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Teramo Cathedral
Teramo Cathedral ( it, Duomo di Teramo, ''Cattedrale di Santa Maria Assunta'') is a Roman Catholic cathedral in Teramo, Abruzzo, central Italy, dedicated to the Assumption of the Virgin Mary and to Saint Berardo, patron saint of the city. It is the seat of the Bishop of Teramo-Atri. Built in Romanesque- Gothic style, it was consecrated in 1176. History and description The church was begun in 1158, by order of bishop Guido II of Teramo, in order to house the relics of Saint Berardo after the destruction of the former cathedral of Teramo, Santa Maria Aprutensis, by Robert of Loritello in 1155. The edifice was finished in Romanesque style and consecrated in 1176. It had a nave and two aisles and a raised presbytery. Most likely it also had an external narthex. Part of the stone was taken from the nearby Roman theatre and amphitheatre; part of the latter was demolished to house the church. In 1331-1335 bishop Niccolò degli Arcioni had the building extensively modified. The nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duomo Di Teramo - Facciata Principale
''Duomo'' (, ) is an Italian term for a church with the features of, or having been built to serve as, a cathedral, whether or not it currently plays this role. Monza Cathedral, for example, has never been a diocesan seat and is by definition not a cathedral. On the other hand, the city of Trevi no longer has a bishop, although it once did, and the erstwhile cathedral of Emilianus of Trevi is now a mere church. By contradistinction, the Italian word for a cathedral ''sensu stricto'' is ''cattedrale''. There is no direct translation of "duomo" into English, leading to many such churches being erroneously called "cathedral" in English, regardless of whether the church in question hosts a bishop. Many people refer to particular churches simply as ''il Duomo'', the ''Duomo'', without regard to the full proper name of the church. Similar words exist in other European languages: ''Dom'' (German), ''dom'' (Romanian), ''dóm'' ( Hungarian and Slovak), ''dôme'' ( French), ''domo'' (P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Da Guardiagrele
Nicola da Guardiagrele (born Nicola Gallucci or Nicola di Andrea di Pasquale; c. 1385/1390Page aAbruzzo region official website – c. 1462) was an Italian late medieval goldsmith, painter and etcher. Biography Born at Guardiagrele, in what is now the province of Chieti, he was primarily influenced by Gothic art and by the contemporary Tuscan school of artists such as Lorenzo Ghiberti. He worked mostly as goldsmith, with numerous works dated and signed, although also sculptures and a panel painting are also attributed to him. His first known works, the cross of Roccaspinalveti and two monstrances, date from 1413–1418. Together with Paolo Romano and Pietro Paolo da Todi he had executed the twelve silver apostles which were in the Papal chapel before the Sack of Rome (1527). His other works include the antependium in the Cathedral of Teramo, an illuminated prayer book from c. 1420 (now at the Musée Condé) and a ''Madonna dell'Umiltà'' at the Uffizi. A sculpted ''Annunciat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doctors Of The Church
Doctor of the Church (Latin: ''doctor'' "teacher"), also referred to as Doctor of the Universal Church (Latin: ''Doctor Ecclesiae Universalis''), is a title given by the Catholic Church to saints recognized as having made a significant contribution to theology or doctrine through their research, study, or writing. , the Catholic Church has named 37 Doctors of the Church. Of these, the 18 who died before the Great Schism of 1054 are also held in high esteem by the Eastern Orthodox Church, although it does not use the formal title "Doctor of the Church". Among the 37 recognised Doctors, 28 are from the West and nine from the East; four are women and thirty-three are men; one abbess, three nuns, one tertiary associated with a religious order; 19 bishops, twelve priests, one deacon; 27 from Europe, three from Africa, and seven from Asia. More Doctors (twelve) lived in the fourth century than any other; eminent Christian writers of the first, second, and third centuries are usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessera
A tessera (plural: tesserae, diminutive ''tessella'') is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus. Historical tesserae The oldest known tesserae date to the 3rd millennium BC, discovered in the ancient city of Shahdad in Kerman province, Iran. In early antiquity, mosaics were formed from naturally formed colored pebbles. By roughly 200 BC cut stone tesserae were being used in Hellenistic- Greek mosaics. For instance, a large body of surviving material from the Hellenistic period can be found in the mosaics of Delos, Greece, dating to the late 2nd century BC. Ancient Roman decorative mosaic panels and floor mosaics were also produced during the 2nd century BC, particularly at sites such as Pompeii. Marble or limestone were cut into small cubes and arranged into representational designs and geometric patterns. Later, tesserae were made from colored glass, or clear glass backed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitreous Enamel
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between . The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word comes from the Latin , meaning "glass". Enamel can be used on metal, glass, ceramics, stone, or any material that will withstand the fusing temperature. In technical terms fired enamelware is an integrated layered composite of glass and another material (or more glass). The term "enamel" is most often restricted to work on metal, which is the subject of this article. Essentially the same technique used with other bases is known by different terms: on glass as ''enamelled glass'', or "painted glass", and on pottery it is called ''overglaze decoration'', "overglaze enamels" or "enamelling". The craft is called "enamelling", the artists "enamellers" and the objects produced can be called "enamels". Enamelling is an old and widely adopted technology, for mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladislaus Of Naples
Ladislaus the Magnanimous ( it, Ladislao, hu, László; 15 February 1377 – 6 August 1414) was King of Naples from 1386 until his death and an unsuccessful claimant to the kingdoms of Hungary and Croatia. Ladislaus was a skilled political and military leader, protector and controller of Pope Innocent VII; however, he earned a bad reputation concerning his personal life. He profited from disorder throughout Italy to greatly expand his kingdom and his power, appropriating much of the Papal States to his own use. He was the last male of the Capetian House of Anjou. Youth Ladislaus was born in Naples on 15 February 1377 during the reign of his grandaunt Queen Joanna I of Naples. He was the son of Charles and Margaret of Durazzo, both members of the Capetian House of Anjou. His parents, having lived for years at the court of their kinsman King Louis I of Hungary, named him after King Saint Ladislaus I of Hungary. In 1379 his father declared war on Joanna and proclaimed himself king w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'' "to hang before"; pl: ''antependia''), also known as a ''parament'' or ''hanging'', or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material that can adorn a Christian altar. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). Types of antependia Western Christianity "Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood panel, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teramo0001
Teramo (; nap, label= Abruzzese, Tèreme ) is a city and ''comune'' in the Italian region of Abruzzo, the capital of the province of Teramo. The city, from Rome, is situated between the highest mountains of the Apennines (Gran Sasso d'Italia) and the Adriatic coast. The town is located by the confluence of the Vezzola and Tordino rivers, on a hillside area where the terrain features along with the Mediterranean climate make the territory rich in vineyards and olive groves. The economy of the town is mostly based on activities connected with agriculture and commerce, as well as a sound industrial sector: textiles, foods, engineering, building materials and ceramics. Teramo can be reached from the A14 and the A24 motorways. Climate The climate is fresh-temperate. In the coolest month (January) temperatures average , and in the warmest month (July) they average . In the winter time though they can experience copious amounts of snowfall, as in 2005. The precipitations are not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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