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Tenebrae (soundtrack)
''Tenebre'' is the soundtrack to Dario Argento's film of the same title, first released as an album in 1982, and reissued most recently in 2006 with multiple bonus tracks. The score was composed and performed by Claudio Simonetti, Fabio Pignatelli, and Massimo Morante, three former members of the defunct rock group Goblin who briefly reunited at the request of Argento. Although the movie itself credits the score to "Simonetti-Pignatelli-Morante", the soundtrack album is credited to "Simonetti-Morante-Pignatelli". In 2007, "Tenebre", the first track, was sampled by French electronic music duo Justice on their album ''Cross'', in the songs "Phantom" and "Phantom Pt. II". In April 2018, a double vinyl edition of the soundtrack was released by Waxwork Records in a limited edition. Track listing # "Tenebre" – 4:34 # "Gemini" – 3:11 # "Slow Circus" – 2:30 # "Lesbo" – 5:17 # "Flashing" – 6:23 # "Tenebre" (Reprise) – 4:13 # "Waiting Death" – 4:19 # "Jane Mirror Theme" – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Simonetti
Claudio Simonetti (born 19 February 1952) is an Italian musician and film composer. He moved with his family from Brazil to Italy at the age of 11. The keyboardist of the progressive rock band Goblin, Simonetti has specialized in the scores for Italian and American horror films since the 1970s. A long-time collaborator of director Dario Argento, Simonetti has worked on several of the director/producer's films including ''Deep Red, Suspiria, Dawn of the Dead, Tenebrae, Phenomena, Demoni,'' and ''Opera''. His work has long been an iconic staple of Italian genre cinema, collaborating with directors like Ruggero Deodato, Umberto Lenzi, Lucio Fulci, Enzo G. Castellari, Lamberto Bava, and Sergio Martino. His highly experimental scores are known for their signature, electronic and progressive rock-influenced sound, and have been imitated numerous times. He studied at the Conservatorio di Santa Cecilia in Rome. Biography The son of composer and entertainer Enrico, he was the keyboa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waxwork Records
Waxwork Records is an American independent record label. It has released film scores and movie soundtracks on vinyl as well as comics. History Waxwork Records was founded in 2013 by Kevin Bergeron and Sue Ellen Soto. By 2015, it had re-released vinyl scores for horror films such as ''Day of the Dead'', ''Creepshow ''Creepshow'' is a 1982 American horror comedy anthology film directed by George A. Romero and written by Stephen King, making this film his screenwriting debut. The film's ensemble cast includes Hal Holbrook, Adrienne Barbeau, Fritz Weaver ...'', and '' Chopping Mall''. It also released a blood-filled vinyl collection for Harry Manfredini's '' Friday the 13th'' soundtrack. In 2016, it released ''House of Waxwork'', the first comic book from its Waxwork Comics line. References External links * {{record-label-stub Record labels established in 2013 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fretless Guitar
A fretless guitar is a guitar with a fingerboard without frets, typically a standard instrument that has had the frets removed, though some custom-built and commercial fretless guitars are occasionally made. The classic fretless guitar was first pioneered in 1976 by Turkish musician Erkan Oğur. Fretless bass guitars are readily available, with most major guitar manufacturers producing fretless models. On the fretless guitar, the performer's fingers press the string directly against the fingerboard, as with a violin, resulting in a vibrating string that extends from the bridge (where the strings are attached) to the fingertip instead of to a fret. Technique Musicians employ a standard harmony and the twelve-tone technique as a base for exploring tones, using a fretless guitar. Fretless guitars offer musicians an ability to use just intonation in any key and mode and explore new sounds through using microtonal harmonies and folk melodies in a jazz-groove context. A detailed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MC4 Computer
The Roland MC-4 MicroComposer was an early microprocessor-based music sequencer released by Roland Corporation. It could be programmed using the ten key numeric keyboard or a synthesizer keyboard using the keyboard's control voltage and gate outputs. It was released in 1981 with a list price of US$3,295 (¥430,000 JPY) and was the successor to the MC-8, which in 1977 was the first microprocessor-based digital sequencer. Like its predecessor, the MC-4 is a polyphonic CV/Gate sequencer. Chris CarterROLAND MC8 MICROCOMPOSER ''Sound on Sound'', Vol.12, No.5, March 1997 Information This sequencer was released before the advent of MIDI, and viewed by some composers to have more accurate timing. The MC-4 has an output patchbay to the right of the control panel, allowing you to patch the MC-4 to a synthesizer using 3.5mm patch cords. There are four channels of outputs containing CV-1, CV-2, Gate and MPX (multiplex) to control four separate synthesizers.page 1, Roland Microcomposer MC-4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim DMX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland VP-330
The Roland VP-330 is a paraphonic ten band vocoder and string machine manufactured by Roland Corporation from 1979 to 1980. While there are several string machines and vocoders, a single device combining the two is rare, despite the advantage of paraphonic vocoding, and the VP-330's synthetic choir sounds are unique. Despite the VP-330's electronic string and choir sounds being less realistic than those of the tape-based Mellotron, touring musicians used it as a lighter and more robust alternative. The Roland SVC-350 is a similar vocoder in rack-mount form designed to accept external inputs. Architecture In addition to vocoding and generating string sounds, the VP-330 can also play four different choir sounds, each of which uses four bandpass filters, shared from the same pool of seven total. Like Roland's other string machines of the era, such as the RS-202, it features a BBD-based ensemble effect that thickens the strings, and optionally the choirs and vocoder. Notable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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