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Temple E (Selinus)
Temple E at Selinus in Sicily is a Greek temple of the Doric order. It is found on the hill to the east of the city's acropolis. Temple E is also known as the Temple of Hera because an inscription found on a votive stela indicates that it was dedicated to Hera; however, some scholars argue that it must have been dedicated to Aphrodite on the basis of structural parallels. It was built towards the middle of the sixth century BC on top of the foundations of a more ancient building. It is the best conserved of the temples of Selinus but its present appearance is the result of anastylosis (reconstruction using original material) performed—controversially—in 1959, by the Italian archaeologist Jole Bovio Marconi. Description The peripteros, peripteral temple belongs to the period of transition from the archaic Greece, archaic to the classical Greece, classical period. It has a peristyle 25.33 wide x 67.82 metres long with six columns at the front (''hexastyle'') and fifteen on the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicily Selinunte Temple E (Hera)
Sicily ( it, Sicilia , ) is the list of islands in the Mediterranean, largest island in the Mediterranean Sea and one of the 20 regions of Italy, regions of Italy. The Strait of Messina divides it from the region of Calabria in Southern Italy. It is one of the five Regions of Italy#Autonomous regions with special statute, Italian autonomous regions and is officially referred to as ''Regione Siciliana''. The region has 5 million inhabitants. Its capital city is Palermo. Sicily is in the central Mediterranean Sea, south of the Italian Peninsula in continental Europe, from which it is separated by the narrow Strait of Messina. Its most prominent landmark is Mount Etna, the tallest active volcano in Europe, and one of the most active in the world, currently high. The island has a typical Mediterranean climate. The earliest archaeological record, archaeological evidence of human activity on the island dates from as early as 12,000 BC. By around 750 BC, Sicily had three Phoenician an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Greece
Classical Greece was a period of around 200 years (the 5th and 4th centuries BC) in Ancient Greece,The "Classical Age" is "the modern designation of the period from about 500 B.C. to the death of Alexander the Great in 323 B.C." ( Thomas R. Martin, ''Ancient Greece'', Yale University Press, 1996, p. 94). marked by much of the eastern Aegean and northern regions of Greek culture (such as Ionia and Macedonia) gaining increased autonomy from the Persian Empire; the peak flourishing of democratic Athens; the First and Second Peloponnesian Wars; the Spartan and then Theban hegemonies; and the expansion of Macedonia under Philip II. Much of the early defining politics, artistic thought (architecture, sculpture), scientific thought, theatre, literature and philosophy of Western civilization derives from this period of Greek history, which had a powerful influence on the later Roman Empire. The Classical era ended after Philip II's unification of most of the Greek world again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label= genitive Boeotian Aeolic and Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label= genitive el, Δίας, ''Días'' () is the sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Eileithyia, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiope (Amazon)
In Greek mythology, Antiope (; Ancient Greek: Ἀντιόπη, derived from αντι ''anti'', "against, compared to, like," and οψ ''ops'', "voice" or "confronting") was an Amazon, daughter of Ares and sister to Melanippe, Hippolyta, Penthesilea and possibly Orithyia, queens of the Amazons. She may have been the wife of Theseus and mother to his son Hippolytus of Athens, but differing sources claim this was Hippolyta. Mythology There are various accounts of the manner in which Theseus became possessed of Antiope, and of her subsequent fortunes. In one version, during Heracles' ninth labour, which was to obtain the Girdle of Hippolyta, when he captured the Amazons' capital of Themiscyra, his companion Theseus, king of Athens, abducted Antiope and brought her to his home (or she was captured by Heracles and then given by him to Theseus). According to Pausanias, Antiope fell in love with Theseus and betrayed the Amazons of her own free will. They were eventually married a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amazons
In Greek mythology, the Amazons (Ancient Greek: Ἀμαζόνες ''Amazónes'', singular Ἀμαζών ''Amazōn'', via Latin ''Amāzon, -ŏnis'') are portrayed in a number of ancient epic poems and legends, such as the Labours of Hercules, the ''Argonautica'' and the ''Iliad''. They were a group of female warriors and hunters, who beat men in physical agility and strength, in archery, riding skills, and the arts of combat. Their society was closed for men and they only raised their daughters, either killing their sons or returning them to their fathers, with whom they would only socialize briefly in order to reproduce. Courageous and fiercely independent, the Amazons, commanded by their queen, regularly undertook extensive military expeditions into the far corners of the world, from Scythia to Thrace, Asia Minor and the Aegean Islands, reaching as far as Arabia and Egypt. Besides military raids, the Amazons are also associated with the foundation of temples and the est ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parian Marble
