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Taq Wa San
Taq-e Bostan ( fa, طاق بستان, ) is a site with a series of large rock reliefs from the era of the Sassanid Empire of Persia (Iran), carved around the 4th century CE. This example of Persian Sassanid art is located 5 km from the city center of Kermanshah. It is located in the heart of the Zagros mountains, where it has endured almost 1,700 years of wind and rain. Originally, several sources were visible next to and below the reliefs and arches, some of which are now covered. Sources next to the reliefs still feed a large basin in front of the rock. The site has been turned into an archaeological park and a series of late Sassanian and Islamic column capitals have been brought together (some found at Taq Bostan, others at Mount Behistun and Kermanshah). The carvings, some of the finest and best-preserved examples of Persian sculpture under the Sassanids, include representations of the investitures of Ardashir II (379–383) and Shapur III (383–388). Like other S ...
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Kermanshah
Kermanshah ( fa, کرمانشاه, Kermânšâh ), also known as Kermashan (; romanized: Kirmaşan), is the capital of Kermanshah Province, located from Tehran in the western part of Iran. According to the 2016 census, its population is 946,681 (2021 estimate 1,047,000). A majority of the people of Kermanshah are bilingual in Southern Kurdish and Persian, and the city is the largest Kurdish-speaking city in Iran. Kermanshah has a moderate and mountainous climate.روزنامه سلام کرمانشاه
Persian (Kurdish)
آشنایی با فرهنگ و نژاد استان کرمانشاه
(Persian)

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Khosrau II
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's forces ca ...
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Equestrian Sculpture
An equestrian statue is a statue of a rider mounted on a horse, from the Latin ''eques'', meaning 'knight', deriving from ''equus'', meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders. History Ancient Greece Equestrian statuary in the West dates back at least as far as Archaic Greece. Found on the Athenian acropolis, the sixth century BC statue known as the Rampin Rider depicts a ''kouros'' mounted on horseback. Ancient Middle and Far East A number of ancient Egyptian, Assyrian and Persian reliefs show mounted figures, usually rulers, though no free standing statues are known. The Chinese Terracotta Army has no mounted riders, though cavalrymen stand beside their mounts, but smaller Tang Dynasty pottery tomb Qua figures often include them, at a rel ...
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Shabdiz
Shabdiz ( fa, شبديز ''Shabdēz'', lit. "night-colored", "black") was the legendary black stallion of Khosrau Parvez, one of the most famed Sassanid Persian kings (reigned 590 to 628CE). Shabdiz, meaning "midnight", was reputedly the "world's fastest horse" according to ancient Persian literature. In Nizami's romantic epic '' Khosrau and Shirin'', it is Khosrau's 'beloved' Shabdiz that whisks his future bride, Shirin, to meet him after Shirin has fallen in love with Khosrau's portrait. A musician, Barbad Barbad or Bārbad ( fa, باربد; various other names; ) was a Persian poet-musician, lutenist, music theorist and composer of Sasanian music who served as chief minstrel-poet under Shahanshah Khosrow II (). A '' barbat'' player, he is among ..., through a song - potentially risking his life - informed the king of Shabdiz's death. Browne, Edward Granville. ''A Literary History of Persia from the Earliest Times Until Firdawsí''. Elibron, 1999. . p. 3. References ...
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Anahita
Anahita is the Old Persian form of the name of an Iranian goddess and appears in complete and earlier form as ('), the Avestan name of an Indo-Iranian cosmological figure venerated as the divinity of "the Waters" (Aban) and hence associated with fertility, healing and wisdom. There is also a temple named Anahita in Iran. Aredvi Sura Anahita is ''Ardwisur Anahid'' (اردویسور آناهید ) or ''Nahid'' (ناهید) in Middle and Modern Persian, and ''Anahit'' in Armenian. An iconic shrine cult of Aredvi Sura Anahita was – together with other shrine cults – "introduced apparently in the 4th century BCE and lasted until it was suppressed in the wake of an iconoclastic movement under the Sassanids.". The symbol of goddess Anahita is the Lotus flower. Lotus Festival (Persian: Jashn-e Nilupar) is an Iranian festival that is held on the sixth day of July. Holding this festival at this time was probably based on the blooming of lotus flowers at the beginning of summer. ...
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Khosrau II Of Persia
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's forces ca ...
