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Tang Poetry
Tang poetry () refers to poetry written in or around the time of or in the characteristic style of China's Tang dynasty, (June 18, 618 – June 4, 907, including the 690–705 reign of Wu Zetian) and/or follows a certain style, often considered as the Golden Age of Chinese poetry. The ''Complete Tang Poems'' includes over 48,900 poems written by over 2,200 authors. During the Tang dynasty, poetry continued to be an important part of social life at all levels of society. Scholars were required to master poetry for the civil service exams, but the art was theoretically available to everyone. This led to a large record of poetry and poets, a partial record of which survives today. The two most famous poets of the period were Li Bai and Du Fu. The Qing dynasty selection, ''Three Hundred Tang Poems'', has made Tang poetry familiar to educated Chinese in modern times. Periodization The periodization scheme employed in this article is the one detailed by the Ming dynasty scholar Gao B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shi (poetry)
''Shi'' and ''shih''Based on the Wade-Giles system formerly used by Taiwan and English-speaking countries. are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, ''shi'' is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian ''Classic of Poetry''. This anthology included both aristocratic poems (the "Hymns" and "Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the "Odes"). They are composed in ancient Chinese, mostly in four-character lines. In such analysis, "''shi''" poetry is contrasted with other forms such as the Chu-derived "'' cí''" and the Han-era "'' fu''".Watson, Burton. ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. Columbia Univ. Press (New York), 1971. .Frankel, Hans. ''The Flowering Plum and the Palace Lady''. Yale Univ. Press (New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Poetry
Han poetry as a style of poetry resulted in significant poems which are still preserved today, and whose origins are associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum (9–23 AD). The final years at the end of the Han era (known by the name ''Jian'an'', 196–220) often receive special handling for purposes of literary analysis because, among other things, the poetry and culture of this period is less than typical of the Han period, and has important characteristics of its own, or it shares literary aspects with the subsequent Three Kingdoms period. This poetry reflects one of the poetry world's more important flowerings, as well as being a special period in Classical Chinese poetry, particularly in regard to the development of the quasipoetic '' fu''; the activities of the Music Bureau in connection with the collection of popular ballads and the resultant development of what would eventually become known as the ''yuefu'', or as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shijing
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of ''chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' (''shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confucia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Ci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi (librarian), Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi Jing, Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the Chu (state), State of Chu, which was located i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bo
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology '' Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changan
Chang'an (; ) is the traditional name of Xi'an. The site had been settled since Neolithic times, during which the Yangshao culture was established in Banpo, in the city's suburbs. Furthermore, in the northern vicinity of modern Xi'an, Qin Shi Huang of the Qin dynasty, China's first emperor, held his imperial court, and constructed his massive mausoleum guarded by the Terracotta Army. From its capital at Xianyang, the Qin dynasty ruled a larger area than either of the preceding dynasties. The imperial city of Chang'an during the Han dynasty was located northwest of today's Xi'an. During the Tang dynasty, the area that came to be known as Chang'an included the area inside the Ming Xi'an fortification, plus some small areas to its east and west, and a substantial part of its southern suburbs. Thus, Tang Chang'an was eight times the size of the Ming Xi'an, which was reconstructed upon the site of the former imperial quarters of the Sui and Tang city. During its heyday, Chang'an w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dunhuang Manuscripts