Parian marble is a fine-grained semi translucent pure-white and entirely flawless marble quarried during the classical era on the Greek island of Paros in the Aegean Sea. It was highly prized by ancient Greeks for making sculptures. Some of the greatest masterpieces of ancient Greek sculpture were carved from Parian marble, including the ''Medici Venus'', the ''Venus de Milo'', and the ''Winged Victory of Samothrace''. The original quarries, which were used from the 6th century BC onwards, can still be seen on the north side of the island on the slopes of its central peak. The Parian's main rival in antiquity was Pentelic marble, which is also flawless white, albeit with a uniform, faint yellow tint that makes it shine with a golden hue under sunlight. It is today mined mostly on the neighbour island of Paros, Naxos, in the mountains near the village of Kinidaros. Parian ware is an artificial substitute for marble, originally a brand name for a variety of unglazed biscuit porc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope (architecture)
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in height or in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entasis
In architecture, entasis is the application of a convex curve to a surface for aesthetic purposes. Its best-known use is in certain orders of Classical columns that curve slightly as their diameter is decreased from the bottom upward. It also may serve an engineering function regarding strength. Etymology The word we apply to the design principle is used by the Roman architectural historian Vitruvius, and derives from the Greek word έντείνω (''enteino''), "to stretch or strain tight". Creating the illusion of greater strength or perception of height may have been an objective in the application of entasis. Examples Examples of this design principle may be found in cultures throughout the world, from ancient times to contemporary architecture. The first use of entasis is probably in the Later Temple of Aphaia at Aigina, in the 490s B.C. It also may be observed among Classical period Greek column designs, for example, in the Doric order temples in Segesta, Selinus, Agrig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opisthodomos
An opisthodomos (ὀπισθόδομος, 'back room') can refer to either the rear room of an ancient Greek temple or to the inner shrine, also called the adyton ('not to be entered'). The confusion arises from the lack of agreement in ancient inscriptions. In modern scholarship, it usually refers to the rear porch of a temple. On the Athenian Acropolis especially, the opisthodomos came to be a treasury, where the revenues and precious dedications of the temple were kept. Its use in antiquity was not standardised. In part because of the ritual secrecy of such inner spaces, it is not known exactly what took place within opisthodomoi; it can safely be assumed that practice varied widely by place, date and particular temple. Architecturally, the opisthodomos (as a back room) balances the pronaos or porch of a temple, creating a plan with diaxial symmetry. The upper portion of its outer wall could be decorated with a frieze, as on the Hephaisteion and the Parthenon. Opisthodomoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adyton
The adyton ( , 'innermost sanctuary, shrine', ) or (Latin) was a restricted area within the cella of a Greek or Roman temple. The ''adyton'' was frequently a small area at the farthest end of the cella from the entrance: at Delphi it measured just . The ''adyton'' often would house the cult image of the deity. ''Adyta'' were spaces reserved for oracles, priestesses, priests, or acolytes, and not for the general public. ''Adyta'' were found frequently associated with temples of Apollo, as at Didyma, Bassae, Clarus, Delos, and Delphi, although they were also said to have been natural phenomena (see the story of Nyx). Those sites often had been dedicated to deities whose worship preceded that of Apollo and may go back to prehistoric eras, such as Delphi, but who were supplanted by the time of Classical Greek culture. In modern usage, the term is sometimes extended to similar spaces in other cultural contexts, as in Egyptian temples or the Western mystery school, Builders of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cella
A cella (from Latin for small chamber) or naos (from the Greek ναός, "temple") is the inner chamber of an ancient Greek or Roman temple in classical antiquity. Its enclosure within walls has given rise to extended meanings, of a hermit's or monk's cell, and since the 17th century, of a biological cell in plants or animals. Greek and Roman temples In ancient Greek and Roman temples the cella was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the cella may contain a table to receive supplementary votive offerings such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophies. No gatherings or sacrifices took place in the cella as the altar for sacrifices was always located outside the building along the axis and temporary altars for other deities were built next to it. The accumulated offerings ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Antis
An anta (pl. antæ, antae, or antas; Latin, possibly from ''ante'', "before" or "in front of"), or sometimes parastas (pl. parastades), is an architectural term describing the posts or pillars on either side of a doorway or entrance of a Greek temple – the slightly projecting piers which terminate the walls of the naos. It differs from the pilaster, which is purely decorative, and does not have the structural support function of the anta. Anta In contrast to columns or pillars, antae are directly connected with the walls of a temple. They owe their origin to the vertical posts of timber employed in the early, more primitive palaces or temples of Greece, as at Tiryns and in the Temple of Hera at Olympia. They were used as load-bearing structures to carry the roof timbers, as no reliance could be placed on walls built with unburnt brick or in rubble masonry with clay mortar. Later, they became more decorative as the materials used for wall construction became sufficient to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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