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Susanne Un Jour
''Susanne un jour'' is a 16th-century French poem by Guillaume Guéroult (1507–1569) based on the biblical story of Susannah and the Elders. It was set to music by Didier Lupi Second and much adapted by later composers, including Orlande de Lassus, Cipriano de Rore, Gerard van Turnhout, Claude Le Jeune, and Eustache Du Caurroy François-Eustache du Caurroy (baptised February 4, 1549 – August 7, 1609) was a French composer of the late Renaissance. He was a prominent composer of both secular and sacred music at the end of the Renaissance, including '' musique mesurée'' ....K. J. Levy, "'Susanne Un Jour': The History of a 16th Century Chanson", '' Annales Musicologiques'' 1 (1953): 375–408. Lassus's ''Missa Susanne un Jour'' is a mass setting on the theme of the song tune. Text :Suzanne un jour d'amour sollicitée :Par deux vieillards convoitant sa beauté :Fut en son cœur triste et déconfortée :Voyant l'effort fait à sa chasteté. :Elle leur dit : si par déloyauté ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Guéroult , a French commune
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Guillaume may refer to: People * Guillaume (given name), the French equivalent of William * Guillaume (surname) Other uses * Guillaume (crater) See also * '' Chanson de Guillaume'', an 11th or 12th century poem * Guillaume affair, a Cold War espionage scandal that led to the resignation of West German Chancellor Willi Brandt * Saint-Guillaume (other) * Guillaumes Guillaumes (; oc, Guilherme; it, Guglielmi) is a commune in the Alpes-Maritimes department in southeastern France. It was part of the historic County of Nice until 1860 as ''Guglielmi''. The Valberg ski resort is, in part, located on this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanna (Book Of Daniel)
Susanna (; : "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches. It is one of the additions to Daniel, placed in the Apocrypha by Protestants, with Anabaptists, Lutherans, Anglicans and Methodists regarding it as non-canonical but useful for purposes of edification. The text is not included in the Jewish Tanakh and is not mentioned in early Jewish literature, although it does appear to have been part of the original Septuagint from the 2nd century BC, and was revised by Theodotion, a Hellenistic Jewish redactor of the Septuagint text ( 150 AD). Summary A fair Hebrew wife named Susanna was falsely accused by lecherous voyeurs. As she bathes in her garden, having sent her attendants away, two elders, having previously said goodbye to each other, bump into each other again when they spy on her bathing. The two men realize they both lust for Susan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didier Lupi Second
Didier Lupi Second (c.1520-after 1559) was a French composer, likely of Italian origin, based in Lyons. In 1548 he published ''Chansons Spirituelles'' with the poet Guéroult, the first such important publication of its kind by a Protestant. It includes '' Susanne un jour'', a composition which was arranged by many later composers. He also published collections of psalms, secular chansons A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic so ... and other works. Works Selected works include: *''Dame qui au plaisant son'' *''O que je vis un estrange martyre'' *''Susanne un jour d'amour sollicitée'' References {{DEFAULTSORT:Lupi, Didier Second Year of birth unknown Year of death unknown Renaissance composers French classical composers French male classical composers Year of birth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlande De Lassus
Orlande de Lassus ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria as the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe. Name Lassus's name appears in many spellings, often changed depending on the place in which his music was being performed or published. In addition to Orlande de Lassus, variations include Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Life and career Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cipriano De Rore
Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish composers after Josquin des Prez who went to live and work in Italy, but he was one of the most prominent composers of madrigals in the middle of the 16th century. His experimental, chromatic, and highly expressive style had a decisive influence on the subsequent development of that secular music form.Owens, Grove Online Life Early years Little is known of Rore's early life. His probable birth years (1515/1516) are known from his age at death (49, recorded on his tombstone in the cathedral in Parma), and his probable birthplace was a small town in Flanders, Ronse (Renaix), right on the boundary between the French- and Dutch-speaking areas. Recent research has established that his parents were Celestinus Rore (died before 1564) and Barbara Van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Van Turnhout
Geert van Turnhout (French: ''Gérard de Turnhout''; c. 1520 – 15 September 1580) was a Flemish composer, who became master of the Flemish chapel (capilla flamenca) in Spain. He was born in Turnhout. He had a younger brother, also a composer, Jan van Turnhout. Turnhout was employed first at Antwerp, then at the Church of St Gummarus, Lier, Belgium, (''maître de chapelle'' 1559), then in 1562 back to the Cathedral of Our Lady (Antwerp) where he was made ''maître de chant'' in 1563. His motets (many of which have been lost) included at least two for Saint Cecilia, probably reflecting the importance of the celebration of Cecilia's Day in the cathedral of Antwerp. On 2 May 1571 Fernando Álvarez de Toledo, 3rd Duke of Alba engaged Turnhout as maestro de capilla of the Capilla Flamenca Philip II of Spain in Madrid to succeed Jean de Bonmarché. Turnhout arrived in Madrid with a group of singers from the Low Countries. He remained there until his death, when he was succeeded by Geor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Le Jeune
Claude Le Jeune (1528 to 1530 – buried 26 September 1600) was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as '' musique mesurée'', and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time. Life He was born in Valenciennes, where he probably received his early musical training. Sometime fairly early in life he became a Protestant. The first record of his musical activity is from 1552, when four chansons attributed to him were published at Leuven, in anthologies of works by several composers. In 1564, he moved to Paris, where he became acquainted with the Huguenots. By this time, he had already acquired some international fame, as evidenced by the appearance of his name in a list of "contemporary composers of excellence" in a manus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eustache Du Caurroy
François-Eustache du Caurroy (baptised February 4, 1549 – August 7, 1609) was a French composer of the late Renaissance. He was a prominent composer of both secular and sacred music at the end of the Renaissance, including '' musique mesurée'', and he was also influential on the foundation of the French school of organ music as exemplified in the work of Jean Titelouze. Life According to Jean-Benjamin de La Borde, writing in 1780, Du Caurroy was born in Gerberoy and was baptised in Beauvais. He probably entered royal service around 1569, and in 1575 is first mentioned in documents from the royal court, when he won a song competition: he was to win two more, in 1576 and 1583, for a motet and a chanson respectively. He became ''sous-maître de la chapelle royale'', a post which he held until 1595, at which time he was appointed to be official composer of the royal chamber; in 1599 he also acquired the post of composer at the royal chapel. Du Caurroy accumulated wealth and hon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annales Musicologiques
Annals are a concise form of historical writing which record events chronologically, year by year. The equivalent word in Latin and French is ''annales'', which is used untranslated in English in various contexts. List of works with titles containing the word "Annales" * ''Annales'' (Ennius), an epic poem by Quintus Ennius covering Roman history from the fall of Troy down to the censorship of Cato the Elder * Annals (Tacitus) ''Ab excessu divi Augusti'' "Following the death of the divine Augustus" * Annales Alamannici, ed. W. Lendi, Untersuchungen zur frühalemannischen Annalistik. Die Murbacher Annalen, mit Edition (Freiburg, 1971) * Annales Bertiniani, eds. F. , J. Vielliard, S. Clemencet and L. Levillain, Annales de Saint-Bertin (Paris, 1964) * Annales du Muséum national d'histoire naturelle, Paris, France. Published 1802 to 1813, then became the Mémoires then the Nouvelles Annales * Annales Fuldenses, ed. F. Kurze, ''Monumenta Germaniae Historica'' SRG (Hanover, 1891) * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Songs
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' (O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Chansons
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
