Tamerlano (Gasparini Opera)
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Tamerlano (Gasparini Opera)
''Tamerlano'' (“Tamerlane”) is a tragic opera in three acts by Francesco Gasparini based on a libretto by Agostino Piovene. It was first performed at the Teatro San Cassiano in Venice on 24 January 1711. Piovene’s libretto was based on ''Tamerlan ou La mort de Bajazet'' by Jacques Pradon (1675). It was Piovene’s second libretto as well as his second collaboration with Gasparini. ''Tamerlano'' was Gasparini’s most famous opera, distinguished by the unusual decision to assign the role of Bajazet to a tenor, Giovanni Paita, rather than to a castrato. Roles The opera’s role were Tamerlano (soprano), Bajazet (tenor), Asteria (soprano), Andronico (alto), Irene (soprano), Clearco, Leone and Zaida. The prima donna role was Astoria with nine arias; Bajazet had six, Tamerlano five, while Andronico and Irene had four each. Plot The plot concerns a series of dilemmas facing the Turkish sovereign Bajazet who has been defeated and humiliated by Tamerlano, emperor of the Tartars ...
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Francesco Gasparini - Tamerlano - Title Page Of The Libretto - Venice 1711
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (1659 ...
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Francesco Borosini
Francesco Borosini (1695 – after 1747) was an Italian opera singer. Although usually described as a tenor, he had an extraordinarily wide vocal range spanning bass to tenor. He was known not only for the quality of his singing but for his skill as an actor. Borosini created numerous leading roles in the operas of Francesco Bartolomeo Conti and Johann Joseph Fux at the imperial court in Vienna and was the first great Italian tenor to appear in London.Grout, Donald and Williams, Hermine Weigel (2003)''A Short History of Opera'' 4th edition, p. 234. Columbia University Press. Macy, Laura Williams (ed.) (2008)''The Grove Book of Opera Singers'' p. 54. Oxford University Press. Borosini was born in Modena and was schooled in singing by his father, Antonio Borosini, a tenor and composer active in Venice and Modena who later became a singer at the imperial court in Vienna. Francesco is thought to have made his debut in 1709 in Venice singing in Antonio Lotti's ''Il vincitor generoso ...
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Operas Set In The 14th Century
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Cultural Depictions Of Timur
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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Operas Based On Real People
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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1711 In Music
The year 1711 in music involved some significant events. Events *February 24 – The London premiere of ''Rinaldo'' by George Frideric Handel, the first Italian opera written for the London stage, at the Queen's Theatre, Haymarket. This is the first of at least 25 operas by Handel that will appear by 1739. John Walsh becomes Handel's regular printer beginning with the publication of ''Rinaldo''. *April 3 – Possible premiere of Johann Sebastian Bach's ''St Mark Passion pastiche'' at the chapel of Wilhelmsburg Castle (two movements by Bach). *Invention of the tuning fork by John Shore. Classical music *William Babell – Toccata No.6 *Giovanni Maria Bononcini – ''Idol mio, bel tesoro'' *Louis-Antoine Dornel – 8 Violin Sonatas and 4 Flute Suites, Op. 2 *Sebastián Durón – ''Veneno es de Amor la envidia'' *Christoph Graupner **''Furcht und Zagen'', GWV 1102/11b **''Angenehmes Wasserbad'', GWV 1104/11c **''Reiner Geist lass doch mein Herz'', GWV 1138/11 **''Ach Go ...
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Italian Baroque
Italian Baroque (or ''Barocco'') is a stylistic period in Italian history and art that spanned from the late 16th century to the early 18th century. History The early 17th century marked a time of change for those of the Roman Catholic religion, a symbolization of their strength as a congregation and the intelligence of their creative minds. In response to the Protestant Reformation of the earlier 16th century, Roman Catholics embarked on a program of restoration, a new way of living that became known as the Counter Reformation. The purpose of the Counter Reformation was aimed at remedying some of the abuses challenged by the Protestants earlier in the century.John Varriano, ''Italian Baroque and Rococo Architecture'', New York: Oxford University Press, 1986. Within the church, a renewed Catholic culture was imposed on Italian society. It started with the Council of Trent, imposed by Pope Paul III, a commission of cardinals who came together to address issues of the Catholic Chu ...
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18th-century Operas
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ...
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Operas By Francesco Gasparini
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Venetian Calendar
{{Short description, Calendar used in the Venetian republic until 1757 ''More veneto'' (Latin for 'according to the customs of Venice') is a designation of the peculiar calendar used in the Republic of Venice, resulting from the delayed adoption of the Gregorian calendar. Continuing the ancient Roman custom, the Venetian year began on 1 March, which was celebrated as the New Year's Day festival (''Capodanno''). Although the Gregorian calendar was created in 1582 and was known in the territories of Venice, it never entered official use: the ''more veneto'' continued until the Fall of the Venetian Republic in 1797. As a result, the months of January and February were always reckoned as belonging in ''more veneto'' to the previous year from the Gregorian years (e.g., February 1700 CE would be February 1699 ''more veneto''). See also * Mores * Byzantine calendar The Byzantine calendar, also called the Roman calendar, the Creation Era of Constantinople or the Era of the World ( grc ...
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Tamerlano
''Tamerlano'' (Tamerlane, HWV 18) is an opera seria in three acts by George Frideric Handel. The Italian libretto was by Nicola Francesco Haym, adapted from Agostin Piovene's ''Tamerlano'' together with another libretto entitled ''Bajazet'' after Nicolas Pradon's ''Tamerlan, ou La Mort de Bajazet''. The opera was staged by the Royal Academy of Music in the King's Theatre at the Haymarket, London. History and context The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera ''Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to prod ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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