Sylvia Stahlman
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Sylvia Stahlman
Sylvia Stahlman (March 5, 1929 – August 19, 1998) was an American soprano, particularly associated with light, coloratura roles. Career Stahlman was born in Nashville, Tennessee, and studied at the Juilliard School in New York City. She began her career on Broadway, in 1948-49, in Kurt Weill's '' Love Life'', opposite Nanette Fabray, directed by Elia Kazan. She left for Europe to begin a career in opera, performing first under the name Giulia Bardi. She made her debut at La Monnaie in Brussels, as Elvira in ''I puritani'', in 1951, and remained with that theatre until 1954. She also sang in Amsterdam, Frankfurt, and Vienna, and appeared at the Glyndebourne Festival in 1959, as Ilia in ''Idomeneo''. In America, she appeared at the New York City Opera in the fall season of 1956, as Eurydice in ''Orphée aux enfers'', conducted by Erich Leinsdorf, and Gilda in ''Rigoletto'', with Julius Rudel conducting. In 1957 she created the role of Lauretta in the world premiere of Carlo ...
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Grand Gala Du Disque Classique Prinses Irene , Van Laan , Gre Brouwenstijn, Bestanddeelnr 915-6009
Grand may refer to: People with the name * Grand (surname) * Grand L. Bush (born 1955), American actor * Grand Mixer DXT, American turntablist * Grand Puba (born 1966), American rapper Places * Grand, Oklahoma * Grand, Vosges, village and commune in France with Gallo-Roman amphitheatre * Grand Concourse (other), several places * Grand County (other), several places * Grand Geyser, Upper Geyser Basin of Yellowstone * Grand Rounds National Scenic Byway, a parkway system in Minneapolis, Minnesota, United States * Le Grand, California, census-designated place * Grand Staircase, a place in the US. Arts, entertainment, and media * Grand (Erin McKeown album), ''Grand'' (Erin McKeown album), 2003 * Grand (Matt and Kim album), ''Grand'' (Matt and Kim album), 2009 * Grand (magazine), ''Grand'' (magazine), a lifestyle magazine related to related to grandparents * Grand (TV series), ''Grand'' (TV series), American sitcom, 1990 * Grand piano, musical instrument * Grand Produ ...
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Erich Leinsdorf
Erich Leinsdorf (born Erich Landauer; February 4, 1912 – September 11, 1993) was an Austrian-born American conductor. He performed and recorded with leading orchestras and opera companies throughout the United States and Europe, earning a reputation for exacting standards as well as an acerbic personality. He also published books and essays on musical matters. Biography Leinsdorf was born to a Jewish family in Vienna, and was studying music at a local school by the age of 5. He played the cello and studied composition. In his teens, Leinsdorf worked as a piano accompanist for singers. He studied conducting at the Mozarteum in Salzburg, and later at the University of Vienna and the Vienna Academy of Music. From 1934 to 1937 he worked as an assistant to the noted conductors Bruno Walter and Arturo Toscanini at the Salzburg Festival. In November 1937, Leinsdorf travelled to the United States to take up a position as assistant conductor at the Metropolitan Opera in New Yor ...
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Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play ''Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were ...
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Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all ...
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Herva Nelli
Herva Nelli (January 9, 1909May 31, 1994) was an Italian-American operatic soprano. Biography Named after the French socialist Gustave Hervé, she was born in Florence, where she attended a convent school. At the age of ten, however, she and her family left Italy for the United States, settling in Pittsburgh, Pennsylvania, where she later studied at the Pittsburgh Music Institute. In 1937, the soprano made her operatic debut with Brooklyn's Salmaggi Opera, as Santuzza in Mascagni's ''Cavalleria rusticana''. In ensuing seasons, she gained experience with that ensemble, presenting roles that would form the core of her repertoire, including Leonora in Verdi's '' La forza del destino'' (with Sydney Rayner as Don Alvaro, 1943) and another Leonora in Verdi's ''Il trovatore''. She also sang the title roles of Bellini's ''Norma'', Verdi's ''Aida'' (with Bernardo de Muro at the end of his career, 1944), and Ponchielli's '' La Gioconda''. In 1947, she made her New York City Opera de ...
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stoc ...
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Dialogues Des Carmélites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, through Raymond-Léopold Bruckberger and the scenario writer P ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy '' Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Lyric Opera Of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma''. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric. Opera in Chicago 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929 the current Civic Opera House on 20 North Wacker Drive was opened, though ...
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San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 w ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital media, digital subscribers. It also is a producer of popular podcasts such as ''The Daily (podcast), The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones (publisher), George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won List of Pulitzer Prizes awarded to The New York Times, 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked List of newspapers by circulation, 18th in the world by circulation and List of newspapers in the United States, 3rd in the U.S. The paper is owned by the New York Times Company, which is Public company, publicly traded. It has been governed by the Sulzberger family since 189 ...
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The Visitors (opera)
''The Visitors'' is an opera in three acts and a prologue composed by Carlos Chávez to an English libretto by the American poet Chester Kallman. The work was Chávez's only opera. Its first version, with the title ''Panfilo and Lauretta'', premiered in New York City in 1957. The final version with the title ''The Visitors'' was premiered in Guanajuato, Mexico in 1999, twenty years after the composer's death. The story is set in 14th century Tuscany during the time of the Black Death. The libretto (like those for ''Pagliacci'' and '' Ariadne auf Naxos'') uses the device of a play within a play to reflect and intensify the relationships between the protagonists, who in this case are loosely based on characters in ''The Decameron''. Performance history ''The Visitors'' was originally commissioned in 1953 by Lincoln Kirstein, with the intention of premiering it in 1954 in New York City. Chávez began working on the score with the provisional title of ''The Tuscan Players'' in the ...
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