Teatro Cultura Artística
Since 1919, Sociedade de Cultura Artística nurtured the dream of having its own theatre in São Paulo, Brazil. Overview This was only made possible in the late 1940s. The construction of the theatre, between the years 1947 and 1950, was a period of enormous enthusiasm. The theatre was designed by leading architects Rino Levi, Roberto Cerqueira César and Fa Pestalozzi. The inauguration was on 8 and 9 March 1950, and was headed by two of the most important Brazilian conductors and composers. Heitor Villa-Lobos and Camargo Guarnieri led the concerts which also opened that year's season of concerts, conducting the São Paulo Symphony Orchestra and presenting their own musical creations. At that time, there were already 2500 subscribers to the season and even the large concert hall could not accommodate all subscribers in one night. The theatre has two superposed concert halls, the first one named Sala Esther Mesquita, with 1156 seats, and the second one named Sala Rubens Sverner ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sociedade De Cultura Artística
In 1912, a group of poets, journalists, musicians, lawyers, professors and businessmen founded a society to provide high culture to support São Paulo's (and Brazil's) economic development, with the promotion of evenings of music and literature. In the beginning, there was a predominance readings and lectures by the mostrelevant writers and intellectuals of the time but later music became the focus of its activities. Today the Sociedade de Cultura Artística promotes one of the most important classical music seasons in Brazil, with artists such as Daniel Barenboim, Yo-Yo Ma and Zubin Mehta. Sociedade de Cultura Artística owns a venue in São Paulo, Teatro Cultura Artística Since 1919, Sociedade de Cultura Artística nurtured the dream of having its own theatre in São Paulo, Brazil. Overview This was only made possible in the late 1940s. The construction of the theatre, between the years 1947 and 1950, was a per ..., with two theatres/concert halls: Sala Esther Mesquita an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rino Levi
Rino Levi (São Paulo, 1901—Bahia, 1965) was a Brazilian architect important to the development of modernism in Brazil. Levi was born to Italian Jewish parents on December 31, 1901, in São Paulo, Brazil. After graduating from Colégio Dante Alighieri in São Paulo, Levi studied in Milan and Rome under Marcello Piacentini. Following his return to São Paulo, Levi established the firm ''Rino Levi Arquitetos Associados''. Levi was known for an architectural practice particularly dissociated from the construction process for his era. In the early 1930s Levi designed a number of modernist houses in São Paulo for Italian clients. Towards the end of the decade, Levi's practice shifted to the design on theaters including the Cine Ufa Palace and Teatro Cultura Artistic . Levi died on a trip to Bahia in September 1965. Notable buildings * Columbus building (São Paulo, 1932) * Hotel Excelsior (São Paulo, 1943) * Teatro Cultura Artística (São Paulo, 1947) * Edifício Sul-Ame ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Camargo Guarnieri
Mozart Camargo Guarnieri (February 1, 1907 – January 13, 1993) was a Brazilian composer. Name Guarnieri was born in Tietê, São Paulo, and registered at birth as Mozart Guarnieri, but when he began a musical career, he decided his first name was too pretentious. Thus he adopted his mother's maiden name Camargo as a middle name, and thenceforth signed himself M. Camargo Guarnieri. In 1948, he legally changed his name to Mozart Camargo Guarnieri, but continued to sign only the initial of his first name. Guarnieri's Italian father, Michele Guarneri, a lover of classical music, named one of Camargo's brothers Rossine (a Portuguese misspelling of Rossini), and two others Verdi and Bellini. Life Guarnieri studied piano with Ernani Braga and and composition with at the Conservatório Dramático e Musical de São Paulo. In 1938, a fellowship from the Council of Artistic Orientation allowed him to travel to Paris, where he studied composition and aesthetics with Charles Koechlin a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Di Cavalcanti
Emiliano Augusto Cavalcanti de Albuquerque Melo (September 6, 1897 – October 26, 1976), known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable European influences. His wife was the painter Noêmia Mourão, who would be an inspiration in his works in the later 1930s. Early years (1897-1922) Born in Rio de Janeiro in 1897, Di Cavalcanti was influenced by the intellectuals he met at his home of his maternal uncle, a figure of the abolitionist movement. This would provide the basis for a lifelong politically driven artistic career, which would start by the production of a drawing published by the magazine fon-fon. He engaged in a pursuit for a law degree in São Paulo but did not manage to complete this pursuit. Di Cavalcanti moved to São Paulo in 1917. At this time he held his first exhibition at the Editora do Livro (o livro bookstore) in São Paulo. This first exhibition would only include caricatures with very vi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theatres In São Paulo
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |