Taimadera Pagoda
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Taimadera Pagoda
''Taima-dera'' (當麻寺) is a Buddhist temple in Katsuragi, Nara, Japan. The temple legend says it was built originally in 612 by the Imperial Prince Maroko, the brother of Prince Shotoku. The temple was moved to its present location in 681 by the grandson of Prince Maroko, and served as the head temple, or ''honzan'' (本山) of the Hosso sect although currently the temple is jointly administrated by Shingon and Jodo schools. The temple's main object of veneration is Maitreya Bodhisattva, but the most popular attraction is the Taima Mandala, a graphical representation of the Sukhavati Pure Land, and pilgrimage site for Pure Land Buddhists. It is believed that the Taima Mandala was woven in one day by Princess Chujo-hime. Architecture Taima-dera is the only temple in Japan to have its original twin pagodas intact, which date from around AD 710. The surrounding gardens are renowned for peonies in May and a large lotus pond which blooms in June. The temple consists of the ...
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Taimadera Mandarahall 201905b
''Taima-dera'' (當麻寺) is a Buddhist temple in Katsuragi, Nara, Japan. The temple legend says it was built originally in 612 by the Imperial Prince Maroko, the brother of Prince Shotoku. The temple was moved to its present location in 681 by the grandson of Prince Maroko, and served as the head temple, or ''honzan'' (本山) of the Hosso sect although currently the temple is jointly administrated by Shingon Buddhism, Shingon and Jōdo-shū, Jodo schools. The temple's main object of veneration is maitreya, Maitreya Bodhisattva, but the most popular attraction is the Taima Mandala, a graphical representation of the Sukhavati, Sukhavati Pure Land, and pilgrimage site for Pure Land Buddhists. It is believed that the Taima Mandala was woven in one day by Chūjō-hime, Princess Chujo-hime. Architecture Taima-dera is the only temple in Japan to have its original twin pagodas intact, which date from around AD 710. The surrounding gardens are renowned for peonies in May and a large ...
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Taimadera Sainanin Temple
''Taima-dera'' (當麻寺) is a Buddhist temple in Katsuragi, Nara, Japan. The temple legend says it was built originally in 612 by the Imperial Prince Maroko, the brother of Prince Shotoku. The temple was moved to its present location in 681 by the grandson of Prince Maroko, and served as the head temple, or ''honzan'' (本山) of the Hosso sect although currently the temple is jointly administrated by Shingon and Jodo schools. The temple's main object of veneration is Maitreya Bodhisattva, but the most popular attraction is the Taima Mandala, a graphical representation of the Sukhavati Pure Land, and pilgrimage site for Pure Land Buddhists. It is believed that the Taima Mandala was woven in one day by Princess Chujo-hime. Architecture Taima-dera is the only temple in Japan to have its original twin pagodas intact, which date from around AD 710. The surrounding gardens are renowned for peonies in May and a large lotus pond which blooms in June. The temple consists of the ...
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Maitreya
Maitreya (Sanskrit: ) or Metteyya (Pali: ), also Maitreya Buddha or Metteyya Buddha, is regarded as the future Buddha of this world in Buddhist eschatology. As the 5th and final Buddha of the current kalpa, Maitreya's teachings will be aimed at reinstating the dharma, a vital concept in Hinduism, Buddhism, Sikhism and Jainism. In all branches of Buddhism, he is viewed as the direct successor of Gautama Buddha. In some Buddhist literature, such as the '' Amitabha Sutra'' and the ''Lotus Sutra'', he is referred to as Ajita. Despite many religious figures and spiritual leaders claiming to be Maitreya throughout history, all Buddhists firmly agree that these were false claims, indicating that Maitreya, the Buddha of the Future, is yet to appear. According to Buddhist tradition, Maitreya is a bodhisattva who is prophesied to appear on Earth, achieve complete Enlightenment, and teach the Dharma. According to scriptures, Maitreya's teachings will be similar to those of Gautama Buddha ...
