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Svipdagsmál
''Svipdagsmál'' (Old Norse: , 'The Lay of Svipdagr') is an Old Norse poem, sometimes included in modern editions of the ''Poetic Edda'', comprising two poems, '' The Spell of Gróa'' and '' The Lay of Fjölsviðr''. The two works are grouped since they have a common narrator, Svipdagr. Moreover, they would appear to have a common origin since they are closely similar in use of language, structure, style and metre (ljóðaháttr). These two poems are found in several 17th-century paper manuscripts. In at least three of these manuscripts, the poems are in reverse order and separated by a third Eddic poem titled '' Hyndluljóð''.McKinnell (2005:202). For a long time, the connection between the two poems was not realized, until in 1854 Svend Grundtvig pointed out a connection between the story told in ''Grógaldr'' and the first part of the medieval Scandinavian ballad of ''Ungen Sveidal''/''Herr Svedendal''/''Hertig Silfverdal'' (TSB A 45, DgF 70, SMB 18, NMB 22). Then in 185 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grógaldr
''Grógaldr'' or ''The Spell of Gróa'' is the first of two poems, now commonly published under the title '' Svipdagsmál'' found in several 17th-century paper manuscripts with ''Fjölsvinnsmál''. In at least three of these manuscripts, the poems are in reverse order and separated by a third eddic poem titled, ''Hyndluljóð''. For a long time, the connection between the two poems was not realized, until in 1854 Svend Grundtvig pointed out a connection between the story told in ''Gróagaldr'' and the first part of the medieval Scandinavian ballad of ''Ungen Sveidal''/''Herr Svedendal''/''Hertig Silfverdal'' (TSB A 45, DgF 70, SMB 18, NMB 22). Then in 1856, Sophus Bugge noticed that the last part of the ballad corresponded to ''Fjölsvinnsmál''. Bugge wrote about this connection in ''Forhandlinger i Videnskabs-Selskabet i Christiania 1860'', calling the two poems together ''Svipdagsmál''. Subsequent scholars have accepted this title. ''Grógaldr'' is one of six eddic poem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fjölsvinnsmál
''Fjölsvinnsmál'' (Old Norse: 'The Lay of Fjölsvinn') is the second of two Old Norse poems commonly published under the title '' Svipdagsmál'' "The Lay of Svipdagr". These poems are found together in several 17th-century paper manuscripts with ''Fjölsvinnsmál''. In at least three of these manuscripts, the poems appear in reverse order and are separated by a third eddic poem titled ''Hyndluljóð''. For a long time, the connection between the two poems was not realized, until in 1854 Svend Grundtvig pointed out a connection between the story told in ''Gróagaldr'' and the first part of the medieval Scandinavian ballad of ''Ungen Sveidal''/''Herr Svedendal''/''Hertig Silfverdal'' (TSB A 45, DgF 70, SMB 18, NMB 22). Then in 1856, Sophus Bugge noticed that the last part of the ballad corresponded to ''Fjölsvinnsmál''. Bugge wrote about this connection in ''Forhandlinger i Videnskabs-Selskabet i Christiania 1860'', calling the two poems together ''Svipdagsmál''. Subsequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Motz
Lotte Motz, born Lotte Edlis (August 16, 1922 – December 24, 1997) was an Austrian-American scholar, obtaining a Ph.D. in German and philology, who published four books and many scholarly papers, primarily in the fields of Germanic mythology and folklore. Life Lotte Motz's family left Austria in 1941, following the Anschluss. She earned her B.A. from Hunter College and pursued her graduate studies at Stanford University and the University of Wisconsin, obtaining a Ph.D. in German and philology from the latter institution in 1955. She later earned a D.Phil. at the University of Oxford in Old English. Motz obtained an academic position in the German language department at Brooklyn College and also taught at Hunter College. After she retired from teaching due to illness in 1984, Motz's research interests came to focus on female figures in Germanic mythology, especially the nature and function of giantesses. According to Rudolf Simek, Motz was "never afraid to attack the icon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Numbers In Norse Mythology
The numbers three and nine are significant numbers in Norse mythology and Germanic paganism. Both numbers (and multiples thereof) appear throughout surviving attestations of Norse mythology, in both mythology and Germanic paganism.. While the number three appears significant in many cultures, Norse mythology appears to put special emphasis on the number nine. Along with the number 27, both numbers also figure into the lunar Germanic calendar. Attestations Three The number three occurs with great frequency in grouping individuals and artefacts: *There were three original beings: the primordial cow Audhumla, Ymir the first giant, and Búri the first god and grandfather of Odin. *For three days Audhumla licked the ice of Ginnungagap until Búri was freed. *Ymir had three direct offspring: a boy and girl who grew from beneath his arms and a six-headed son who sprang from the coupling of his feet. *There were three generations of giants before the race as a whole was destroyed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svipdagr
