Tenebrae Responsories (Gesualdo)
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Tenebrae Responsories (Gesualdo)
''Responsoria et alia ad Officium Hebdomadae Sanctae spectantia'' is a collection of music for Holy Week by Italian composer Carlo Gesualdo, published in 1611. It consists of three sets of nine short pieces, one set for each of Maundy Thursday, Good Friday and Holy Saturday, and a psalm and a hymn. The work was written for unaccompanied voices: two soprano parts, alto, two tenor parts, and bass. The texts of the Responsories for Holy Week are related to Jesus's Passion and are sung in between the lessons at Tenebrae. Gesualdo's settings are stylistically ''madrigali spirituali'' - madrigals on sacred texts. As in Gesualdo's later books of madrigals, he uses particularly sharp dissonance and shocking chromatic juxtapositions, especially in the parts highlighting text passages having to do with Christ's suffering, or the guilt of St. Peter in having betrayed Jesus. Content # Tenebrae Responsories for Maundy Thursday ## In monte Oliveti ## Tristis est anima mea ##:Alex Ros ...
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Tenebrae Responsoria Frontispice
Tenebrae (—Latin for "darkness") is a religious service of Western Christianity held during the three days preceding Easter Day, and characterized by gradual extinguishing of candles, and by a "strepitus" or "loud noise" taking place in total darkness near the end of the service. Tenebrae was originally a celebration of matins and lauds of the last three days of Holy Week (Maundy Thursday, Good Friday, and Holy Saturday) in the evening of the previous day (Holy Wednesday, Maundy Thursday and Good Friday) to the accompaniment of special ceremonies that included the display of lighted candles on a special triangular candelabra. Modern celebrations called Tenebrae may be of quite different content and structure, based for example on the Seven Last Words or readings of the Passion of Jesus. They may be held on only one day of Holy Week, especially Spy Wednesday (Holy Wednesday). They may be held during the daylight hours and the number of candles, if used, may vary. Tenebrae li ...
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Gesualdo - Plange Quasi Virgo Fin
Gesualdo may refer to: *Gesualdo, Campania, a town in Italy Given name *Gesualdo Bufalino (1920–1996), Italian writer *Gesualdo Francesco Ferri (1728–1788), Italian painter *Gesualdo Lanza (1779–1859), Italian teacher of music who made his career in London *Gesualdo Piacenti (born 1954), Italian professional football player Surname

*Alfonso Gesualdo (1540–1603), Italian Cardinal *Ascanio Gesualdo (died 1638), Italian archbishop *Carlo Gesualdo (1566–1613), Italian late Renaissance composer **''Gesualdo: Death for Five Voices'', a film about the composer **''Gesualdo'', opera by Alfred Schnittke **''Gesualdo'', opera by Bo Holten *Eddy Gesualdo (born 1968), Canadian professional football player *Scipione Gesualdo (died 1608), Italian archbishop {{disambig, given name, surname ...
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Seniores Populi
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. '' Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Brevia ...
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Una Hora
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. ...
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Eram Quasi Agnus Innocens
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. ...
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Unus Ex Discipulis Meis
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. ...
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Judas Mercator Pessimus
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. ...
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Amicus Meus
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. ...
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Ecce Vidimus Eum
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. ...
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The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the Culture of New York City, cultural life of New York City, ''The New Yorker'' has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of Short story, short stories and literary reviews, its rigorous Fact-checking, fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue. Overview and history ''The New Yorker'' was founded by Harold Ross and his wife Jane Grant, a ''The New York Times, N ...
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Alex Ross (music Critic)
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. A staff member of ''The New Yorker'' magazine since 1996, his extensive writings include performance and record reviews, industry updates, cultural commentary and historical narratives in the realm of classical music. He has written three well-received books: '' The Rest Is Noise: Listening to the Twentieth Century'' (2007), ''Listen to This'' (2011), and ''Wagnerism: Art and Politics in the Shadow of Music'' (2020). A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for ''The New York Times''. He has received wide acclaim for his publications; ''The Rest Is Noise'' was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, ''The Rest is Noise''. Life and career Alex Ross w ...
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Tristis Est Anima Mea (responsory)
Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday. The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion (Christianity), Passion. Text The theme of the text of the second responsory for Maundy Thursday is Jesus in the garden Gethsemane, addressing his disciples. The first two lines of the responsory are . In the King James Version, the beginning of the Latin text, told in the first person, is translated as "My soul is exceeding sorrowful". While the first two lines are quoted from the bible, the last two lines of are free anonymous poetry, predicting they will see a crowd, they will flee, and Jesus will go to be sacrificed for them. Responsorium:Catholic Church]''The Complete Office of Holy Week According to the Roman Missal and Breviary, in Latin and English'', p. 200Benziger brothers, 1875 Versus: Translations are offered by the The Episcopal Church, Episcopal Church and the Roman Catholic Church: Respon ...
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