Sweet William's Ghost
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Sweet William's Ghost
Sweet William's Ghost (Child 77, Roudbr>50 is an English Ballad and folk song which exists in many lyrical variations and musical arrangements. Early known printings of the song include Allan Ramsay's ''The Tea-Table Miscellany'' in 1740 and Thomas Percy's ''Reliques of Ancient English Poetry'' in 1765. Percy believed that the last two stanzas of the version he published were later additions, but that the details of the story they recounted (specifically the death of Margaret upon William's grave) were original. The song is Aarne-Thompson type 365, "The Specter Bridegroom". Synopsis A lover, usually named William or a variant, appears as a ghost to his love, usually Margaret or a variant. He asks her to release him from his promise to marry her. She may insist that he actually marry her, but he says that he is dead; she may insist that he kiss her, but he says that one kiss would kill her; she may insist on some information about the afterlife, and he tells her some of it; he ...
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Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ...
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Proud Lady Margaret
"Proud Lady Margaret" is Child ballad 47, existing in several variants. Synopsis A man arrives at the heroine's castle to woo her. She is frequently critical of him, on the grounds that his clothing shows him to be no gentleman. In most variants, he taxes her with riddles such as "What's the first thing in flower?" (primrose), and in the end, she accepts his suit. He reveals that he is her brother and a ghost, sometimes after she has said she will go with him and he must forbid, as it will kill her. He tells her he has come to curb her haughtiness. Commentary This appears to be the compound of two ballads: one of a proud princess being humbled by a clever wooer, and the other of a dead soul rebuking the living.Francis James Child, ''The English and Scottish Popular Ballads'', v 1, p 425-6, Dover Publications, New York 1965 Many of the elements of this are found in other ballads: the riddles from "Riddles Wisely Expounded "Riddles Wisely Expounded" is a traditional Engl ...
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Year Of Song Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mean yea ...
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Fictional Ghosts
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ...
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Songs About Ghosts
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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English Folk Songs
The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music traditionally was preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style. There are distinct regional and local variations in content and style, particularly in areas more removed from the most prominent English cities, as in Northumbria, or the West Country. Cultural interchange and processes of migration mean that English folk music, although in many ways distinctive, has significant crossovers with the music of Scotland. When English communities migrated to the United States, Canada and Australia, they brought their folk traditions with them, and many of the songs were preserved by i ...
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Djákninn á Myrká
Djákninn á Myrká (English: ''The Deacon of Dark River'', ''The Deacon of Myrká'') is an Icelandic folk tale. The setting of the tale is Myrká, in Eyjafjörður, located in Iceland. Legend A deacon who lived on a farm called Myrká (Dark River) had a girlfriend named Guðrún. She lived on farm called Bægisá located on the other side of a big river called Hörgá. One day the deacon rode his horse Faxi to Bægisá to meet Guðrún so they could discuss their plans for Christmas. The deacon promised to ride to Bægisá on Christmas Eve and bring Guðrún to Myrká where they could celebrate the holiday together. But on his way back home that day, the deacon was unexpectedly caught in a heavy storm. He fell into the Hörgá river where he suffered a severe head injury and drowned. The deacon's body was found the next day by a farmer and buried a week before Christmas. But the news of his death somehow had not reached Guðrún. On Christmas Eve, as per their arrangement, t ...
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Lenore (ballad)
"Lenore", sometimes translated as "Leonora", "Leonore" or "Ellenore", is a poem written by German author Gottfried August Bürger in 1773, and published in 1774 in the ''Göttinger Musenalmanach''. "Lenore" is generally characterised as being part of the 18th-century Gothic ballads, and although the character that returns from its grave in the poem is not considered to be a vampire, the poem has been very influential on vampire literature. William Taylor, who published the first English translation of the ballad, would later claim that "no German poem has been so repeatedly translated into English as 'Ellenore. Background In the 18th century there were more than eighteen hundred different German-speaking political entities in Central Europe. During this period, due to influences from the Renaissance and the Enlightenment, Latin and French dominated over the German language, and German literature had mostly been modelled after French and Italian literature. These factors led fe ...
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List Of Ghosts
The following is a list of ghosts: African folklore * Adze, Ewe vampiric being * Amadlozi, Nguni spiritual figures * Asanbosam, Akan vampire * Egbere, Yoruban malevolent spirit * Kishi, Angolan two-faced demon * Madam Koi Koi, Nigerian ghost * Mbwiri, Central African demon * Obambo, Central African supernatural being * Obayifo, Ashanti vampire * Obia, West African monster * Ogbanje, Igbo evil spirit * Tikoloshe, spirit from Zulu cultures * Zar, Ethiopian demon Asian folklore East Asia China * Hungry ghost * Mogwai * Vengeful ghost * Wangliang * Yaoguai Korea * Korean virgin ghost * Egg ghost Japan * Ayakashi * Chōchin-obake * Funayūrei * Gashadokuro * Goryō * Hitodama * Ikiryō * Inugami * Kuchisake-onna * Mononoke * Mujina * Noppera-bō * Nure-onna * Obake * Ochimusha * Onryō * Raijū * Rokurokubi * Shikigami * Shinigami * Shirime * Shiryō * Tsukumogami * Ubume * Umibōzu * Yōkai * Yōsei * Yuki-onna * Yūrei * Zashiki-warashi South Asia ...
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Vernon Hill (sculptor)
Vernon Hill (1887–1972), born in Halifax, Yorkshire, England, was a sculptor, lithographer, illustrator and draughtsman. He began his work in print-making and lithography, and branched out into other artistic forms, such as sculpture. He illustrated several works and created etchings. His more notable works were commissions from Sir Edward Maufe for interior and exterior architectural sculptures on Maufe's buildings, including Guildford Cathedral, the Runnymede Memorial and several churches. He died in 1972. Early life Vernon Hill was born in 1887 in Halifax, Yorkshire. He began formal training in print-making at an early age; at the age 13 he was apprenticed to a lithographer. In about 1908, at the age of 21, Hill moved to London and took up poster illustration, working under John Hassall, a poster designer and illustrator. ...
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The Types Of The Scandinavian Medieval Ballad
''The Types of the Scandinavian Medieval Ballad: A Descriptive Catalogue'' (TSB) is the designation for a cataloguing system for Scandinavian ballads. It is also the title of the underlying reference book: ''The Types of the Scandinavian Medieval Ballad: A Descriptive Catalogue'', edited by Bengt R. Jonsson, Svale Solheim and Eva Danielson, in collaboration with Mortan Nolsøe and W. Edson Richmond, published in 1978 in two places: as volume 5 of the series Skrifter utgivna av svenskt visarkiv (Stockholm: Svenskt visarkiv), and as volume 59 of series B of Oslo's Instituttet for sammenkignende kulturforskning (The Institute for Comparative Research in Human Culture) (Oslo, Bergen, and Tromsø: Universitetsforlaget; ). It attempts to classify all specimens of traditional ballads known in one or more of the Scandinavian languages (Danish, Norwegian, Swedish, Icelandic, Faeroese, and the extinct Norn). Structure and scope Cognate ballads are assigned the same "TSB No." such as "A ...
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