lv, Mihails Barišņikovs; born January 28, 1948) is a Latvian Soviet Socialist Republic, Soviet Latvian-born Russian-American dancer, choreographer, and actor. He was the preeminent male classical ballet, classical dancer of the 1970s and 1980s. He subsequently became a noted dance director. Born in Riga, Latvian SSR, Baryshnikov had a promising start in the Mariinsky Ballet, Kirov Ballet in Saint Petersburg, Leningrad before defecting to Canada in 1974 for more opportunities in Western dance. After dancing with American Ballet Theatre, he joined the New York City Ballet as a principal dancer for one season to learn George Balanchine's neoclassical Russian style of movement. He then returned to the American Ballet Theatre, where he later became artistic director. Baryshnikov has spearheaded many of his own artistic projects and has been associated ...
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Claire Bloom
Patricia Claire Bloom (born 15 February 1931) is an English actress. She is known for leading roles in plays such as ''A Streetcar Named Desire,'' ''A Doll's House'', and '' Long Day's Journey into Night'', and has starred in nearly sixty films. After a childhood spent in England (and in the US for two-and-a-half years during the Second World War), Bloom studied drama in London. She debuted on the London stage when she was sixteen and took roles in various Shakespeare plays. They included ''Hamlet,'' in which she played Ophelia alongside Richard Burton. For her Juliet in ''Romeo and Juliet'', critic Kenneth Tynan stated it was "the best Juliet I've ever seen". After she starred as Blanche DuBois in ''A Streetcar Named Desire'', its playwright, Tennessee Williams, stated, "I declare myself absolutely wild about Claire Bloom". In 1952, Bloom was cast by Hollywood film star Charlie Chaplin to co-star alongside him in ''Limelight''. During her film career, she has starred alongsi ...
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Salem Shore
''Salem Shore'' is a solo modern dance work choreographed by Martha Graham to original music by Paul Nordoff. The piece premiered on December 26, 1943 at the 46th Street Theater in New York City. The ballet featured costumes by Edythe Gilfond and a set by Arch Lauterer. Program notes accompanying the first performance described the dance as "a ballad of a woman's longing for her beloved's return from the sea." Theme, structure and critical reception The dance takes place on a minimal set evoking the New England shoreline. At center stage, sits a large twisted wreath of driftwood. Off to one side a small railing juts out, an abstraction of the widows' walks that punctuate the roof lines of the region's coastal homes. Another stylized architectural fragment approximates the outlines of a ship. Clad in a plain dark dress, the soloist jumps in and out of the driftwood hoop, lifting her skirt and the letting it fall with a nervous plucking motion. Intermittently, she crosses to th ...
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Deep Song (ballet)
''Deep Song'', a solo modern dance by Martha Graham, premiered on December 19, 1937, at the Guild Theatre in New York City. Performed to music by Henry Cowell, the piece was the second work created by Graham in response to the Spanish Civil War. The first, '' Immediate Tragedy'', was introduced in 1937. Theme, score, set and costume According to program notes, ''Deep Song'' was "not meant to be an exact picture of a Spanish woman but presents the torture of mind and body experienced in common by all people who react to such suffering as the Spanish people have faced." When Cowell was composing the music for ''Immediate Tragedy'', Graham requested another movement, which he called ''Cante Hondo'', Spanish for "deep song". In Flamenco music, deep songs (cante jondo) are the most serious of the vocal form. Sometimes, Graham used both compositions for ''Immediate Tragedy''; other times, she used only the original sarabande. ''Deep Song'' was choreographed to ''Cante Hondo'' on its ...
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Maple Leaf Rag (ballet)
''Maple Leaf Rag'' is a storyless Martha Graham ballet set to ragtime compositions by Scott Joplin. The work premiered on October 2, 1990 at New York City Center with costumes by Calvin Klein and lighting by David Finley. Chris Landriau arranged the music and played piano at the debut. The dance is a jubilant self-parody and an homage, of sorts, to Graham's mentor and musical director, Louis Horst, who would play the rag for her whenever she fell into a creative slump. Graham was 96 when she created ''Maple Leaf Rag''; it is her last completed dance. In 1991, she began another work, ''The Eyes of the Goddess'', but it was unfinished at the time of her death. Synopsis The curtain rises to reveal a grand piano at the rear of a darkened stage. The only other set element is a joggling board, a long springy plank set on two upright supports with rocker feet. Graham had discovered the rocking chair-bench hybrid when the Martha Graham Dance Company appeared at Spoleto USA in Charlesto ...
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Lamentation (ballet)
''Lamentation'' is a modern dance solo choreographed by Martha Graham to Zoltán Kodály's 1910 ''Piano Piece, Op. 3, No. 2''.Katias Avrami, ''Martha Graham's Lamentation:A Contemporary Revival'', ''Choros International Dance Journal 2'', Spring 2013, p.33 One of Graham's signature works, it premiered on January 8, 1930 at Maxine Elliott's Theatre in New York City. The performance was part of a concert staged by the Dance Repertory Theatre, a group that included dancer/choreographers Doris Humphrey, Charles Weidman and Helen Tamiris. Their stated goal was "to give annually a season of continuous dance programs which will be representative of the art of dance in America and will give native artists an outlet for their creative work."''Lamentation (Ballet choreographed by Martha Graham)'', ''Performing Arts Encyclopedia'', Library of Congress, http://memory.loc.gov/diglib/ihas/loc.natlib.ihas.200182679/default.html Theme and structure In program notes, ''Lamentation'' was subt ...
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Heretic (ballet)
''Heretic'' is a modern dance work by Martha Graham performed to ''Tetus Breton'', an old folk tune from Brittany. Louis Horst, Graham's musical director, recommended the song, part of the collection ''Chansons de la Fleur de Lys'' as arranged by Charles De Sivry. The dance premiered with the title ''Heretic'' at New York's Booth Theatre on April 14, 1929. In a previous program announcement, the work was called ''A Faith''. Graham presented the piece with her company; the performance marked the debut of her concert ensemble. ''Heretic'' is staged for 13 female performers, 12 dressed in black tube-like garments and one in a long white dress. Dancers for the premiere were: Graham, as the woman in white, Kitty Reese, Louise Creston, Irene Emery, Ethel Rudy, Lillian Ray, Hortense Bunsick, Sylvia Wasserstrom, Mary Rivoire, Ruth White, Lillian Shapero, Virginia Briton, Sylvia Rosenstein, Evelyn Sabin, Betty Macdonald and Rosina Savelli. Theme and structure The ballet is approximatel ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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