Taʿlīq Script
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Taʿlīq Script
The taʿlīq () script is a style in Islamic calligraphy designed specifically to satisfy the needs of the Persian language. It emerged in the mid-13th century from gradual changes in the '' naskh'' style, and also incorporated influences from '' riqa'' and ''tawqi.'' It was widely used, especially in Persianate societies, until being replaced by the Nastaliq script, itself a derivative of ta'liq. Taʿlīq is also generally used as the name for the Nastaliq script in the Turkish language and often in the Arabic language. See also * Naskh script *Nastaliq ''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nast ... References {{DEFAULTSORT:Taliq Script Islamic calligraphy Persian calligraphy Persian orthography ...
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Abjad
An abjad (, ar, أبجد; also abgad) is a writing system in which only consonants are represented, leaving vowel sounds to be inferred by the reader. This contrasts with other alphabets, which provide graphemes for both consonants and vowels. The term was introduced in 1990 by Peter T. Daniels. Other terms for the same concept include: partial phonemic script, segmentally linear defective phonographic script, consonantary, consonant writing, and consonantal alphabet.Amalia E. Gnanadesikan (2017) Towards a typology of phonemic scripts, Writing Systems Research, 9:1, 14-35, DOI: 10.1080/17586801.2017.1308239 "Daniels (1990, 1996a) proposes the name abjad for these scripts, and this term has gained considerable popularity. Other terms include partial phonemic script (Hill, 1967), segmentally linear defective phonographic script (Faber, 1992), consonantary (Trigger, 2004), consonant writing (Coulmas, 1989) and consonantal alphabet (Gnanadesikan, 2009; Healey, 1990). " Impure abja ...
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Persian Language
Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian (officially known as ''Persian''), Dari Persian (officially known as ''Dari'' since 1964) and Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a der ...
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Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ...
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Naskh (script)
Naskh ( ar, , qalam an-naskh, from the verb , , 'to copy', from n-s-kh root (ن-س-خ)) is a smaller, round script of Islamic calligraphy. Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility. In his 1617 ''Grammatica Arabica'', Thomas van Erpe defined naskhī characters as the "noblest and true writing style". Origin Naskh style of writing can be found as early as within the first century of the Islamic calendar. Round scripts became the most popular in the eleventh, twelfth and thirteenth centuries, due to their use by scribes. Ibn Muqla is credited with standardizing the "Six Pens" of Islamic calligraphy, also including , , , , and . These are known as "the proportioned scripts" () or "the six scripts" (). Kufic is commonly believed to predate naskh, but historians have traced the two scripts as coexisting long before their ...
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Tawqi
''Tawqi‘'' ( ar-at, التوقيع, al-tawqī‘) is a calligraphic variety of the Arabic script. It is a modified and smaller version of the ''thuluth'' script. Both scripts were developed by Ibn Muqlah. The ''tawqi‘'' script was further refined by Ibn al-Bawwab. It was mostly employed in official state papers and documents in the Ottoman Empire The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ..., where the script was known as ''tevki''. References Arabic calligraphy {{arabic-script-stub ...
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Persianate Society
A Persianate society is a society that is based on or strongly influenced by the Persian language, culture, literature, art and/or identity. The term "Persianate" is a neologism credited to Marshall Hodgson. In his 1974 book, ''The Venture of Islam: The expansion of Islam in the Middle Periods'', he defined it thus: "The rise of Persian had more than purely literary consequences: it served to carry a new overall cultural orientation within Islamdom.... Most of the more local languages of high culture that later emerged among Muslims... depended upon Persian wholly or in part for their prime literary inspiration. We may call all these cultural traditions, carried in Persian or reflecting Persian inspiration, 'Persianate' by extension."Hodgson says, "It could even be said that Islamicate civilization, historically, is divisible in the more central areas into an earlier 'caliphal' and a later 'Persianate' phase; with variants in the outlying regions—Maghrib, Sudanic lands, Southern ...
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Nastaliq
''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nastaliq'' developed in Iran from '' naskh'' beginning in the 13th century and remains very widely used in Pakistan, Iran, Afghanistan and as a minority script in India and other countries for written poetry and as a form of art. History The name ''nastaliq'' "is a contraction of the Persian , meaning a hanging or suspended '' naskh''". Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced evolution of ''nastaliq'' in 14th century Iran and showed how it developed gradually among scribes in Shiraz. Moreover, according to her studies ''nastaliq'' has its ...
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Persian Calligraphy
Persian calligraphy or Iranian calligraphy ( fa, ), is the calligraphy of the Persian language. It is one of the most revered arts throughout the history of Iran. History History of Nasta'liq After the Muslim conquest of Persia, introduction of Islam in the 7th century, Persians adapted the Arabic alphabet to Persian language, Persian and developed the contemporary Persian alphabet. The Arabic alphabet has 28 characters. An additional four letters were added by Iranians, which resulted in the 32 letters currently present in the Persian alphabet. Around one thousand years ago, Ibn Muqlah ( fa, ) and his brother created six genres of Iranian calligraphy, namely "Mohaqiq", "Reyhan", "Sols", "Naskh", "Toqi" and "Reqa". These genres were common for four centuries in Persia. In the 7th century (Hijri calendar), Hassan Farsi Kateb combined the "Naskh" and "Reqah" styles and invented a new genre of Persian calligraphy named "Ta'liq (script), Ta'liq". In the 14th century, Mir Ali Tabr ...
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