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Systemisch
Systemisch is a 1994 album by the German glitch group Oval. It was released in 1994 by Mille Plateaux. Breaking away from the instrumental format of previous work, the album used sound taken from deliberately damaged CDs to combine an experimental glitch aesthetic with an accessible pop sensibility. This new approach gave Oval their first major critical attention. In its development of the glitch aesthetic in electronic music, Systemisch influenced the sound of artists such as Autechre and Björk, who sampled the track Aero Deck in the song "Unison", from the album Vespertine ''Vespertine'' is the fourth studio album by Icelandic recording artist Björk. It was released on 27 August 2001 in the United Kingdom by One Little Independent Records and in the United States by Elektra Entertainment. Production on the album .... Track listing Notes and references Oval (musical project) albums Glitch (music) albums 1994 albums {{1990s-electronic-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
94 Diskont
''94 Diskont'' (stylised as ''94diskont.'') is the fourth album by German electronic music group Oval. It was released in 1995 via Mille Plateaux in Europe and in 1996 by Thrill Jockey in the United States. It was the final Oval release to feature Sebastian Oschatz and Frank Metzger. It has received critical acclaim. Background Oval received both praise and controversy for its styling methods, such as literally deconstructing music and digital audio by using exacto knives, paint, and tape to damage the surfaces of compact discs, only to stitch the sound back together in loops of melody punctuated by the disc's physical skips. On its initial release, '' Select'' noted in their review that Oval "sound unlike any other combo" on ''94 Diskont''. The review went on to note that group have been described in desperation as techno and critiqued this reference stating "try dancing to the sort of erratic pulsing and hiccuping that comes over like the read-out from a dying alien's electrocar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oval (musical Project)
Oval is an electronic music group founded in Germany in 1991 by Markus Popp, Sebastian Oschatz, Frank Metzger and Holger Lindmüller. The group pioneered glitch music, writing on CDs to damage them and produce music with the resulting fragments. The project has been a solo venture by Popp since the departure of other members in 1995. History Oval was founded in 1991 by Markus Popp, Sebastian Oschatz, Frank Metzger, and Holger Lindmüller. Disdaining the use of synthesizers, Oval instead deliberately mutilated CDs by writing on them with felt pens, then processed samples of fragmented sounds to create a very rhythmic electronic style. Holger Lindmüller left about 1993, and Oval became a trio at that time. Oschatz and Metzger left the group in 1995, with Popp continuing under the Oval name. After a series of releases on Thrill Jockey and Form & Function in the late 1990s and early 2000s Oval was on hiatus until 2010, when the EP ''Oh'' was released. The first Oval album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespertine
''Vespertine'' is the fourth studio album by Icelandic recording artist Björk. It was released on 27 August 2001 in the United Kingdom by One Little Independent Records and in the United States by Elektra Entertainment. Production on the album began during the filming of ''Dancer in the Dark''. With ''Vespertine'', Björk aspired to create an album with an intimate and domestic feeling, deviating from the brash sonority of her previous studio album ''Homogenic'' (1997). The musical style of the album reflected Björk's newly found interest in the minimal and intricate electronic music of producers such as Opiate, Console and the duo Matmos, who were all enlisted for the album. With the rising popularity of Napster and music downloads, she also composed arrangements with thin, "icy" sounding instruments whose quality would not be compromised when downloaded and played on a computer, including the harp, the celesta, clavichord, strings and custom music boxes. Assisted by Matmos, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microsound
Granular synthesis is a sound synthesis method that operates on the microsound time scale. It is based on the same principle as sampling. However, the samples are split into small pieces of around 1 to 100 ms in duration. These small pieces are called grains. Multiple grains may be layered on top of each other, and may play at different speeds, phases, volume, and frequency, among other parameters. At low speeds of playback, the result is a kind of soundscape, often described as a cloud, that is manipulatable in a manner unlike that for natural sound sampling or other synthesis techniques. At high speeds, the result is heard as a note or notes of a novel timbre. By varying the waveform, envelope, duration, spatial position, and density of the grains, many different sounds can be produced. Both have been used for musical purposes: as sound effects, raw material for further processing by other synthesis or digital signal processing effects, or as complete musical works in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrill Jockey
Thrill Jockey is an American independent record label established by former Atlantic Records A&R representative Bettina Richards and based in Chicago. History Richards started the label in 1992 with $35,000 of family and personal capital, while working at a Hoboken, New Jersey, record store, and ran the label from her apartment in New York City.Pareles, JonIt's Her Label and She'll Sign Who She Wants To New York Times September 23, 1998 accessdate = 2007-05-09 In 1995, she moved the label to Chicago, where "rent and taxes are considerably cheaper" according to Richards, and the independent label found some larger success. Thrill Jockey offers full-length streaming of every song on every release in its catalog. "I believe if people can listen to the albums, they tend to buy them," Richards said in a 2006 interview with ''Chicago Reader''. Artists who have recorded on the label include Double Dagger, Future Islands, Tortoise, The Sea and Cake, Bummer, High Places, Trans Am, Mous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mille Plateaux
''A Thousand Plateaus: Capitalism and Schizophrenia'' (french: link=no, Mille plateaux) is a 1980 book by the French philosopher Gilles Deleuze and the French psychoanalyst Félix Guattari. It is the second and final volume of their collaborative work ''Capitalism and Schizophrenia''. While the first volume, ''Anti-Oedipus'' (1972), was a critique of contemporary uses of psychoanalysis and Marxism, ''A Thousand Plateaus'' was developed as an experimental work of philosophy covering a far wider range of topics, serving as a "positive exercise" in what Deleuze and Guattari refer to as rhizomatic thought. Summary Like the first volume of Deleuze and Guattari's ''Capitalism and Schizophrenia'', ''Anti-Oedipus'' (1972), ''A Thousand Plateaus'' is politically and terminologically provocative and is intended as a work of schizoanalysis, but focuses more on what could be considered systematic, environmental and spatial philosophy, often dealing with the natural world, popular culture, me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mille Plateaux (record Label)
Mille Plateaux is a German record label founded in 1994 by Achim Szepanski in Frankfurt, as a sublabel of Force Inc. Music Works. Its releases in the fields of minimal techno, glitch music and other experimental electronic music have a lasting influence. History Origins and Activities (1994-2004) The name Mille Plateaux was taken from ''Mille Plateaux (A Thousand Plateaus)'', a philosophy book by Gilles Deleuze and Félix Guattari, published in 1980. Their idea of the rhizome has been applied as the label's concept of publishing a large variety of forward thinking electronic music from different contexts. In 2000, Mille Plateaux released their '' Clicks & Cuts Series'', which featured both Mille Plateaux and non-Mille Plateaux glitch music artists. This series is widely perceived to be a cornerstone of glitch music. Bankruptcy and Various Revivals (2004-2011) In early 2004, Mille Plateaux's parent company Force Inc. went bankrupt due to the collapse of Germany's main indepe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autechre
Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut ''Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence. Influenced by styles such as 1980s electro and hip hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