Dunhuang manuscripts refer to a wide variety of religious and secular documents (mostly manuscripts, but also including some woodblock-printed texts) in Chinese and other languages that were discovered at the Mogao Caves of Dunhuang, China, during the 20th century. The majority of the surviving texts come from a large cache of documents produced between the late 4th and early 11th centuries which had been sealed in the so-called ' Library Cave' (Cave 17) at some point in the early 11th century. The Library Cave was discovered by a Daoist monk called Wang Yuanlu in 1900, and much of the contents of the cave were subsequently sold to European explorers such as Aurel Stein and Paul Pelliot. In addition to the Library Cave, manuscripts and printed texts have also been discovered in several other caves at the site. Notably, Pelliot retrieved a large number of documents from Caves 464 and 465 in the northern section of the Mogao Caves. These documents mostly date to the Yuan dynasty (12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quan Tangwen
Quán is the Pinyin romanization of the Chinese family names / and , as well as a customary spelling of (pinyin: Guān). All written forms of the name are rare enough that they do not appear in the list of the 100 most common Chinese surnames. 權 Quan () is a Chinese surname. A notable with the surname Quan surname was Quan Deyu, who was born in 759 during the reign of Emperor Suzong. His family claimed to descend from the Later Qin official Quan Yi (權翼). His family tree was from the Sui dynasty official Quan Rong (權榮). During the Shang dynasty, the Quan family founded the state of Quan (權國). In the state of Chu, the Xiong family lived in Quan County (權縣), and took the surname Quan. 全 Quan (), is a Chinese family name. Liang, Yang in alternative mandarin are other spellings. The character 全 is rendered as Jeon in Korean and is one of several Chinese characters for the common Korean surname Jeon (Chun). The character 全 is rendered as Toàn in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qu (poetry)
The ''Qu'' form of poetry is a type of Classical Chinese poetry form, consisting of words written in one of a number of certain, set tone patterns, based upon the tunes of various songs. Thus ''Qu'' poems are lyrics with lines of varying longer and shorter lengths, set according to the certain and specific, fixed patterns of rhyme and tone of conventional musical pieces upon which they are based and after which these matched variations in lyrics (or individual ''Qu'' poems) generally take their name.Yip, 306-308 The fixed-tone type of verse such as the ''Qu'' and the '' ci'' together with the ''shi'' and '' fu'' forms of poetry comprise the three main forms of Classical Chinese poetry. Names and types In Chinese literature, the ''Qu'' () form of poetry from the Yuan Dynasty may be called ''Yuanqu'' (元曲 P: ''Yuánqǔ'', W: ''Yüan-ch'ü''). Qu may be derived from Chinese opera, such as the ''Zaju'' (雜劇), in which case these Qu may be referred to as ''sanqu'' (散曲). Sanqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ci (poetry)
CI or Ci may refer to: Business terminology * Customer intelligence, a discipline in marketing * Competitive intelligence * Corporate identity * Continual improvement * Confidential information Businesses and organisations Academia and education * California State University, Channel Islands * Channel Islands High School * Collegium Invisibile * Confucius Institute Religion * Josephites of Belgium, a Catholic congregation * Christian Identity * Christian Institute, a British charity which promotes Christian values Other businesses and organizations * Charity Intelligence Canada * China Airlines (IATA code) * Cigna health services (NYSE symbol) * Consumers International * Cycling Ireland * CI Records, a music record label * Cambria and Indiana Railroad * CANZUK International, organisation which promotes cooperation between Canada, Australia, New Zealand and the United Kingdom * Conservation International, an international environmental non-governmental organization * Communicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fu (poetry)
''Fu'' (), often translated "rhapsody" or "poetic exposition", is a form of Chinese rhymed prose that was the dominant literary form during the Han dynasty (206AD220). ''Fu'' are intermediary pieces between poetry and prose in which a place, object, feeling, or other subject is described and rhapsodized in exhaustive detail and from as many angles as possible. Features characteristic of ''fu'' include alternating rhyme and prose, varying line length, close alliteration, onomatopoeia, loose parallelism, and extensive cataloging of their topics. ''Fu'' composers usually strove to use as wide a vocabulary as possible, and classical ''fu'' often contain many rare and archaic Chinese words. They were not sung like songs, but were recited or chanted. The ''fu'' genre came into being around the 3rd to 2nd centuries BC and continued to be regularly used into the Song dynasty (9601279). ''Fu'' were used as grand praises for the imperial courts, palaces, and cities, but were also used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
