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Teresa Calvesi
Vincenzo Calvesi ( fl. 1777–1811) was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794. He is best remembered today for creating the role of Ferrando in the world premiere of Wolfgang Amadeus Mozart's '' Così fan tutte'' in 1790. That same year the Viennese publication ''Grundsätze zur Theaterkritik'' described him as "one of the best tenors from Italy…with a voice naturally sweet, pleasant and sonorous." He was later active in Rome as an impresario up until 1811. Life and career Calvesi was born in Rome, the son of Bernhard Calvesi, a papal chamberlain. His date of birth, his musical education, and the details of his youth are now unknown. The first definite account of the singer was in 1777 for a series of performances in operas in Rome. He actively performed in comic oper ...
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Vincenzo Calvesi
Vincenzo Calvesi ( fl. 1777–1811) was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794. He is best remembered today for creating the role of Ferrando in the world premiere of Wolfgang Amadeus Mozart's '' Così fan tutte'' in 1790. That same year the Viennese publication ''Grundsätze zur Theaterkritik'' described him as "one of the best tenors from Italy…with a voice naturally sweet, pleasant and sonorous." He was later active in Rome as an impresario up until 1811. Life and career Calvesi was born in Rome, the son of Bernhard Calvesi, a papal chamberlain. His date of birth, his musical education, and the details of his youth are now unknown. The first definite account of the singer was in 1777 for a series of performances in operas in Rome. He actively performed in comic oper ...
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Michael Lorenz (musicologist)
Michael Lorenz (born 18 July 1958) is an Austrian musicologist, music teacher, musician, chess historian and photographer, noted as a Mozart scholar and for his archival work combining music history and genealogical research. Career Born in Vienna, Lorenz studied cello and oboe at the University of Music and Performing Arts Vienna where he obtained his diploma in 1990, and musicology at the University of Vienna with a PhD in 2001. From 2001 to 2005 he served as chair of the International Franz Schubert Institute. Lorenz has received grants from the Jubilee Foundation of Oesterreichische Nationalbank, the Austrian Science Fund and the ''Music & Letters'' Trust. After having worked with the Esterházy Foundation, he is currently doing research based on a grant from the Jubilee Foundation of city of Vienna. In 2014 and 2016 he was employed as lecturer at the Institute of Musicology at the University of Vienna. Lorenz has published widely on Mozart, Ludwig van Beethoven, Joseph Hayd ...
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La Villanella Rapita
''La villanella rapita'' (''The Abducted Country Girl'') is an ''opera giocosa'' in two acts by Francesco Bianchi. The libretto was by Giovanni Bertati. Performance history The opera was first performed at the Teatro San Moisè in Venice in the autumn of 1783. It was then given at the Eszterháza Theater in Süttör on 29 August 1784. It was also produced at the Little Theatre in the Haymarket in London under on 27 February 1790. A pasticcio with the same title, with some music by Bianchi as well as Paisiello, Guglielmi, Giacomo Gotifredo Ferrari, Sarti and Soler was performed at Théâtre Feydeau in Paris on 5 June 1789. Mozart additions Mozart contributed a vocal quartet, "Dite almeno in che mancai?", K. 479, and a vocal terzet, "Mandina amabile", K. 480, for a performance at the Burgtheater in Vienna on 1785. (The former work was first heard in public on 5 November, and the latter on 28 November.) The singers involved were Vincenzo Calvesi Vincenzo Calvesi ( fl. 1777 ...
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Francesco Bianchi (composer)
Giuseppe Francesco Bianchi (1752 – 27 November 1810) was an Italian opera composer. Born in Cremona, Lombardy, he studied with Pasquale Cafaro and Niccolò Jommelli, and worked mainly in London, Paris and in all the major Italian operatic centers of Venice, Naples, Rome, Milan, Turin, Florence. He wrote at least 78 operas of all genres, mainly in the field of the Italian opera, but in the French opera too. These included the drammi per musica (opera seria) '' Castore e Polluce'' (Florence 1779), '' Arbace'' and '' Zemira'' (both Naples, 1781), '' Alonso e Cora'' (Venice, 1786), ''Calto'' and ''La morte di Cesare'' (both Venice, 1788), and '' Seleuco, re di Siria'' (Venice, 1791), and the opera giocosa '' La villanella rapita'' ( Süttör, 1784). Bianchi committed suicide in Hammersmith, London, in 1810, probably out of family troubles. He was buried alongside his daughter in the churchyard of the old Kensington Church, now St Mary Abbots, Kensington. His widow published ...
