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Tenderly
"Tenderly" is a popular song published in 1946 with music by Walter Gross and lyrics by Jack Lawrence. Written in the key of E as a waltz in time, it has since been performed in 4/4 and has become a popular jazz standard. Notable versions have been recorded by singers, such as Sarah Vaughan and Nat King Cole, and pianists, such as Art Tatum, Bill Evans and Peruchín. "Tenderly" was first recorded by Brazilian singer and pianist Dick Farney on June 15, 1947. Described as "a lovely waltz melody", Farney's version was positively received upon release in July 1947. The second recording was made by Sarah Vaughan on July 2, 1947. Her version entered the charts on November 15 and reached number 27. It has been described as "a ravishing rendition". The next versions were recorded by the orchestras of Randy Brooks and Charlie Spivak later that year. Singer Clark Dennis recorded the song in 1948. Vaughan re-recorded the song for MGM in 1950. The song has also become a Latin music sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Gross (musician)
Walter Gross (July 14, 1909 – November 27, 1967) is best known for having composed the music for the popular 1946 song "Tenderly". In addition to composing dozens of other titles, he was also a pianist, arranger, orchestra leader, and record industry executive. Biography Born in New York City, Gross gave his first piano recital at age 10. In 1923, he had a 15-minute piano program on radio station WEAF in New York City. He began performing professionally in the early 1930s, and played piano in bands led by Paul Whiteman, Andre Kostelanetz, Tommy Dorsey, and Raymond Scott. He was also a staff pianist on CBS radio in the 1930s. In 1942, Gross led the orchestra for Frank Sinatra's CBS program, '' Reflections''. After serving in the military during World War II, Gross became an executive at Musicraft Records, where he served as conductor, arranger, and pianist for recording sessions. In 1946, he was approached by noted lyricist Jack Lawrence, who asked permission to add words to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Far Cry (album)
''Far Cry'' is the third album by jazz musician Eric Dolphy, released in 1962 on New Jazz (a subsidiary of the Prestige label.) Featuring a quintet co-led with trumpeter Booker Little, it is one of the few recordings of their partnership. Pianist Jaki Byard, bassist Ron Carter and drummer Roy Haynes all return from earlier Dolphy albums. This was a busy time for Dolphy- he took part in Ornette Coleman's ''Free Jazz'' session and recorded this album on the same day, and had participated in the '' Jazz Abstractions'' ("John Lewis Presents Contemporary Music: Compositions by Gunther Schuller and Jim Hall") project the previous day. Content The entire first side presents a suite to Charlie Parker. "Mrs. Parker of K.C. (Bird's Mother)" and "Ode to Charlie Parker," both composed by pianist Jaki Byard, are respectively dedicated to Addie, Charlie Parker's mother, and a tribute to Parker. "Far Cry," composed by Dolphy, is also a tribute to Parker (the melody is identical to "Out There" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moonlight In Vermont (album)
''Moonlight in Vermont'' is a 1956 compilation album by jazz guitarist Johnny Smith, featuring tenor saxophonist Stan Getz. The material on the album was recorded between 1952 and 1953, and was drawn from two 10-inch LPs, both titled "Jazz at NBC", which were previously issued by the Royal Roost label. Titled for Smith's breakthrough hit song, its single was ''DownBeat'' readers' second favorite jazz record of the year. It was popularly and critically well received and has come to be regarded as an important album in Smith's discography, in the cool jazz genre and in the evolution of jazz guitar. Songs on the album, which reveal the influence of Smith's experiences with the NBC Studio Orchestra, and as a multi-instrument musician, include the title track and the original composition "Jaguar". The title track, singled out for its virtuosity, was a highly influential rendition of a jazz standard that secured Smith's position in the public eye. Originally released on Roost Records, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Vaughan
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and "Jazz royalty, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. She developed an early love for popular music on records and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Troup
Robert William Troup Jr. (October 18, 1918 – February 7, 1999) was an American actor, jazz pianist, singer, and songwriter. He wrote the song " Route 66" and acted in the role of Dr. Joe Early with his wife Julie London in the television program ''Emergency!'' in the 1970s. Early life Robert William Troup Jr. was born in Harrisburg, Pennsylvania. His father Robert William Troup worked for the family business J. H. Troup Music House and founded its Lancaster, Pennsylvania branch store. He graduated from The Hill School, a preparatory school in Pottstown, Pennsylvania, in 1937. He went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. Career Military and music His earliest musical success came in 1941 with the song "Daddy" written for a Mask and Wig production. Sammy Kaye and His Orchestra recorded "Daddy", which was number one for eight weeks on the '' Billboard'' chart and the number five record of 1941; othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosemary Clooney
