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Tancredi Canonico
''Tancredi'' is a ''melodramma eroico'' ('' opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write ''Semiramide'' ten years later), based on Voltaire's play ''Tancrède'' (1760). The opera made its first appearance at the Teatro La Fenice in Venice on 6 February 1813, and because ''Il signor Bruschino'' premiered in late January, the composer must have completed ''Tancredi'' in less than a month. The overture, borrowed from ''La pietra del paragone'', is a popular example of Rossini's characteristic style and is regularly performed in concert and recorded. Considered by Stendhal, Rossini's earliest biographer, to be "high amongst the composer's masterworks", and describing it as "a genuine thunderbolt out of a clear, blue sky for the Italian lyric theatre," his librettist Gaetano Rossi notes that, with it, "Rossini rose to glory".Rossi, in Osborne, Richard 2007, p. 199 Richard Osborne proclaims it to be "his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Gossett
Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006. Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses." Career Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Corri-Paltoni
Fanny Corri-Paltoni (born Frances or Francesca Corri) (1801 – 13 July 1861) was a celebrated British operatic soprano active in Europe between 1818 and 1835. It was said that she possessed a voice of remarkable beauty and that she had a fine singing technique. She particularly excelled in the operas of Wolfgang Amadeus Mozart and Gioachino Rossini. Biography Born Frances or Francesca Corri in Edinburgh, she was the daughter of Italian composer Natale Corri (1765–1822). Her uncle Domenico Corri (1746–1825) was an important singing master and composer in Edinburgh. Her cousin Sophia Dussek (''née'' Corri) was a famous soprano. Corri-Paltoni studied singing first with her father and then with Angelica Catalani and John Braham in London. She toured Continental Europe with Catalani in 1815–1816. She was committed to the King's Theatre in London between 1818–1820, making her professional opera debut at the theatre as the Countess in '' Le Nozze di Figaro'' on 17 Jan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of William Shakespeare, Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musical theatre, musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation ''Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family c.1620, it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which limi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Regio Di Torino
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. However, the theatre was closed on royal order in 1792 and it became a wareho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Apollo
The Tor di Nona is a neighborhood in Rome's ''rione'' '' Ponte''. It lies in the heart of the city's historic center, between the ''Via dei Coronari'' and the Tiber River. Its name commemorates the Torre dell'Annona, a mediaeval tower which once stood there and was later converted into one of the city's most important theatres, the Teatro Tordinona, later called the Teatro Apollo. History Early history The Torre dell'Annona was a medieval stronghold of the Orsini family and from the early 15th century acted as a pontifical prison. Prisoners included Benevenuto Cellini who experienced the dungeon's lightless cells, one of which was known as "the pit", Beatrice Cenci, and Giordano Bruno who was imprisoned here before being burned alive in Campo de' Fiori. In 1659-1660, it was used during the infamous Spana Prosecution.Monson, Craig A.: The Black Widows of the Eternal City: The True Story of Rome’s Most Infamous poisoners' Theatre When the New Prison (''Le Carceri Nuove'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Del Fondo
The Teatro del Fondo is a theatre in Naples, now known as the Teatro Mercadante. It is located on Piazza del Municipio, Naples, Piazza del Municipio #1, with the front facing the west side of Castel Nuovo, Naples, Castel Nuovo and near the Molo (Dock) Siglio. Together with the Teatro San Carlo, it was originally one of the two royal opera houses of the 18th and 19th-century city. It opened in 1779 as the 'Teatro del Real Fondo di Separazione', with comic operas sung mainly in Tuscan. The Mozart operas ''Don Giovanni'', ''The Marriage of Figaro'' and ''Così fan tutte'' were performed there (1812-1815) and also a number of French operas under the patronage and influence of Joseph Bonaparte, King of Naples (1806-1808). The theatre was later used by Gioachino Rossini, who became the music director of the royal theatres, Giovanni Pacini and Gaetano Donizetti and many other leading composers. After a period of relative inactivity, in 1871 it was renamed the Real Teatro Mercadante, afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale Di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the ''Teatro Marsigli-Rossi'' had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The ''Teatro Malvezzi'', built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the ''Nuovo Teatro Pubblico'', as the Teatro Comunale was first called when it opened on 14 May 1763. Design and inauguration Despite opposition from other competitors, the architect Antonio Galli Bibiena won the theatre design contract. The theatre's inaugural performance was Gluck's ''Il trionfo di Clelia'', an opera which Gluck had composed for the occasion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Malanotte
Adelaide Malanotte (1785 – 31 December 1832) was an Italian operatic contralto who performed in major opera houses in Italy from 1806–1821. She is best known for creating the title role in the world premiere of Gioachino Rossini's '' Tancredi'' in 1813. After her marriage, she performed under the name Adelaide Montresor. Her son, Giovanni Battista Montresor, had a career as a tenor and impresario in the United States. From 1812 until her death 20 years later she carried on an extra-marital affair with the poet Luigi Lechi. p. 151 Life and career Born in Verona, Malanotte made her professional opera debut in her native city in 1806. In 1808 she was heard at the[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Chicago
The University of Chicago (UChicago, Chicago, U of C, or UChi) is a private research university in Chicago, Illinois. Its main campus is located in Chicago's Hyde Park neighborhood. The University of Chicago is consistently ranked among the best universities in the world and it is among the most selective in the United States. The university is composed of an undergraduate college and five graduate research divisions, which contain all of the university's graduate programs and interdisciplinary committees. Chicago has eight professional schools: the Law School, the Booth School of Business, the Pritzker School of Medicine, the Crown Family School of Social Work, Policy, and Practice, the Harris School of Public Policy, the Divinity School, the Graham School of Continuing Liberal and Professional Studies, and the Pritzker School of Molecular Engineering. The university has additional campuses and centers in London, Paris, Beijing, Delhi, and Hong Kong, as well as in downtown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Editions (music)
Historical editions form part of a category of printed music, which generally consists of classical music and opera from a past repertory, where the term can apply to several different types of published music. However, it is principally applied to one of three types of music of this sort: * Scholarly or critical editions are music editions in which careful scholarship has been employed to ensure that the music contained within is as close to the composer's original intentions as possible. Such editions are sometimes called urtext editions. * Collected Works or Complete Works, generally in multi-volume sets, are devoted to a particular composer or to a particular musical repertory. This is sometimes referred to in German as ''Gesamtausgabe'' when containing the works of one particular composer. * Monuments or Monumental Editions (or the German ''Denkmäler'') when containing a repertory defined by geography, time period, or musical genre. The origins of historical editions Up u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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