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Ancient Sasanid Cataphract Uther Oxford 2003 06 2(1)
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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Shahanshah
Shah (; fa, شاه, , ) is a royal title that was historically used by the leading figures of Iranian monarchies.Yarshater, EhsaPersia or Iran, Persian or Farsi, ''Iranian Studies'', vol. XXII no. 1 (1989) It was also used by a variety of Persianate societies, such as the Ottoman Empire, the Kazakh Khanate, the Khanate of Bukhara, the Emirate of Bukhara, the Mughal Empire, the Bengal Sultanate, historical Afghan dynasties, and among Gurkhas. Rather than regarding himself as simply a king of the concurrent dynasty (i.e. European-style monarchies), each Iranian ruler regarded himself as the Shahanshah ( fa, شاهنشاه, translit=Šâhanšâh, label=none, ) or Padishah ( fa, پادشاه, translit=Pâdešâh, label=none, ) in the sense of a continuation of the original Persian Empire. Etymology The word descends from Old Persian ''xšāyaθiya'' "king", which used to be considered a borrowing from Median, as it was compared to Avestan ''xšaθra-'', "power" and "command" ...
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Narseh Of Persia
Narseh (also spelled Narses or Narseus; pal, 𐭭𐭥𐭮𐭧𐭩, New Persian: , ''Narsē'') was the seventh Sasanian King of Kings of Iran from 293 to 303. The youngest son of Shapur I (), Narseh served as the governor of Sakastan, Hind and Turan under his father. Shapur I was eventually succeeded by his son Hormizd I (), who died after a reign of one year. Shapur I's eldest son Bahram I, who had never been considered as a candidate for succession to the throne by his father, ascended the throne with the aid of the powerful Zoroastrian priest Kartir. He then made a settlement with Narseh to give up his entitlement to the throne in return for the governorship of the important frontier province of Armenia, which was a persistent cause for war between the Roman and Sasanian Empires. Narseh held the title of ''Vazurg Šāh Arminān'' ("Great King of Armenia"), which was used by the heir to the throne in the early Sasanian times. Nevertheless, Narseh most likely still viewed Bahram ...
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Hormizd II Of Persia
Hormizd II (also spelled Hormozd or Ohrmazd; pal, 𐭠𐭥𐭧𐭥𐭬𐭦𐭣) was king (shah) of the Sasanian Empire. He ruled for seven years and five months, from 303 to 309. He was a son and successor of Narseh (). During his reign, the Kingdom of Armenia had recently declared Christianity as its official religion, thus leaving its ancient Zoroastrian heritage that it shared with Sasanian Iran. Hormizd II's reign was also marked by internal turmoil, which he successfully managed to deal with. Hormizd II was also successful in his efforts in the west, defeating and killing the Ghassanid king in Syria. His reign was, however, cut short by the intrigues of the Iranian nobility, who killed him in a secluded place. He was succeeded by his son Adur Narseh, who after a few months of reigning was also killed by the nobility. They instead installed Hormizd II's infant son Shapur II on the throne. Etymology The name of Hormizd (also spelled ''Ōhrmazd'', ''Hormozd'') is the Middl ...
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Aniran
Anērān (Middle Persian, ) or Anīrân (Modern Persian, ) is an ethno-linguistic term that signifies "non-Iranian" or "non-Iran" (non-Aryan). Thus, in a general sense, 'Aniran' signifies lands where Iranian languages are not spoken. In a pejorative sense, it denotes "a political and religious enemy of Iran and Zoroastrianism." The term 'Aniran' derives from Middle Persian ''anērān'', Pahlavi ''ʼnyrʼn'', an antonym of '' ērān'' that in turn denoted either the people or the Sasanian Empire.. However, "in Zoroastrian literature and possibly in Sasanian political thought as well, the term has also a markedly religious connotation. An ''anēr'' person is not merely non-Iranian, but specifically non-Zoroastrian; and ''anēr'' designates also worshipers of the ''dēws'' ("demons") or adherents of other religions." In these texts of the ninth to twelfth century, "Arabs and Turks are called ''anēr'', as are Muslims generally, the latter in a veiled manner." In inscriptions In of ...
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Ahura Mazda
Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. The literal meaning of the word ''Ahura'' is "lord", and that of ''Mazda'' is "wisdom". The first notable invocation of Ahura Mazda occurred during the Achaemenid period () with the Behistun Inscription of Darius the Great. Until the reign of Artaxerxes II (), Ahura Mazda was worshipped and invoked alone in all extant royal inscriptions. With Artaxerxes II, Ahura Mazda was gathered in a triad with Mithra and Anahita. In the Achaemenid period, there are no known representations of Ahura Mazda at the royal court other than the custom for every emperor to have an empty chariot drawn by white horses to invite Ahura Mazda to accompany the Military history of Iran#Achaemenid Era, Persian army on battles. Images of Ahura Mazda, however, were pre ...
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