Susanna And The Elders (Gentileschi, Stamford)
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Susanna And The Elders (Gentileschi, Stamford)
''Susanna and the Elders'' is a painting by the Italian artist Artemisia Gentileschi. It is signed with Gentileschi's name and the date of 1622. The painting is in the collection at Burghley House near Stamford, Lincolnshire, England. Gentileschi depicted the story of Susanna from the Book of Daniel in several paintings. Similar compositions of Susanna and the Elders are at Pommersfelden from 1610, at Brno dated 1649, and Bologna from 1652. A copy of the Burghley version is in the Nottingham Castle Museum collection. Description A realistically proportioned nude woman is shown sitting at the edge of a pool, beside a small fountain. Leaning over the wall behind her are two older men leering at her; her distress at this invasion is evident by her upward-cast eyes and an attempt to cover herself with her arms and her chemise. The painting is signed "ARTEMITIA GENTILESCHI LOMI" on the stone wall above her knees. Gentileschi's interpretation The figure's arms are arranged in the po ...
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Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ...
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Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ...
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1610 Paintings
Year 161 ( CLXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Aurelius (or, less frequently, year 914 ''Ab urbe condita''). The denomination 161 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * March 7 – Emperor Antoninus Pius dies, and is succeeded by Marcus Aurelius, who shares imperial power with Lucius Verus, although Marcus retains the title Pontifex Maximus. * Marcus Aurelius, a Spaniard like Trajan and Hadrian, is a stoical disciple of Epictetus, and an energetic man of action. He pursues the policy of his predecessor and maintains good relations with the Senate. As a legislator, he endeavors to create new principles of morality and humanity, particularly favoring women and slaves. * Aurelius reduces ...
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Susanna And The Elders In Art
Susanna and the Elders is an Old Testament story of a woman falsely accused of adultery after two men who, after discovering one another in the act of spying on her while she bathes, conspire to blackmail her for sex. Depictions of the story date back to the 9th century, but were infrequent until the Renaissance. The story has been portrayed by many artists; modern scholars explain this by pointing out the appeal to male artists and patrons of a portrayal of a naked woman watched by sexually aroused fully-clothed men. The portrayals by Artemisia Gentileschi were among the earliest to depart from the traditional portrayals of Susanna as not being distressed during the encounter. The story is portrayed on the Susanna Crystal, an engraved rock crystal piece made in the Lotharingia region of northwest Europe in the mid 9th century, now in the British Museum. Story In part of the Book of Daniel, Susanna, a young and beautiful married woman, is lusted after by two well-respecte ...
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List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi This is an ongoing bibliography of work related to the Italian baroque painter Artemisia Gentileschi. 2023 * Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen, eds. ''Making Her Mark: A History of Women Artists in Europe, 140 .... References {{Lists of paintings Gentileschi,Artemisia * ...
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Grand Tour
The Grand Tour was the principally 17th- to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a tutor or family member) when they had come of age (about 21 years old). The custom—which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary—served as an educational rite of passage. Though it was primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans. By the mid-18th century, the Grand Tour had become a regular feature of aristocratic education in Central Europe as well, although it was restricted to the higher nobility. The tradition declined in Europe as enthusiasm fo ...
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Brownlow Cecil, 9th Earl Of Exeter
Brownlow Cecil, 9th Earl of Exeter (21 September 1725 – 26 December 1793), known as Lord Burghley from 1725 to 1754, was a British peer and Member of Parliament. Life Exeter was the eldest son of Brownlow Cecil, 8th Earl of Exeter, and Hannah Sophia Chambers. He was educated at Winchester and St John's College, Cambridge. He was elected to the House of Commons for Rutland in 1747, a seat he held until 1754, when he succeeded his father in the earldom and entered the House of Lords. He also served as Lord Lieutenant of Rutland. Between 1755 and 1779, the 9th Earl employed Lancelot 'Capability' Brown to landscape the Burghley House Deer Park. Lord Exeter died in December 1793, aged 68. He was childless and was succeeded in his titles by his nephew Henry, who was created Marquess of Exeter in 1801. References * Kidd, Charles, Williamson, David (editors). ''Debrett's Peerage and Baronetage'' (1990 edition). New York: St Martin's Press, 1990. * www.thepeerage.com {{DEF ...
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Marquess Of Exeter
Marquess of Exeter is a title that has been created twice, once in the Peerage of England and once in the Peerage of the United Kingdom. The first creation came in the Peerage of England in 1525 for Henry Courtenay, 2nd Earl of Devon. For more information on this creation, which was forfeited in 1538, see Earl of Devon. History The title is chiefly associated with the Cecil family, descended from the courtier Sir Richard Cecil of the parish of Stamford Baron St Martin in Northamptonshire. His only son, Sir William Cecil, was a prominent statesman and served as Secretary of State, Lord High Treasurer and Lord Privy Seal. In 1571 he was created Baron Burghley, in the County of Northampton, in the Peerage of England. His son from his second marriage to Mildred Cooke, Sir Robert Cecil, was created Earl of Salisbury in 1605 and is the ancestor of the Marquesses of Salisbury. Lord Burghley was succeeded by his son from his first marriage to Mary Cheke, Thomas, the second Baron. He r ...
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Ludovico Ludovisi
Ludovico Ludovisi (22 or 27 October 1595 – 18 November 1632) was an Italian Cardinal (Catholic Church), cardinal and statesman of the Roman Catholic Church. He was an art connoisseur who formed a famous collection of antiquities, housed at the Villa Ludovisi in Rome. Biography Ludovico Ludovisi was born in Bologna, then part of the Papal States, the son of Orazio Ludovisi and Lavinia Albergati. Following in the footsteps of his uncle Alessandro Ludovisi, he was trained at the Jesuit Collegio Germanico of Rome, and went on to the University of Bologna, where he received his doctorate in canon law on 25 February 1615. When Alessandro Ludovisi was acclaimed pope, taking the name Pope Gregory XV, Gregory XV, Ludovico was made cardinal the day after his coronation, though he was only 25. The following month he was made archbishop of Bologna though he remained in Rome. His uncle had great faith in his judgement and energy and was in need of a strong and able assistant to help gov ...
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COVID-19 Pandemic In The United Kingdom
The COVID-19 pandemic in the United Kingdom is a part of the worldwide pandemic of coronavirus disease 2019 (COVID-19) caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2). In the United Kingdom, it has resulted in confirmed cases, and is associated with deaths. The virus began circulating in the country in early 2020, arriving primarily from travel elsewhere in Europe. Various sectors responded, with more widespread public health measures incrementally introduced from March 2020. The first wave was at the time one of the world's largest outbreaks. By mid-April the peak had been passed and restrictions were gradually eased. A second wave, with a new variant that originated in the UK becoming dominant, began in the autumn and peaked in mid-January 2021, and was deadlier than the first. The UK started a COVID-19 vaccination programme in early December 2020. Generalised restrictions were gradually lifted and were mostly ended by August 2021. A third wave, ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ...
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