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Symphony No. 34 (Michael Haydn)
Michael Haydn's Symphony No. 34 in E-flat major, Perger 26, Sherman 34, MH 473, written in Salzburg in 1788, is the last E-flat major symphony he wrote, the first of his final set of six symphonies. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: #Allegro con brio # Adagietto, in B-flat major # Fugato. Allegro The first and last movements begin the same way, only that the first movement uses the theme to launch a sonata form while the third movement uses it to preface a fugato. Discography Like the other symphonies of the 1788 set of six, this one is in the CPO disc with Johannes Goritzki conducting the New German Chamber Academy. It is also available on a Chandos disc of the London Mozart Players London Mozart Players (LMP) are a British chamber orchestra founded in 1949. LMP are the longest-established chamber orchestra in the United Kingdom. Since 1989, the orchestra has been Resident Orchestra at Fairfield Halls, Croydon. History B ... cond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Haydn
Johann Michael Haydn (; 14 September 173710 August 1806) was an Austrian composer of the Classical period, the younger brother of Joseph Haydn. Life Michael Haydn was born in 1737 in the Austrian village of Rohrau, near the Hungarian border. His father was Mathias Haydn, a wheelwright who also served as "Marktrichter", an office akin to village mayor. Haydn's mother Maria, Koller, had previously worked as a cook in the palace of Count Harrach, the presiding aristocrat of Rohrau. Mathias was an enthusiastic folk musician, who during the journeyman period of his career had taught himself to play the harp, and he also made sure that his children learned to sing. Michael went to Vienna at the age of eight, his early professional career path being paved by his older brother Joseph, whose skillful singing had landed him a position as a boy soprano in the St. Stephen's Cathedral, Vienna choir under the direction of Georg Reutter, as were Johann Georg Albrechtsberger and Franz Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Michael Haydn
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Bamert
Matthias Bamert (born July 5, 1942 in Ersigen, Canton of Bern) is a Swiss composer and conductor. In addition to studies in Switzerland, Bamert studied music in Darmstadt and in Paris, with Pierre Boulez and Karlheinz Stockhausen, and their influences can be detected in his own compositions from the 1970s. He spent the years 1965 to 1969 as principal oboist with the Salzburg Mozart Orchestra, but then switched to conducting. Bamert's conducting career began in North America as an apprentice to George Szell and later as Assistant Conductor to Leopold Stokowski, and Resident Conductor of the Cleveland Orchestra under Lorin Maazel. He was music director of the Swiss Radio Orchestra from 1977 to 1983. Bamert was Principal Guest Conductor of the Royal Scottish National Orchestra and Director of the Glasgow contemporary music festival Musica Nova from 1985 to 1990. He has conducted the world premieres of works by composers such as Toru Takemitsu, John Casken, James MacMillan and Wolfga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Mozart Players
London Mozart Players (LMP) are a British chamber orchestra founded in 1949. LMP are the longest-established chamber orchestra in the United Kingdom. Since 1989, the orchestra has been Resident Orchestra at Fairfield Halls, Croydon. History Beginnings The orchestra was formed in 1949 by violinist Harry Blech. Having just branched out into conducting, he was approached by pianist Dorothea Braus to arrange and conduct an all-Mozart concert at Wigmore Hall. Blech continued to arrange and perform increasingly successful concerts with the London Mozart Players, which lead to regular broadcasts by the BBC. The orchestra performed in the opening week's events at the Royal Festival Hall in 1951and became regulars there and later at the Queen Elizabeth Hall. Later history and present day to perform works of Mozart and Haydn, the London Mozart Players is the UK's longest established chamber orchestra. Musicians associated with the Players include James Galway, Felicity Lott, Jane Gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandos Records
Chandos Records is a British independent classical music recording company based in Colchester. It was founded in 1979 by Brian Couzens. Background Chandos Records arose from a band music publisher Chandos Music, founded in 1963, and Chandos Productions, a record production company which produced LPs for Classics for Pleasure, and, especially, RCA Records, RCA's work in the UK. Its first record was Bloch's Sacred Service (ABR1001). Important early recordings were made with Mariss Jansons, Nigel Kennedy and the King's Singers – before they moved to bigger contracts with EMI.Anderson C. "Thirty years of Chandos. Ralph and Brian Couzens talk about th ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Kammerakademie Neuss
The Deutsche Kammerakademie Neuss am Rhein (dkn) is a chamber orchestra based in Neuss, Germany, specializing in obscure music from the baroque and classical periods as well as new music commissioned especially for them. The group was founded in 1978 by the cellist and conductor Johannes Goritzki. Their current artistic director is Isabelle van Keulen, their chief conductor is Christoph Koncz. The CD catalog of the Deutsche Kammerakademie Neuss am Rhein, usually on the CPO label, includes little known repertoire such as Michael Haydn's Requiem and assorted symphonies, Robert Volkmann's Serenades, Othmar Schoeck's Cello Concerto, as well as better known pieces such as Bach's Mass in B minor and two Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ... symphonies. Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Produktion Osnabrück
Classic Produktion Osnabrück (often referred to as cpo, in lowercase) is a record label founded in 1986 by Georg Ortmann and several others. Its declared mission is to fill niches in the recorded classical repertory, with an emphasis on romantic, late romantic and 20th-century music. The label also aims to release complete cycles of recordings, such as complete sets of symphonies, concertos, chamber music, and so forth. It is the house label of online retailer jpc. Recordings Recordings issued by cpo include (see second external link; some of these are no longer available) *Concertos, suites, cantates, chambermusic etc. of Georg Philipp Telemann *The complete orchestral works and string quartets of Paul Hindemith *The complete string quartets of Mieczysław Weinberg *The complete orchestral works of Erich Wolfgang Korngold *The orchestral works of Hans Pfitzner (and a substantial amount of his chamber works as well) *The symphonies and string quartets of Benjamin Frankel *The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg
Salzburg (, ; literally "Salt-Castle"; bar, Soizbuag, label=Bavarian language, Austro-Bavarian) is the List of cities and towns in Austria, fourth-largest city in Austria. In 2020, it had a population of 156,872. The town is on the site of the Roman settlement of ''Iuvavum''. Salzburg was founded as an episcopal see in 696 and became a Prince-Archbishopric of Salzburg, seat of the archbishop in 798. Its main sources of income were salt extraction, trade, and gold mining. The fortress of Hohensalzburg Fortress, Hohensalzburg, one of the largest medieval fortresses in Europe, dates from the 11th century. In the 17th century, Salzburg became a center of the Counter-Reformation, with monasteries and numerous Baroque churches built. Historic Centre of the City of Salzburg, Salzburg's historic center (German language, German: ''Altstadt'') is renowned for its Baroque architecture and is one of the best-preserved city centers north of the Alps. The historic center was enlisted as a UN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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