Rosemary Clooney (May 23, 1928 – June 29, 2002) was an American singer and actress. She came to prominence in the early 1950s with the song "Come On-a My House", which was followed by other pop numbers such as " Botch-a-Me", " Mambo Italiano", "Tenderly", "Half as Much", "Hey There", "This Ole House", and " Sway". She also had success as a jazz vocalist. Clooney's career languished in the 1960s, partly because of problems related to depression and drug addiction, but revived in 1977, when her '' White Christmas'' co-star Bing Crosby asked her to appear with him at a show marking his 50th anniversary in show business. She continued recording until her death in 2002. Early life Rosemary Clooney was born in Maysville, Kentucky, the daughter of Marie Frances (née Guilfoyle) and Andrew Joseph Clooney. She was one of five children. Her father was of Irish and German descent, and her mother was of English and Irish ancestry. She was raised Catholic. When Clooney was 15, her mother a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randy Brooks (musician)
Randolph E. Brooks (March 28, 1917 – March 21, 1967) was an American jazz trumpeter and bandleader. Brooks began on trumpet at age six, and by the age of 11 was discovered by Rudy Vallee, and appeared on his Fleischman Hour radio show, and became a permanent member where he played thrilling trumpet solos, but was not allowed to play with the brass section of the band. By the time he was eighteen he was working with Jerry Blane for an entire summer in western New Jersey, followed by Gene Kardos and then Ruby Newman at the Rainbow Room in New York City. He was then hired by Hal Kemp with whom he cut his first records for the Victor label in 1939. After Kemp’s death late in 1940, he stayed with the band when Art Jarrett took leadership of the group. By June 1942, he had moved on to Claude Thornhill, followed a few months later by Bob Allen, but within a year he was playing with Les Brown, before founding his own band in early 1945. John Benson Brooks (no relation) contributed ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Lawrence (songwriter)
Jack Lawrence (born Jacob Louis Schwartz, April 7, 1912 – March 16, 2009) was an American songwriter. He was inducted into the Songwriters Hall of Fame in 1975. Life and career Jack Lawrence was born in Brooklyn, New York to an Orthodox Jewish family of modest means as the third of four sons. His parents Barney (Beryl) Schwartz and Fanny (Fruma) Goldman Schwartz were first cousins who had run away from their home in Bila Tserkva, Ukraine to go to America in 1904. Lawrence wrote songs while still a child, but because of parental pressure after he graduated from Thomas Jefferson High School, he enrolled in the First Institute of Podiatry, where he received a D.P.M. degree in 1932. The same year, his first song was published and he immediately decided to make a career of songwriting rather than podiatry. That song, "Play, Fiddle, Play", won international fame and he became a member of ASCAP that year at age 20. In the early 1940s, Lawrence and several fellow hitmakers forme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dolphy
Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists. His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals. He used melodic lines that were "angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register." Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everybody Digs Bill Evans
''Everybody Digs Bill Evans'' is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label. History ''Everybody Digs Bill Evans'' was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keepnews) had wanted Evans to record a follow-up album to his debut sooner, the self-critical Evans felt he had "nothing new to say" before this album. The recording captures Evans at a time when he frequently played extended musical ideas using block chords, a technique also favored by Milt Buckner, George Shearing, Oscar Peterson, and other jazz pianists. That combined with his use of pedals gave him a sound considered by critics to be innovative. Though Evans had quit the Miles Davis band a month before the album was recorded, Davis was enamored of Evans's piano sound as it was developing through 1958, and decided to use him as the pianist for four of the five tracks on the 1959 recording ''Kind of Blue''. ''Every ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella And Louis
''Ella and Louis'' is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's ''Ella and Louis Again'' and 1959's ''Porgy and Bess''. The album Norman Granz, the founder of the Verve label, selected eleven ballads for Fitzgerald and Armstrong, mainly played in a slow or moderate tempo. Recording began August 16, 1956, at the new Capitol Studios in Hollywood. Though Granz produced the album, Armstrong was given final say over songs and keys. The success of ''Ella and Louis'' was replicated by ''Ella and Louis Again'' and ''Porgy and Bess''. All three were released as '' The Complete Ella Fitzgerald & Louis Armstrong on Verve''. Verve also released the album as one of the first ones in SACD. Reception AllMusic's S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