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Historic Sites Of Japan
is a collective term used by the Japanese government's Law for the Protection of Cultural Properties to denote Cultural Properties of JapanIn this article, capitals indicate an official designation as opposed to a simple definition, e.g "Cultural Properties" as opposed to "cultural properties". as historic locations such as shell mounds, ancient tombs, sites of palaces, sites of forts or castles, monumental dwelling houses and other sites of high historical or scientific value; gardens, bridges, gorges, mountains, and other places of great scenic beauty; and natural features such as animals, plants, and geological or mineral formations of high scientific value. Designated monuments of Japan The government ''designates'' (as opposed to '' registers'') "significant" items of this kind as Cultural Properties (文化財 ''bunkazai'') and classifies them in one of three categories: * * , * . Items of particularly high significance may receive a higher classification as: * * * ...
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Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ...
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Places Of Scenic Beauty
is a collective term used by the Japanese government's Law for the Protection of Cultural Properties to denote Cultural Properties of JapanIn this article, capitals indicate an official designation as opposed to a simple definition, e.g "Cultural Properties" as opposed to "cultural properties". as historic locations such as shell mounds, ancient tombs, sites of palaces, sites of forts or castles, monumental dwelling houses and other sites of high historical or scientific value; gardens, bridges, gorges, mountains, and other places of great scenic beauty; and natural features such as animals, plants, and geological or mineral formations of high scientific value. Designated monuments of Japan The government ''designates'' (as opposed to '' registers'') "significant" items of this kind as Cultural Properties (文化財 ''bunkazai'') and classifies them in one of three categories: * * , * . Items of particularly high significance may receive a higher classification as: * * * , ...
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National Treasures Of Japan
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan befo ...
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Buddhist Temples In Nara Prefecture
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; an ...
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Glossary Of Japanese Buddhism
This is the glossary of Japanese Buddhism, including major terms the casual (or brand-new) reader might find useful in understanding articles on the subject. Words followed by an asterisk (*) are illustrated by an image in one of the photo galleries. Within definitions, words set in boldface are defined elsewhere in the glossary. __NOTOC__ A * ''agyō''* (阿形) – A type of statue (of a Niō, komainu, etc.) with its mouth open to pronounce the sound "a", first letter of the Sanskrit alphabet and symbol of the beginning of all things. See also ''ungyō''. * Amida Nyorai (阿弥陀如来) – Japanese name of Amitabha, deity worshiped mainly by the Pure Land sect.''Kōjien Japanese dictionary'' * – A Hermitage. * arhat – see arakan. * ''arakan*'' (阿羅漢) – the highest level of Buddhist ascetic practice, or someone who has reached it. The term is often shortened to just ''rakan'' (羅漢). B *bay – see ken. *''bettō'' (別当) – Previously the title of t ...
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Taema (Noh Play)
is a Noh play of the fifth category, Kiri Noh, attributed to Zeami, and centred around the origin legend of the Taema Temple in Nara Prefecture, Japan. Background The play draws the traditional stories of otogizoshi, with their merger of elite and popular concerns, and their focus on miracles and origin stories. In particular, it is concerned with the role of Princess Chujo-hime in creating the Taima Mandala. Plot A relatively undramatic play, Taema recounts how an old man visits the temple and learns the legend of the Princess from an old nun, who is revealed as the Bodhisattva Kannon. Thereafter the Princess herself appears, and dances in a representation of the Pure land. Recent history Though rarely performed, 2012 saw a performance in Japan featuring (equally rarely) a central role for a female actor. See also * Mandala * Pure Land Buddhism Pure Land Buddhism (; ja, 浄土仏教, translit=Jōdo bukkyō; , also referred to as Amidism in English,) is a broad bran ...
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List Of National Treasures Of Japan (sculptures)
In the mid-6th century, the introduction of Buddhism from Korea (Baekje) to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen. Consequently, early Japanese sculptures from the Asuka and Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing. The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics. The Shakyamuni triad and the Guze Kannon at Hōryū-ji are prime examples. By the late 7th century, wood replaced bronze and copper. By the early Tang dynasty, greater realism was expressed by fuller forms, long narrow slit eyes, softer facial features, flowing garments and embellishm ...
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