Ta'ziyah
Ta'zieh (; ; ) means comfort, condolence, or expression of grief. It comes from the roots ''aza'' (عزو and عزى) which mean mourning. It commonly refers to passion plays about the Battle of Karbala and its prior and subsequent events. Sir Lewis Pelly began the preface of his book about Ta'ziyeh maintaining that "If the success of a drama is to be measured by the effects which it produces upon the people for whom it is composed, or upon the audiences before whom it is represented, no play has ever surpassed the tragedy known in the Mussulman world as that of Hasan and Husain." Years later Peter Chelkowski, professor of Iranian and Islamic studies at New York University, chose the same words for the beginning of his book Ta`ziyeh, Ritual and Drama in Iran. Depending on the region, time, occasion, religion, etc. the word can signify different cultural meanings and practices: *In Iranian cultural reference it is categorized as Condolence Theater or Passion Play inspired by a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Culture Of Iran
The culture of Iran () or culture of PersiaYarshater, Ehsa, ''Iranian Studies'', vol. XXII no. 1 (1989) is one of the oldest and among the most influential in the world. Iran (Persia) is widely regarded as one of the cradles of civilization.Kermanshah, A Cradle of Civilization 28 September 2007. Retrieved 4 July 2019 Due to its dominant geopolitical position in the world, it has heavily influenced peoples and cultures situated in Southern and to the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Naqqali
Naqqāli (), or Persian epic storytelling, is the oldest form of narrating tales in Iran and has long played a significant role in society. A naqqāl is a storyteller who recites epic tales, primarily revolving around the stories of Persian mythology, Iranian mythological kings and heroes. Naqqāl (نقال) A naqqāl is a storyteller who recites poetry or prose using gestures, expressions, and sometimes music, along with descriptions of inscriptions and paintings. A naqqāl requires an exceptional memory to retain poems and texts, as well as improvisational skills and eloquence. Their attire is typically simple, though they may wear an ancient-style hat or armored coats during performances to depict battle scenes. As guardians of folk culture, epic and ethnic stories, and Iranian folk music, naqqāls were historically known for their performances in coffeehouses and historic sites such as caravanserais. However, with the decline of traditional Coffeehouse, coffeehouses, the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nasser Taghvaee
Nasser Taghvai (, also romanized as Nāser Taghvā'i and Nāser Taqvāyi; born 13 July 1941) is an Iranian film director and screenwriter. He is best known for his TV Series, '' My Uncle Napoleon.'' Biography Taghvāi was born in Abadan, Iran. After early experiences as a story writer, he began filming documentaries in 1967. He made his debut, ''Tranquility in the Presence of Others'', in 1970 and gained the attention of Iranian critics. His concern for the ethnography and atmosphere of southern Iran is notable in his films. Most of his works have been based on novels. '' Captain Khorshid'' is an adaptation of Ernest Hemingway's '' To Have and Have Not'', which won the third prize at the 48th Locarno International Film Festival in Switzerland in 1988. In 1999 he directed a segment of the film '' Tales of Kish'', which was nominated for the Palme d'Or at the Cannes Film Festival. Filmography * Rahaee (Short Film), 1971 * ''Tranquility in the Presence of Others'', 1972 * ''Sad ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abbas Kiarostami
Abbas Kiarostami ( ; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including short film, shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), ''Close-Up (1990 film), Close-Up'' (1990), ''The Wind Will Carry Us'' (1999), and ''Taste of Cherry'' (1997), which was awarded the Palme d'Or at the 1997 Cannes Film Festival, Cannes Film Festival that year. In later works, ''Certified Copy (film), Certified Copy'' (2010) and ''Like Someone in Love (film), Like Someone in Love'' (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films ''Where Is the Friend's House?, Where Is the Friend's House?'' (1987), ''Close-Up'', and ''The Wind Will Carry Us'' were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Persian Symphonic Music
Symphonic music in Iran encompasses Iranian musical pieces composed in the symphonic style. In addition to instrumental compositions, some of Iran's symphonic pieces are based on the country's folk songs, and some are based on poetry of both classical and contemporary Iranian poets. History Ali-Naqi Vaziri, one of the most prominent and influential musicians of the late Qajar and early Pahlavi periods, established a private music school in 1924, where he also created a school orchestra composed of his students, formed by a combination of the Iranian instrument of tar and some western instruments. Vaziri then founded an association named ''Music Club'' (), formed by a number of progressive-minded writers and scholars, where the school orchestra performed concerts that were conducted by himself. The Tehran Symphony Orchestra () was founded by Gholamhossein Minbashian in 1933. It was reformed by Parviz Mahmoud in 1946, and is currently the oldest and largest symphony orchestra i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cinema Of Iran
The cinema of Iran (), or of Persia, refers to the film industry in Iran. In particular, Iranian art films have garnered international recognition. Iranian films are usually written and spoken in the Persian language. Iran has been lauded as one of the best exporters of cinema in the 1990s. Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades. A range of international film festivals have honoured Iranian cinema in the last twenty years. Many film critics from around the world have praised Iranian cinema as one of the world's most important artistic cinemas. History Visual arts in Iran The earliest examples of visual representations in Iranian history may be traced back to the bas-reliefs in Persepolis (c. 500 BC). Bas relief is a method of sculpting which entails carving or etching away the surface of a flat piece of stone or metal. Persepo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Comedy
Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in Ancient Greek theatre, theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing ''agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which e ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shahnameh
The ''Shahnameh'' (, ), also transliterated ''Shahnama'', is a long epic poem written by the Persian literature, Persian poet Ferdowsi between and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems, and the longest epic poem created by a single author. It tells mainly the Persian mythology, mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest of Persia, Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater Greater Iran, region influenced by Persian culture such as Armenia, Dagestan, Georgia (country), Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language. It is regarded as a literary masterpiece, and definitive of the ethno-national cultural ide ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |