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Takako Minekawa
is a Japanese musician, singer, songwriter and writer. Career In her childhood, Minekawa acted in film and television. Minekawa's first musical venture was playing in Lolita, a band she formed with several college friends. Afterwards, she performed under the alias Mamene Kirerie in the duo Fancy Face Groovy Name with Kahimi Karie, backed by Flipper's Guitar, and under her own name in the band L⇔R. Minekawa debuted as a solo performer in 1995 with the release of her first album ''Chat Chat'' by the Japanese label Polystar, followed later in the year by the extended play, EP ''(A Little Touch Of) Baroque in Winter''. With her second studio album, ''Roomic Cube'' (1996), Minekawa began pursuing a more refined musical style rooted in influences from bossa nova, French pop music and experimental electronic music. It increased her popularity in Japan, while also crossing over to listeners in North America, where it received airplay on college radio stations. She released her third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gale (publisher)
Gale is a global provider of research and digital learning resources. The company is based in Farmington Hills, Michigan, west of Detroit. It has been a division of Cengage since 2007. The company, formerly known as Gale Research and the Gale Group, is active in research and educational publishing for Public libraries, public, Academic libraries, academic, and school libraries, and businesses. The company is known for its full-text magazine and newspaper databases, Gale OneFile (formerly known as Infotrac), and other online databases subscribed by libraries, as well as multi-volume reference works, especially in the areas of religion, history, and social science. Founded in Detroit, Michigan, in 1954 by Frederick Gale Ruffner Jr., the company was acquired by the International Thomson Organization (later the Thomson Corporation) in 1985 before its 2007 sale to Cengage. History In 1998, Gale Research merged with Information Access Company and Primary Source Media, two companies a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vice (magazine)
''Vice'' (stylized in all caps) is a Canadian-American magazine focused on lifestyle, arts, culture, and news/politics. Founded in 1994 in Montreal as an alternative punk magazine, the founders later launched the youth media company Vice Media, which consists of divisions including the printed magazine as well as a website, broadcast news unit, a film production company, a record label, and a publishing imprint. As of February 2015, the magazine's editor-in-chief is Ellis Jones. History Founded by Suroosh Alvi, Gavin McInnes, and Shane Smith (the latter two being childhood friends), the magazine was launched in 1994 as the ''Voice of Montreal'' with government funding. The intention of the founders was to provide work and a community service. When the editors later sought to dissolve their commitments with the original publisher, Alix Laurent, they bought him out and changed the name to ''Vice'' in 1996. Richard Szalwinski, a Canadian software millionaire, acquired the magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects, and by the late 1960s, highly experimental pop music, or sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxi On
''Maxi On'' is an EP by Japanese musician Takako Minekawa. It was released on July 12, 2000 by Trattoria Records. In the United States, it was released on November 14, 2000 by Emperor Norton Records. The EP is a collaboration with American indie rock band Dymaxion. Track listing Personnel Credits are adapted from the EP's liner notes. * Takako Minekawa – performance (including acoustic guitar on "Follow My Dreams"), arrangement, production * Ricky Domen – coordination of US recording sessions * Dymaxion – performance, arrangement, production * Mitsuo Koike – mastering * Kenichi Makimura – executive production * Shigeki Nakamura – mixing * Jeremy Novak – bass on "Maxi On!" and "Lullaby of Gray" * Nobuyuki Ohhashi – bass on "Lullaby of Gray" * Makoto Ohrui – art direction, design * Akihiro Ohshima – whistle on "Lullaby of Gray", engineering, recording * Keigo Oyamada – electric guitar, electric sitar, and string harmonic Playing a string harmonic (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fun 9
''Fun 9'' is the fourth studio album by Japanese musician Takako Minekawa. It was released on July 7, 1999 by Polystar. The album was released on November 16, 1999 in the United States by Emperor Norton Records. The album's title is pronounced "fun-kyū", the latter half of the title referring to the Japanese equivalent of the numeral 9, and is intended to sound similar to the word "funk". Critical reception Heather Phares of AllMusic wrote that Minekawa had produced a "more eclectic and polished" record while retaining her "playful musical vision", " ashioninga wide array of lush, lighthearted songs into an album that is as self-assured as it is fun". ''Drowned in Sound'' writer Samuel Rosean cited ''Fun 9'' as a key Shibuya-kei release in a 2018 retrospective article. ''Tokyo Weekender''s Ed Cunningham recommended ''Fun 9'' to fans of Cornelius' album '' Fantasma'' (1997). Track listing Personnel Credits are adapted from the album's liner notes. Musicians * Takako Mine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloudy Cloud Calculator
''Cloudy Cloud Calculator'' is the third studio album by Japanese musician Takako Minekawa. It was released on December 10, 1997 by Polystar. The album was released in the United States on November 17, 1998 by Emperor Norton Records. Minekawa played almost every instrument on the album and wrote, produced and arranged nearly all its songs. Minekawa toured in the United States to support the album. The EP ''Ximer... C.C.C. Remix'', released on September 23, 1998 by Polystar, features remixes of tracks from ''Cloudy Cloud Calculator'' by various artists. Critical reception Heather Phares of AllMusic described ''Cloudy Cloud Calculator'' as one of Minekawa's "finest and most unusual moments" and "highly inventive, restrained pop". Christian Bruno, writing in ''Metro'', referred to the album's songs as "wonderfully cute, all-synthesizer musings". Track listing Personnel Credits are adapted from the album's liner notes. Musicians * Takako Minekawa – vocals, acoustic guitar, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
College Radio
Campus radio (also known as college radio, university radio or student radio) is a type of radio station that is run by the students of a college, university or other educational institution. Programming may be exclusively created or produced by students, or may include program contributions from the local community in which the radio station is based. Sometimes campus radio stations are operated for the purpose of training professional radio personnel, sometimes with the aim of broadcasting educational programming, while other radio stations exist to provide alternative to commercial broadcasting or government broadcasters. Campus radio stations are generally licensed and regulated by national governments, and have very different characteristics from one country to the next. One commonality between many radio stations regardless of their physical location is a willingness—or, in some countries, even a licensing requirement—to broadcast musical selections that are not cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
