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Symphony No. 1 (Ben-Haim)
Israelis, Israeli composer Paul Ben-Haim, Paul Ben-Haim's Symphony no. 1 is the first Eretz-Israel symphony and one of the most important works in the history of Music of Israel#Classical music, classical music in Israel. Background Ben-Haim started composing the piece at the end of August 1939 and completed it at the end of June 1940. This is the period after his immigration to Israel, and the end of the days of the fall of France. The composition of the piece is about "the desire to compose a large-scale composition in the spirit of our people and country for our Israel Philharmonic Orchestra, Eretz Israel Orchestra... the terrible rampage of the underworld forces must have had a powerful impact on my composition (at least on its first movement, and to some extent also on its last). Nevertheless, this composition is nothing but absolute pure music..." Structure The piece has three movements: # Allegro energico—according to Yehoash Hirschberg, the first theme, which is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israelis
Israelis ( he, יִשְׂרָאֵלִים, translit=Yīśrāʾēlīm; ar, الإسرائيليين, translit=al-ʾIsrāʾīliyyin) are the citizens and nationals of the State of Israel. The country's populace is composed primarily of Jews and Arabs, who respectively account for 75 percent and 20 percent of the national figure; followed by other ethnic and religious minorities, who account for 5 percent. Early Israeli culture was largely defined by communities of the Jewish diaspora who had made '' aliyah'' to British Palestine from Europe, Western Asia, and North Africa in the late-19th and early-20th centuries. Later Jewish immigration from Ethiopia, the states of the former Soviet Union, and the Americas introduced new cultural elements to Israeli society and have had a profound impact on modern Israeli culture. Since Israel's independence in 1948, Israelis and people of Israeli descent have a considerable diaspora, which largely overlaps with the Jewish diaspora b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ben-Haim
Paul Ben-Haim (or Paul Ben-Chaim, Hebrew: פאול בן חיים) (5 July 1897 – 14 January 1984) was an Israeli composer. Born Paul Frankenburger in Munich, Germany, he studied composition with Friedrich Klose and he was assistant conductor to Bruno Walter and Hans Knappertsbusch from 1920 to 1924. He served as conductor at Augsburg from 1924 to 1931, and afterwards devoted himself to teaching and composition, including teaching at the Shulamit Conservatory in Tel Aviv, Israel. Ben-Haim emigrated to the then British Mandate of Palestine in 1933 and lived in Tel Aviv, near Zina Dizengoff Square. He Hebraized his name, becoming an Israeli citizen upon that nation's independence in 1948. He composed chamber music, works for choir, orchestra and solo instruments, and songs. He championed a specifically Jewish national music: his own compositions are in a late Romantic vein with Middle Eastern overtones, somewhat similar to Ernest Bloch. His students include Eliahu Inbal, Hen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Israel
The music of Israel is a combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical culture. For almost 150 years, musicians have sought original stylistic elements that would define the emerging national spirit. In addition to creating an Israeli style and sound, Israel's musicians have made significant contributions to Classical music, classical, jazz, pop rock and other international music genres. Since the 1970s, there has been a flowering of musical diversity, with Israeli rock, folk and jazz musicians creating and performing extensively, both locally and abroad. Many of the world's top classical musicians are Israelis or Israeli expatriates. The works of Israeli classical composers have been performed by leading orchestras worldwide. Music in Israel is an integral part of national identity. Beginning in the days of the pioneers, Hebrew songs and public singalongs (''Shira beTsibur'') were encour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davar