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L'arbore Di Diana
''L'arbore di Diana'' (''The Tree of Diana''), is an opera in two acts composed by Vicente Martín y Soler, with an original libretto by Lorenzo da Ponte. It premiered at the Burgtheater in Vienna on 1 October 1787. Background and performance history Da Ponte's librettos for ''L'arbore di Diana'' and '' Così fan tutte'' were the only ones of his not taken from an existing plot. The opera's premiere on 1 October 1787 marked a visit to Vienna of the niece of Holy Roman Emperor Joseph II, the Archduchess Maria Teresa, who was on her way to Dresden to marry Prince Anton Clemens of Saxony in person (they had been married by proxy in Florence the month before). The work was enormously successful in its day, but Martín's operas have since fallen from the repertoire. A revival was performed during the 2007/2008 season at the Theater Bielefeld in North Rhine Westphalia, Germany. The opera was revived and recorded in Valencia in 2008 at the Palau de les Arts Reina Sofía. It has al ...
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Una Cosa Rara
' (''A Rare Thing, or Beauty and Honesty'') is an opera by the composer Vicente Martín y Soler. It takes the form of a dramma giocoso in two acts. The libretto, by Lorenzo Da Ponte, is based on the play ' by Luis Vélez de Guevara. The opera was first performed at the Burgtheater, Vienna, on 17 November 1786. It was a huge success and was shown 78 times. Mozart quotes a melody from this opera, "", in the orchestral accompaniment to the trio of the finale of ''Don Giovanni ''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanis ...''.For a detailed discussion of this borrowing, see Daniel E. Freeman, ''Mozart in Prague'' (Minneapolis: Calumet Editions, 2021), 285–286. Roles Synopsis The town mayor and the Spanish prince Don Giovanni try to seduce the virtuous Lilla, who is engaged to Lu ...
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Vicente Martín Y Soler
Anastasio Martín Ignacio Vicente Tadeo Francisco Pellegrin Martín y Soler (2 May 175430 January or 10 February 1806) was a Spanish composer of opera and ballet. Although relatively obscure now, in his own day he was compared favorably with his contemporary and admirer, Wolfgang Amadeus Mozart, as a composer of opera buffa. In his time he was called "Martini lo spagnuolo" ("Martini the Spaniard"); in modern times, he has been called "the Valencian Mozart". He was known primarily for his melodious Italian comic operas and his work with Lorenzo Da Ponte in the late 18th century, as well as the melody from ''Una cosa rara'' quoted in the dining scene of Mozart's ''Don Giovanni''. Biography Martín y Soler was born in Valencia. His father, Francisco Xavier Martín, was a tenor at the cathedral in town, where Vicente was a chorister there in his youth. Vicente moved to Madrid probably around 1775, and studied music in Bologna under Giovanni Battista Martini. His first opera was ''Il ...
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Gli Equivoci
''Gli equivoci'' (''The Misunderstandings''), is an Italian opera buffa by Stephen Storace to a libretto by Lorenzo Da Ponte, based on Shakespeare's ''The Comedy of Errors ''The Comedy of Errors'' is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play. ...''. Following the success of his libretto for '' The Marriage of Figaro'', Da Ponte was asked by Storace to provide for him a libretto based on Shakespeare. Da Ponte compressed Shakespeare's plot into two acts, but retained nearly all the key elements. ''Gli equivoci'' was the second of Storace's operas to be performed at the Burgtheater. Storace composed the opera following the success of his opera '' Gli sposi malcontenti'' in the previous year. Storace reused some of the music of ''Gli equivoci'' in his English operas, including '' No Song, No Supper'' and ' ...
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La Grotta Di Trofonio
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on Figure 8 (album), ''Figure 8'' (album) * L.A. (EP), ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * L.A. (Neil Young song), "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * L.A. (Amy Macdonald song), "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River (musician), Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber A ...
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Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ...
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Axur, Re D'Ormus
''Axur, re d'Ormus'' ("Axur, king of Ormus") is an operatic dramma tragicomico in five acts by Antonio Salieri. The libretto was by Lorenzo Da Ponte. ''Axur'' is the Italian version of Salieri's 1787 French-language work ''Tarare'' which had a libretto by Beaumarchais. Synopsis Axur, King of the Persian Gulf kingdom of Ormus, orders one of his soldiers, Altamor, to abduct Aspasia, the wife of Atar, the heroic commander of Axur's army. Not knowing who kidnapped Aspasia but suspecting an overseas enemy, Atar speaks with the king and begs for justice. Moved by his appeal, Axur allows Atar to take a ship and seek his wife. Before Atar leaves, Axur's slave-servant, Biscroma, tells the general that the king has abducted Aspasia and hidden her in the royal harem. Enemy troops now threaten to invade Ormus, and the people plead with Atar to save them. Axur undermines Atar by telling the people that the general has better things to do than lead the army. Enraged, Atar declares himself read ...
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