Svipdagr (Old Norse: "sudden day"Orchard (1997:157).) is the hero of the two Old Norse Eddaic poems Grógaldr and Fjölsvinnsmál, which are contained within the body of one work; Svipdagsmál. Plot Svipdagr is set a task by his stepmother, to meet the goddess Menglöð, who is his "fated bride." In order to accomplish this seemingly impossible task, he summons by necromancy the shade of his dead mother, Gróa, a völva who also appears in the ''Prose Edda'', to cast nine spells for him. This she does and the first poem abruptly ends. At the beginning of the second poem, Svipdagr arrives at Menglöð's castle, where he is interrogated in a game of riddles by the watchman, from whom he conceals his true name (identifying himself as Vindkald(r) "Wind-Cold" apparently hoping to pass himself off as a frost giant). The watchman is named Fjölsviðr, a name of Odin in Grímnismál 47. He is accompanied by his wolf-hounds Geri and Gifr. After a series of eighteen questions and answ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gróa
In Norse mythology, Gróa (possibly from Old Norse "growing"Orchard (1997:63).) is a völva (seeress) and practitioner of ''seiðr''. She is the wife of Aurvandil the Bold. Attestations ''Prose Edda'' Gróa appears in the ''Prose Edda'' book ''Skáldskaparmál'', in the context of Thor's battle with the jötunn Hrungnir. After Thor has dispatched Hrungnir with the hammer Mjollnir, Gróa is asked to help magically remove shards of Hrungnir's whetstone which became embedded in Thor's head. Unfortunately while Gróa was about her work, Thor distracted her by telling her of how he had earlier helped Aurvandil cross the river Élivágar, and had saved her husband's life by snapping off his frost-bitten toe. Gróa's spell miscarried and the pieces of whetstone remained permanently embedded in Thor's head. ''Poetic Edda'' Gróa is also a völva (or seeress), summoned from beyond the grave, in the Old Norse poem ''Grógaldr'', (a section of '' Svipdagsmál''), by her son Svipdagr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan De Vries (linguist)
Jan Pieter Marie Laurens de Vries (11 February 1890 – 23 July 1964) was a Dutch philologist, linguist, religious studies scholar, folklorist, educator, writer, editor and public official who specialized in Germanic studies. A polyglot, de Vries studied Dutch, German, Sanskrit and Pali at the University of Amsterdam from 1907 to 1913, and gained a PhD in Nordic languages from the University of Leiden in 1915 with great distinction. Subsequently, authoring a number of important works on a variety of subjects, de Vries was in 1926 appointed Chair of Ancient Germanic Linguistics and Philology at the University of Leiden. In subsequent years, de Vries played an important role at Leiden as an administrator and lecturer, while publishing a number of important works on Germanic religion and Old Norse literature. Combined with his university duties, de Vries was a leading member of the Maatschappij der Nederlandse Letterkunde and the Royal Academy of Dutch Language and Literature, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freyja
In Norse paganism, Freyja (Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother ( Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse ''Freyja'', modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, and is fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viktor Rydberg
Abraham Viktor Rydberg (; 18 December 182821 September 1895) was a Swedish writer and a member of the Swedish Academy, 1877–1895. "Primarily a classical idealist", Viktor Rydberg has been described as "Sweden's last Romantic" and by 1859 was "generally regarded in the first rank of Swedish novelists." Biography Viktor Rydberg was of humble parentage. One biographer notes that: "He had a hard struggle to satisfy the thirst for learning which was a leading passion of his life, but he finally attained distinction in several fields of scholarship." He was the son of a soldier turned prison guard, Johan Rydberg, and a midwife, Hedvig Düker. Viktor Rydberg had two brothers and three sisters. In 1834 his mother died during a cholera epidemic. Her death broke the spirit of his father, who yielded to hypochondria and alcoholism, contributing towards his loss of employment and the family's apartment, forcing authorities to board young Viktor out to a series of foster homes, one of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Grail
The Holy Grail (french: Saint Graal, br, Graal Santel, cy, Greal Sanctaidd, kw, Gral) is a treasure that serves as an important motif in Arthurian literature. Various traditions describe the Holy Grail as a cup, dish, or stone with miraculous healing powers, sometimes providing eternal youth or sustenance in infinite abundance, often guarded in the custody of the Fisher King and located in the hidden Grail castle. By analogy, any elusive object or goal of great significance may be perceived as a "holy grail" by those seeking such. A "grail" (Old French: ''graal'' or ''greal''), wondrous but not unequivocally holy, first appears in ''Perceval, the Story of the Grail'', an unfinished chivalric romance written by Chrétien de Troyes around 1190. Chrétien's story inspired many continuations, translators and interpreters in the later-12th and early-13th centuries, including Wolfram von Eschenbach, who perceived the Grail as a stone. The Christian, Celtic or possibly other orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