''Davar'' ( he, דבר, lit. ''Word'') was a Hebrew-language daily newspaper published in the British Mandate of Palestine and Israel between 1925 and May 1996. It was relaunched in 2016, under the name ''Davar Rishon'' as an online outlet by the Histadrut. History ''Davar'' was established by Moshe Beilinson and Berl Katznelson, with Katznelson as its first editor, as the newspaper of the Histadrut. The first edition was published on 1 June 1925 under the name ''Davar – Iton Poalei Eretz Yisrael (lit. ''Davar – Newspaper of Eretz Yisrael Workers''). The paper was successful, and published several supplements, including ''Davar HaPoelet'' ('' emaleWorker's Davar'', a women's paper), ''HaMeshek HaShitufi'' (''Co-operative Economy''), ''Davar HaShvua'' (''Davar This Week'') and ''Davar LeYeldim'' (''Davar for Children''), as well as the union newsletter ''Va'adken'' (''Update''). By 1950 it had around 400 employees and had an extensive distribution system. Upon Katznelso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel Philharmonic Orchestra
The Israel Philharmonic Orchestra (abbreviation IPO; Hebrew: התזמורת הפילהרמונית הישראלית, ''ha-Tizmoret ha-Filharmonit ha-Yisra'elit'') is an Israeli symphony orchestra based in Tel Aviv. Its principal concert venue is Heichal HaTarbut. History The Israel Philharmonic Orchestra was founded as the Palestine Symphony Orchestra by violinist Bronisław Huberman in 1936, at a time of the dismissal of many Jewish musicians from European orchestras. Its inaugural concert took place in Tel Aviv on December 26, 1936, conducted by Arturo Toscanini. Its first principal conductor was William Steinberg. Its general manager between 1938 and 1945 was Leo Kestenberg, who, like many of the orchestra members, was a German Jew forced out by the rise of Nazism and the persecution of Jews. During the Second World War, the orchestra performed 140 times before Allied soldiers, including a 1942 performance for soldiers of the Jewish Brigade at El Alamein. At the end of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyricism
Lyricism is a quality that expresses deep feelings or emotions in an inspired work of art. Often used to describe the capability of a Lyricist. Description Lyricism is when art is expressed in a beautiful or imaginative way, or when it has an expressive quality. Although the term "lyricism" is often used in conjunction with art composed of sound alone, it can also apply to all forms of art, including paintings, performance, poetry, architecture, or film. Uses of lyricism Although it is impossible to define beauty, emotion, or imagination in a definitive manner, it is possible to draw upon examples of works that may share those characteristics in both subtle and dramatic ways. The following are some classic examples of lyricism: *Architecture: The Nasir ol-Molk Mosque may be seen as an example, as well as the Taj Mahal, or the Sistine Chapel. Modern examples would be some of the later works of Le Corbusier and Zaha Hadid. *Dance: Tchaikovsky's Swan Lake, or The Slee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Jews
Persian Jews or Iranian Jews ( fa, یهودیان ایرانی, ''yahudiān-e-Irāni''; he, יהודים פרסים ''Yəhūdīm Parsīm'') are the descendants of Jews who were historically associated with the Persian Empire, whose successor state is Iran. The biblical books of Esther, Isaiah, Daniel, Ezra, and Nehemiah contain references to the lives and experiences of Jews who lived in Persia. Dating back to biblical times, Iranian Jews constitute one of the world's oldest and most historically significant Jewish communities. Jews have had a continuous presence in Iran since the time of Cyrus the Great of the Achaemenid Empire. Cyrus invaded Babylon and freed the Jews from the Babylonian captivity. Today, the vast majority of Persian Jews live in Israel and the United States, especially in Los Angeles, Beverly Hills, and on the North Shore of Long Island. There are smaller Persian Jewish communities in Baltimore, Maryland and the Twin Cities. According to the lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hora (dance)
Hora, also known as horo and oro, is a type of circle dance originating in Jewish communities and the Balkans but also found in other countries. Etymology The name, spelled differently in various countries, is derived from the Greek ('' khorós''): "dance" which is cognate with the Ancient Greek art form of ('' khoreía''). The original meaning of the Greek word may have been "circle". Also, the words ''hora'' and ''oro'' are found in many Slavic languages and have the meaning of "round (dance)"; the verb ''oriti'' means "to speak, sound, sing" and previously meant "to celebrate". The Greek () is cognate with Pontic Greek (), and has also given rise to the names of Bulgarian (), Macedonian (), Romanian , / in Serbo-Croatian, the Turkish form and in Hebrew (). The dance of Georgia also might be connected to the Horon dance in the neighbouring Turkish regions, as it rose out of the Adjara region, where Kartvelian Laz people co-existed for centuries with Greek Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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