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Tarantas (flamenco Palo)
''Tarantas'' and ''Taranto'' are two related styles ('' palos'') of Flamenco music, that originated in the ''Andalusian'' province of Almería. Each is characterized by a shared modality (F-sharp Phrygian) and harmonic progression (Bm–A7–G–F-sharp), but differ significantly with respect to rhythm and meter. ''Tarantas'' is a cante libre (or toque libre, if played as a solo), meaning that it lacks both a regular rhythmic pattern ( ''compás'', in flamenco terminology) and a regular rhythmic unit (or beat). It can be sung or played, but not danced. ''Taranto'', conversely, has a regular 2/4-meter, and is danceable. When played on, or accompanied by, the guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected stri ..., both ''palos'' have a unique and characteristic sound that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole" "rod" or "Tree", but in this case it has the sense of " suit of cards" i.e. category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusia
Andalusia (, ; es, Andalucía ) is the southernmost Autonomous communities of Spain, autonomous community in Peninsular Spain. It is the most populous and the second-largest autonomous community in the country. It is officially recognised as a Nationalities and regions of Spain, "historical nationality". The territory is divided into eight Provinces of Spain, provinces: Province of Almería, Almería, Province of Cádiz, Cádiz, Province of Córdoba (Spain), Córdoba, Province of Granada, Granada, Province of Huelva, Huelva, Province of Jaén (Spain), Jaén, Province of Málaga, Málaga, and Province of Seville, Seville. Its capital city is Seville. The seat of the High Court of Justice of Andalusia is located in the city of Granada. Andalusia is located in the south of the Iberian Peninsula, in southwestern Europe, immediately south of the autonomous communities of Extremadura and Castilla-La Mancha; west of the autonomous community of Region of Murcia, Murcia and the Mediterr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Province Of Almería
Almería (, also , ) is a province of the autonomous community of Andalusia, Spain. It is bordered by the provinces of Granada, Murcia, and the Mediterranean Sea. Its capital is the homonymous city of Almería. Almería has an area of . With 701,688 (2014) inhabitants, its population density is 79.96/km2, slightly lower than the Spanish average. It is divided into 103 municipalities. Geography The highest mountain range in the Province of Almería is the long Sierra de Los Filabres. Europe's driest area is found in Almería and is part of the Cabo de Gata-Níjar Natural Park. The arid landscape and climate of the province have made it an ideal setting for Western films, especially during the 1960s. Because of the demand for these locations, quite a number of Western towns were built near the Tabernas Desert. Films such as ''A Fistful of Dollars'', '' For a Few Dollars More'', and ''The Good, The Bad, and The Ugly'' were shot here. Years later, the film of ''800 Bullets'' was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantes Libres
Cantes libres is a Spanish expression that literally means "free songs''"''. It is applied on any flamenco palos (musical forms) in which there is no recognisable metre (music) or rhythmic pattern. The melody thus flows freely, unconstructed by metre, so singers can shorten or lengthen musical phrases at will, as long as they respect the basic melodic line of the style they are singing. The meaning of this expression should not be confused with concepts like rubato or ad libitum which usually refer to a relative freedom of the musician in following the time signature. In this type of singing there is no time signature at all, so freedom is absolute, and the only restrictions are those imposed by the traditional basic melody. Roles of guitar and dance When these palos are played in the guitar, either as accompaniment or as solo, they are known as ''toques libres'', meaning ''free guitar playing''. The guitar accompaniment used for most of this ''palos'' (when they are accompanied) c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toque Libre
A toque ( or ) is a type of hat with a narrow brim or no brim at all. Toques were popular from the 13th to the 16th century in Europe, especially France. The mode was revived in the 1930s. Now it is primarily known as the traditional headgear for professional cooks, except in Canada where the term ''toque'' is primarily used for knit caps. Name The word ''toque'' has been known in English since around 1500. It is a loan word from the French (15th century), presumably by the way of the Spanish 'woman's headdress', from Arabic طاقة, itself from Old Persian 'veil, shawl'. The word in Breton means 'hat'. The spelling with ⟨que⟩ is Middle Breton, and the Modern Breton spelling is . Old Breton spells the word . History and uses A tall, black toque made of silk or velvet, often ornamented with an aigrette, was fashionable among the Spanish nobility during the 1500s. This style is seen in a 1584 portrait of Isabella Clara Eugenia as well as Sofonisba Anguissola' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Guitar
A flamenco guitar is a guitar similar to a classical guitar but with thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. It is used in ''toque'', the guitar-playing part of the art of flamenco. History Traditionally, luthiers made guitars to sell at a wide range of prices, largely based on the materials used and the amount of decorations, to cater to the popularity of the instrument across all classes of people in Spain. The cheapest guitars were often simple, basic instruments made from the less expensive woods such as cypress. Antonio de Torres, one of the most renowned luthiers, did not differentiate between flamenco and classical guitars. Only after Andrés Avelar and others popularized classical guitar music, did this distinction emerge. Construction The traditional flamenco guitar is made of Spanish cypress, sycamore, or rosewood fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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