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Tara Brooch
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century, of the pseudo-penannular type (i.e., with a fully closed head or hoop). It is made from bronze, silver and gold, with a head formed from a circular ornate ring that is intricately decorated on both sides. Its upper half is hollow while the lower half is solid with fused terminals. The brooch was constructed from numerous individually made pieces, and its front and reverse sides are both decorated with around 50 inserted cast panels containing highly ornate filigree. The borders and terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree and Celtic spirals. The brooch is widely considered the most complex and ornate of its kind, and would have been commissioned to be worn as a fastener for the cloak of a high ranking cleric or as ceremonial insignia of high office for a High King of Ireland in Irish Early Medieval society. The brooch was buried on the east ...
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Hunterston Brooch
The Hunterston Brooch is a highly important Celtic brooch of "pseudo-penannular" type found near Hunterston, North Ayrshire, Scotland, in either, according to one account, 1826 by two men from West Kilbride, who were digging drains at the foot of Goldenberry Hill,Lamb, page 92 or in 1830. It is now in the National Museum of Scotland, Edinburgh. Made within a few decades of 700 AD,NMS the Hunterston Brooch is cast in silver, gilt, and set with pieces of amber (most now missing), and decorated with interlaced animal bodies in gold filigree. The diameter of the ring is 12.2 cm, and in its centre there is a cross and a golden glory representing the Risen Christ, surrounded by tiny bird heads. The pin, which is broken, can travel freely around the ring as far as the terminals, which was necessary for fastening; it is now 13.1 cm long, but was probably originally 15 cm or more.Youngs, 91 The back of the brooch has a scratched inscription in runes in the Old Norse ...
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Bettystown
Bettystown (), previously known as Betaghstown and transliterated to ''Beattystown/Bettystown'', is a village in an area known as East Meath within County Meath, Ireland. Together with the neighbouring villages of Laytown and Mornington it comprises the census town of Laytown-Bettystown-Mornington with a combined population of 10,889 at the 2011 Census and 11,872 (with Donacarney) at the 2016 Census. During the Celtic Tiger, with increasing property prices in Dublin, Bettystown expanded to cater for large numbers of commuters to Dublin. The area was well known before that as a spot for Dublin summer holiday visitors, with a number of caravan parks and seaside amusements. In 2007, it was announced that in revisions to Dáil Constituency boundaries for 2012, Bettystown and Laytown as far as the River Nanny would be ceded from the three-seat constituency of Meath East to the five-seat constituency of Louth. Transport The Dublin and Drogheda Railway line opened on 25 May 1844 w ...
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Fairies
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a m ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ...
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Uí Néill
The Uí Néill (Irish pronunciation: ; meaning "descendants of Niall") are Irish dynasties who claim descent from Niall Noígíallach (Niall of the Nine Hostages), a historical King of Tara who died c. 405. They are generally divided into the Northern and Southern Uí Néill.Downham, 2018, pp. 93-7. Branches The founders of the Uí Néill branches are the alleged sons of Niall Noigiallach, seven in all: The Northern Uí Néill branch: * Conall Gulban, ancestor of the Cenél Conaill dynasty, * Eógan, ancestor of the Cenél nEógain dynasty. The Southern Uí Néill branch: * Éndae, ancestor of the Cenél nÉndai, * Coirpre, ancestor of the Cenél Coirpri dynasty, * Lóegaire, ancestor of the Cenél Lóegaire dynasty, * Conall Cremthainne, ancestor of the Clann Cholmáin and Síl nÁedo Sláine, * Fiachu, ancestor of the Cenél Fiachach. All these men were in their lifetime known as members of Connachta dynasty, or as "the sons of Niall." The term Uí Néill did not, by ...
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Kings Of Brega
The Kings of Brega were rulers of Brega, a petty kingdom north of Dublin in medieval Ireland. Overview Brega took its name from ' ('), meaning "fine plain", in modern County Meath, County Louth and County Dublin, Ireland. They formed part of the Uí Néill kindred, belonging to the Síl nÁedo Sláine branch of the southern Uí Néill. The kingdom of Brega included the Hill of Tara, the site where the High King of Ireland was proclaimed. Brega was bounded on the east by the Irish Sea and on the south by the River Liffey. It extended northwards across the River Boyne to include Sliabh Breagha the line of hills in southern County Louth. The western boundary, which separated it from the Kingdom of Mide, was probably quite fluid and is not accurately known. Brega was annexed in the 6th century by the Uí Néill. By the middle of the 8th century the Síl nÁedo Sláine had split into two hostile branches: Southern Brega, or the Kingdom of Loch Gabhair, which was ruled by the Uí Che ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Byzantine
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome a ...
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Roman Empire
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western ...
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Torc
A torc, also spelled torq or torque, is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together. The great majority are open at the front, although some had hook and ring closures and a few had mortice and tenon locking catches to close them. Many seem designed for near-permanent wear and would have been difficult to remove. Torcs are found in the Scythian, Illyrian, Thracian, Celtic, and other cultures of the European Iron Age from around the 8th century BC to the 3rd century AD. For the Iron Age Celts, the gold torc seems to have been a key object. It identifies the wearer as a person of high rank, and many of the finest works of ancient Celtic art are torcs. The Celtic torc disappears in the Migration Period, but during the Viking Age torc-style metal necklaces, now mainly in silver, came back into fashion. Torc styles of neck-ring are found as part of the jewellery styles of various other cultures and periods. Te ...
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Animal Style
Animal style art is an approach to decoration found from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs. The zoomorphic style of decoration was used to decorate small objects by warrior-herdsmen, whose economy was based on breeding and herding animals, supplemented by trade and plunder. Animal art is a more general term for all art depicting animals. Eastern styles Scythian art makes great use of animal motifs, one component of the "Scythian triad" of weapons, horse-harness, and Scythian-style wild animal art. The cultures referred to as Scythian-style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of China. These cultures were extremely influential in spreading many local versions of the style. Steppe jewellery features various animals including stags, cats, birds, horses, bea ...
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High Cross
A high cross or standing cross ( ga, cros ard / ardchros, gd, crois àrd / àrd-chrois, cy, croes uchel / croes eglwysig) is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain. Their relief decoration is a mixture of religious figures and sections of decoration such as knotwork, interlace and in Britain vine-scrolls, all in the styles also found in insular art in other media such as i ...
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