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Taqasim
''Taqsim'' ( ckb, تەقسیم, ar, تَقْسِيم / ALA-LC: ''taqsīm''; el, ταξίμι, translit=taksimi, tr, taksim) is a melodic musical improvisation that usually precedes the performance of a traditional Arabic, Kurdish, Greek, Middle Eastern, Azerbaijani or Turkish musical composition. ''Taqsim'' traditionally follows a certain melodic progression. Starting from the tonic of a particular Arabic maqam (or a Turkish '' makam''), the first few measures of the improvisation remain in the lower ajnas of the maqam, thereby introducing the maqam to the listener. After this introduction, the performer is free to move anywhere in the maqam, and even to modulate to other maqams, as long as they return to the original one. ''Taqsim'' is either a solo instrument performance, or one that is backed by a percussionist or other instrumentalist playing a drone on the tonic of the ''maqam''. See also * '' Layali'' * ''Zapin , image = Zapin.jpg , image_size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music. Arabic music has a long history of interaction with many other regional musical styles and genres. It represents the music of all the peoples that make up the Arab world today, all the 22 states. History Pre-Islamic period (Arabian Peninsula) Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ALA-LC
ALA-LC (American Library AssociationLibrary of Congress) is a set of standards for romanization, the representation of text in other writing systems using the Latin script. Applications The system is used to represent bibliographic information by North American libraries and the British Library (for acquisitions since 1975)Searching for Cyrillic items in the catalogues of the British Library: guidelines and transliteration tables and in publications throughout the English-speaking world. The require catalogers to romanize access points from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Layali
''Layālī'' (ليالي) is a style of unmetered modal improvisation, based on a ''maqam'', performed by a singing voice in Arabic music. It is similar to the ''taqsim'', which is performed by a solo instrument. The ''layali'' generally serves as an introduction to a '' mawwāl''. In the ''layali'', the singer most often improvises using the common Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C ... phrase "''Yā ‘ayn yā layl''" (يا عين يا ليل), which means "O eye, O night." The term ''layālī'' is the plural form of the word ''layl'' (ليل, meaning "night"). External links Video''Layālī'' video Arabic music Vocal music Musical forms {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Music
The music of Turkey includes mainly Turkic and Byzantine elements as well as partial influences ranging from Ottoman music, Middle Eastern music and Music of Southeastern Europe, as well as references to more modern European and American popular music. Turkey is a country on the northeastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia. The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Eastern Music
The various nations of the region include the Arabic-speaking countries of the Middle East, the Iranian traditions of Persia, the Jewish music of Israel and the diaspora, Armenian music, Kurdish music, Azeri Music, the varied traditions of Cypriot music, the music of Turkey, traditional Assyrian music, Coptic ritual music in Egypt as well as other genres of Egyptian music in general, and the Andalusian (Muslim Spain) music very much alive in the greater Middle East (North Africa), all maintain their own traditions. It is widely regarded that some Middle-Eastern musical styles have influenced Central Asia, as well as Spain, and the Balkans. Throughout the region, religion has been a common factor in uniting peoples of different languages, cultures and nations. The predominance of Islam allowed a great deal of Arabic, and Byzantine influence to spread through the region rapidly from the 7th century onward. The Arabic scale is strongly melodic, based on various maqamat (sing. maq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Music
The music of Greece is as diverse and celebrated as its History of Greece, history. Greek music separates into two parts: Greek folk music, Greek traditional music and Byzantine music. These compositions have existed for millennia: they originated in the Byzantine empire, Byzantine period and ancient Greek music, Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Greek culture, Hellenic culture, both within Greece and in the Greek diaspora, diaspora. Greek musical history Greek musical history extends far back into ancient Greece, since music was a major part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form and style of Greek music. In the 19th century, opera composers, like Nikolaos Mantzaros (1795–1872), Spyridon Xyndas (1812–1896) and Spyridon Samaras (1861–1917) and symphonists, like Dimitris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cypriot Music
The music of Cyprus includes a variety of traditional, Western classical and Western popular genres. Cypriot traditional music is similar to the traditional music of Greece with Turkish and Arab influences, and includes dances like sousta, syrtos, ballos, tatsia, antikristos, arabiye, karotseris, sinalik, chiftetteli, zeimbekiko and the mandra dance. History Medieval music Cyprus changed hands numerous times prior to the medieval era, and was an important outpost of Christianity and Western European civilization during the Crusades. The island's peak as a cultural capital of Europe occurred from 1359 to 1432. During that peak, Pierre I de Lusignan made a three-year tour on Europe, bringing with him an entourage of musicians that impressed Charles V in Rheims so much that he donated 80 francs in gold to them. On his return to Cyprus, Pierre I brought with him the French Ars Nova and, later, the Ars Subtilior. French musicians became well established in Cyprus, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurdish Music
Kurdish music refers to music performed in the Kurdish languages and Zaza-Gorani languages. The earliest study of Kurdish music was initiated by the renowned Armenian priest and composer Komitas in 1903, when he published his work ''" Chansons kurdes transcrites par le pere Komitas"'' which consisted of twelve Kurdish melodies which he had collected. The Armenian Karapetê Xaço also preserved many traditional Kurdish melodies throughout the 20th century by recording and performing them. In 1909, Scholar Isya Joseph published the work "''Yezidi works''" in which he documented the musical practice of the Yazidis including the role of the musician-like qawâl figures and the instruments used by the minority. Kurdish music appeared in phonographs in the late 1920s, when music companies in Baghdad began recording songs performed by Kurdish artists. Despite being secondary to vocals, Kurds use many instruments in traditional music. Musical instruments include the tembûr (see kurdish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapin
, image = Zapin.jpg , image_size = , caption = Schoolchildren performing Zapin in Batu Pahat, Johor. , genre = , signature = , instruments = Gambus, Gendang, Marawis, Rebana , inventor = Persian, Arabs, Malays , origin = Hadramaut, Yemen.Malay World ''Zapin'' ( Jawi: زافين) is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies which are performed using musical instruments such as the gambus (short-necked lute), accordion and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to Malay Archipelago around the fourteenth century where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
