Tarsis Et Zélie
''Tarsis et Zélie'' is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique (the Paris Opera) on 19 October 1728. It takes the form of a ''tragédie en musique Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in ...'' in a prologue and five acts. The libretto is by Jean-Louis-Igance de La Serre. Sources Libretto at "Livrets baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 p.649. French-language operas Tragédies en musique Operas 1728 operas {{french-opera-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François Francoeur
François FrancÅ“ur (8 September 1698 – 5 August 1787) was a French composer and violinist. Biography François FrancÅ“ur was born in Paris, the son of Joseph FrancÅ“ur, a basse de violon player and member of the '' 24 violons du roy''. FrancÅ“ur was instructed in music by his father and joined the Académie Royale de Musique as a violinist at age 15. After travel and performances in the principal European culture centres, he returned to Paris as a member of the Concert Spirituel. FrancÅ“ur was appointed to the ''24 violons du roy'' in 1730 and ''Maître de musique'' (music instructor) to the Opera in 1739. In 1744, he and François Rebel, his lifelong colleague and friend, were appointed ''inspecteurs musicaux'' (music directors) of the Paris Opéra—centre of the French music world—becoming responsible for all phases of its management in 1757. Rebel and FrancÅ“ur faced numerous challenges in their joint roles, including a large financial deficit, lack of discipline, as wel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François Rebel
François Rebel (19 June 17017 November 1775) was a French composer of the Baroque era. Born in Paris, the son of the leading composer Jean-Féry Rebel, he was a child prodigy who became a violinist in the orchestra of the Paris Opera at the age of 13. As a composer he is best known for his close collaboration with François Francoeur François FrancÅ“ur (8 September 1698 – 5 August 1787) was a French composer and violinist. Biography François FrancÅ“ur was born in Paris, the son of Joseph FrancÅ“ur, a basse de violon player and member of the '' 24 violons du roy''. FrancÅ ... (see that page for further details of their works). Selected recordings * Zélindor, roi des Sylphes Sources *''The Viking Opera Guide'' ed. Holden (1993) External links Biography at hoasm.org* 1701 births 1775 deaths Musicians from Paris French male classical composers French opera composers Male opera composers French Baroque composers French theatre managers and producers Opera manage ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |