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Symphony No. 3 (Honegger)
Symphony No. 3 may refer to: * Symphony No. 3 (Alwyn) by William Alwyn, 1955–1956 * Symphony No. 3 (Arnold) (op. 63) by Malcolm Arnold, 1957 * Symphony No. 3 (Badings) by Henk Badings, 1934 * Symphony No. 3 (Baird) by Tadeusz Baird, 1969 * Symphony No. 3 (Bax) by Arnold Bax, 1929 * Symphony No. 3 (Beethoven) in E-flat major (Op. 55, ''Eroica'') by Ludwig van Beethoven, 1802–04 * Symphony No. 3 (Bentoiu) (Op. 22) by Pascal Bentoiu, 1976 *Symphony No. 3 (Bernstein) (''Kaddish'') by Leonard Bernstein, 1963 * Symphony No. 3 (Berwald) in C major (''Singulière'') by Franz Berwald, 1845 * Symphony No. 3 (Brahms) in F major (Op. 90) by Johannes Brahms, 1883 * Symphony No. 3 (Brian) in C-sharp minor by Havergal Brian, 1931–32 * Symphony No. 3 (Bruch) in E major (Op. 51) by Max Bruch, 1887 *Symphony No. 3 (Bruckner) in D minor ( 103, ''Wagner'') by Anton Bruckner, 1872–1889 * Symphony No. 3 (Chávez) by Carlos Chávez, 1951–54 * Symphony No. 3 (Ching) (''Rituals'') by Jeffrey Chin ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound ...
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Camargo Guarnieri
Mozart Camargo Guarnieri (February 1, 1907 – January 13, 1993) was a Brazilian composer. Name Guarnieri was born in Tietê, São Paulo, and registered at birth as Mozart Guarnieri, but when he began a musical career, he decided his first name was too pretentious. Thus he adopted his mother's maiden name Camargo as a middle name, and thenceforth signed himself M. Camargo Guarnieri. In 1948, he legally changed his name to Mozart Camargo Guarnieri, but continued to sign only the initial of his first name. Guarnieri's Italian father, Michele Guarneri, a lover of classical music, named one of Camargo's brothers Rossine (a Portuguese misspelling of Rossini), and two others Verdi and Bellini. Life Guarnieri studied piano with Ernani Braga and and composition with at the Conservatório Dramático e Musical de São Paulo. In 1938, a fellowship from the Council of Artistic Orientation allowed him to travel to Paris, where he studied composition and aesthetics with Charles Koechlin and ...
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Erkki Melartin
Erkki Gustaf Melartin (7 February 1875, Käkisalmi – 14 February 1937, Helsinki) was a Finnish composer, conductor, and teacher of the late-Romantic and early-modern periods. Melartin is generally considered to be one of Finland's most significant national Romantic composers, although his music—then and now—largely has been overshadowed by that of his exact contemporary, Jean Sibelius, the country's most famous composer. The core of Melartin's consists of a set of six (completed) symphonies, as well as is his opera, ''Aino'', based on a story from the ''Kalevala'', Finland's national epic, but nevertheless in the style of Richard Wagner. Melartin's other notable works include the popular wedding tune, ''Festive March'' (1904; from the incidental music to the play, ''Sleeping Beauty''); the symphonic poem, ''Traumgesicht'' (1910); the Violin Concerto in D minor (1913); the Kalevalic symphonic poem for soprano and orchestra, ''Marjatta'' (1914); ''The Blue Pearl'', Finla ...
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Tomás Marco
Tomás Marco Aragón (born 12 September 1942) is a Spanish composer and writer on music. Life and work Marco was born in Madrid where he later studied violin and composition, while at the same time pursuing the study of law (he received his licenciate in law in 1963). He turned to composition in 1958, and in 1962 began attending the Darmstädter Internationale Ferienkurse, where he furthered his studies with Bruno Maderna, Pierre Boulez, Karlheinz Stockhausen, György Ligeti, Gottfried Michael Koenig, and Theodor W. Adorno. In 1967 he participated in Stockhausen’s collective composition project '' Ensemble'' at Darmstadt. His compositional style is rooted in the music of the Darmstadt School. For example, ''Transformación'' (1974) strongly recalls Ligeti’s '' Lux aeterna'' (1966)—both are composed for 16 solo voices—as well as the harmonic overtone-singing of Stockhausen’s '' Stimmung'' (1968). In 1965 he began a brief association with the neo-Dada composers’ g ...
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Albéric Magnard
Lucien Denis Gabriel Albéric Magnard (; 9 June 1865 – 3 September 1914) was a French composer, sometimes referred to as a "French Bruckner", though there are significant differences between the two composers. Magnard became a national hero in 1914 when he refused to surrender his property to German invaders and died defending it. Biography Magnard was born in Paris, the son of , a bestselling author and editor of ''Le Figaro''. Albéric could have chosen to live the comfortable life that his family's wealth afforded him, but he disliked being called ''"fils du Figaro"'' and decided to make a career for himself in music, based entirely on his own talent and without any help from family connections. After military service and graduating from law school, he entered the Paris Conservatoire, where he studied counterpoint with Théodore Dubois and went to the classes of Jules Massenet. There he met Vincent d'Indy, with whom he studied fugue and orchestration for four years, writing h ...
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George Lloyd (composer)
George Walter Selwyn Lloyd (28 June 1913 – 3 July 1998) was a British composer. Biography Early life Born in St Ives, Cornwall, of part Welsh, part American ancestry, Lloyd grew up in a very musical family. His father, William A. C. Lloyd, was an Italian opera ''aficionado''. He was born in Rome and returned to England on the death of his father, a retired naval officer. William Lloyd wrote a biography of Bellini. He was also an accomplished flautist. George Lloyd's mother played the violin, viola and piano. Both were leading members of the St Ives Arts Club and their house was a regular weekly venue for chamber music, so the young composer grew up with music all around him. His grandmother, the American painter Frances (Fanny) Powell, had been an opera singer, and was an early pioneer of the St Ives artists' colony. George Lloyd showed his talent as a composer early; he began composing at the age of 9, and began serious study at the age of 14. He was mainly educated at ...
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Ernst Krenek
Ernst Heinrich Krenek (, 23 August 1900 – 22 December 1991) was an Austrian, later American, composer of Czech origin. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study of Johannes Ockeghem (1953), and ''Horizons Circled: Reflections on my Music'' (1974). Krenek wrote two pieces using the pseudonym Thornton Winsloe. Life Born Ernst Heinrich Křenek in Vienna (then in Austria-Hungary), he was the son of a Czech soldier in the Austro-Hungarian army. He studied there and in Berlin with Franz Schreker before working in a number of German opera houses as conductor. During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, widow of Gustav Mahler, and her daughter, Anna, to whom he dedicated his Symphony No. 2, and whom he married in January 1924. That marriage ended in divorce before its first anniv ...
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Wilhelm Killmayer
Wilhelm Killmayer (21 August 1927 – 20 August 2017) was a German composer of classical music, a conductor and an academic teacher of composition at the Hochschule für Musik und Theater München from 1973 to 1992. He composed symphonies and song cycles on poems by Friedrich Hölderlin, Joseph von Eichendorff, Georg Trakl and Peter Härtling, among others. Early life Wilhelm Killmayer was born on 21 August 1927 in Munich, Germany. He studied conducting and composition from 1945 to 1951 in Munich at Hermann Wolfgang von Waltershausen’s Musikseminar. At the same time, he was enrolled at the Munich University where he studied musicology with Rudolf von Ficker and Walter Riezler, and German studies. He was a private student of Carl Orff from 1951 and was admitted to his master class at the Staatliche Musikhochschule in 1953. He was a scholar at the Villa Massimo twice, in 1958 and 1965/66. Career Killmayer was a teacher of music theory and counterpoint at the Trappsches Konserv ...
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Dmitry Kabalevsky
Dmitry Borisovich Kabalevsky (russian: Дми́трий Бори́сович Кабале́вский ; 14 February 1987) was a Soviet composer, conductor, pianist and pedagogue of Russian gentry descent. He helped set up the Union of Soviet Composers in Moscow and remained one of its leading figures during his lifetime. He was a prolific composer of piano music and chamber music; many of his piano works were performed by Vladimir Horowitz. He is best known in Western Europe for his Second Symphony, the "Comedians' Galop" from '' The Comedians'' Suite, Op. 26 and his Third Piano Concerto. Life Kabalevsky was born in Saint Petersburg in 1904, but moved to Moscow at a young age. His father was a mathematician and encouraged him to study mathematics, but he showed a fascination for the arts from a young age. He studied at the Academic Music College in Moscow and graduated in 1922. He then continued his studies with Vasily Selivanov. In 1925, he then went on to study at the Mo ...
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Kamran Ince
Kamran N. Ince (spelled İnce in Turkish, born May 6, 1960) is a Turkish-American composer. He is the winner of many prestigious awards, including a Rome Prize, a Guggenheim Fellowship, the Lili Boulanger Memorial Prize, and various others. His work has been performed by the Chicago Symphony Orchestra, the BBC Symphony Orchestra, the Prague Symphony Orchestra, the Los Angeles Piano Quartet, the Borusan Istanbul Philharmonic Orchestra, the Netherlands Wind Ensemble, the Milwaukee Opera Theatre, the Arkas Trio, Evelyn Glennie, Lily Afshar, and others, and his recordings can be found on Naxos, EMI, Albany, and Archer Records. He is known today as one of the leading composers of contemporary music. Born in Glendive, Montana and raised in Turkey, Ince began his studies at age 10 studying cello, piano, and composition at the Ankara State Conservatory. Ince later moved to the United States to study at Oberlin College and Eastman School of Music. His music is exclusively published b ...
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Andrew Imbrie
Andrew Welsh Imbrie (April 6, 1921 – December 5, 2007) was an American contemporary classical music composer and pianist. Career Imbrie was born in New York City and began his musical training as a pianist when he was 4. In 1937, he went to Paris to study composition briefly with Nadia Boulanger and piano with Robert Casadesus. He returned to the United States the next year to attend Princeton University where he studied with Roger Sessions, receiving his undergraduate degree in 1942. His senior thesis there, a string quartet, was recorded by the Juilliard Quartet. During World War II he served in the U.S. Army as a Japanese translator. Afterwards, he went to the University of California, Berkeley, where he received an M.A. in Music in 1947; there he continued to study with Sessions, who had taken a position at Berkeley. Imbrie taught composition, theory, and analysis at Berkeley from 1949 until his retirement in 1991. In the summer of 1991 he was Composer-in-Residence at Tangl ...
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Toshi Ichiyanagi
was a Japanese avant-garde composer and pianist. One of the leading composers in Japan during the postwar era, Ichiyanagi worked in a range of genres, composing Western-style operas and orchestral and chamber works, as well as compositions using traditional Japanese instruments. Ichiyanagi is known for incorporating avant-garde techniques into his works, such as chance music, extended technique, and nontraditional scoring. Ichiyanagi was married to artist Yoko Ono from 1956 to 1962. Early life and education Ichiyanagi was born in Kobe on 4 February 1933. He studied composition with Tomojirō Ikenouchi, , and John Cage. From 1954 to 1960, he resided in New York City, where he studied at the Juilliard School and the New School for Social Research. Ichiyanagi was married to Yoko Ono from 1956 to 1962. Ichiyanagi's decision to return to Japan, while Ono remained in New York, rendered the marriage untenable. Career Returning to Japan in 1960, Ichiyanagi collaborated with the anti ...
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