Superparticular Intervals
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Superparticular Intervals
In mathematics, a superparticular ratio, also called a superparticular number or epimoric ratio, is the ratio of two consecutive integer numbers. More particularly, the ratio takes the form: :\frac = 1 + \frac where is a positive integer. Thus: Superparticular ratios were written about by Nicomachus in his treatise ''Introduction to Arithmetic''. Although these numbers have applications in modern pure mathematics, the areas of study that most frequently refer to the superparticular ratios by this name are music theory and the history of mathematics. Mathematical properties As Leonhard Euler observed, the superparticular numbers (including also the multiply superparticular ratios, numbers formed by adding an integer other than one to a unit fraction) are exactly the rational numbers whose continued fraction terminates after two terms. The numbers whose continued fraction terminates in one term are the integers, while the remaining numbers, with three or more terms in their c ...
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Just Diatonic Semitone On C
Just or JUST may refer to: __NOTOC__ People * Just (surname) * Just (given name) Arts and entertainment * ''Just'', a 1998 album by Dave Lindholm * "Just" (song), a song by Radiohead * "Just", a song from the album ''Lost and Found'' by Mudvayne * ''Just!'' (series), a series of short-story collections for children by Andy Griffiths JUST * Jordan University of Science and Technology, Jordan * Jessore University of Science & Technology, Bangladesh * Jinwen University of Science and Technology, New Taipei, Taiwan Businesses * Just Group plc, a British company specialising in retirement products and services * Just Group, an Australian owner and operator of seven retail brands * JUST, Inc., an American food manufacturing company See also * * List of people known as the Just * Saint-Just (other) * Justice Justice, in its broadest sense, is the principle that people receive that which they deserve, with the interpretation of what then constitutes "deserving" bei ...
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Multiplicative Inverse
In mathematics, a multiplicative inverse or reciprocal for a number ''x'', denoted by 1/''x'' or ''x''−1, is a number which when Multiplication, multiplied by ''x'' yields the multiplicative identity, 1. The multiplicative inverse of a rational number, fraction ''a''/''b'' is ''b''/''a''. For the multiplicative inverse of a real number, divide 1 by the number. For example, the reciprocal of 5 is one fifth (1/5 or 0.2), and the reciprocal of 0.25 is 1 divided by 0.25, or 4. The reciprocal function, the Function (mathematics), function ''f''(''x'') that maps ''x'' to 1/''x'', is one of the simplest examples of a function which is its own inverse (an Involution (mathematics), involution). Multiplying by a number is the same as Division (mathematics), dividing by its reciprocal and vice versa. For example, multiplication by 4/5 (or 0.8) will give the same result as division by 5/4 (or 1.25). Therefore, multiplication by a number followed by multiplication by its reciprocal yiel ...
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Limit (music)
In music theory, limit or harmonic limit is a way of characterizing the harmony found in a piece or genre of music, or the harmonies that can be made using a particular scale. The term ''limit'' was introduced by Harry Partch, who used it to give an upper bound on the complexity of harmony; hence the name. The harmonic series and the evolution of music Harry Partch, Ivor Darreg, and Ralph David Hill are among the many microtonalists to suggest that music has been slowly evolving to employ higher and higher harmonics in its constructs (see emancipation of the dissonance). In medieval music, only chords made of octaves and perfect fifths (involving relationships among the first three harmonics) were considered consonant. In the West, triadic harmony arose (contenance angloise) around the time of the Renaissance, and triads quickly became the fundamental building blocks of Western music. The major and minor thirds of these triads invoke relationships among the first five harmonic ...
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Størmer's Theorem
In number theory, Størmer's theorem, named after Carl Størmer, gives a finite bound on the number of consecutive pairs of smooth numbers that exist, for a given degree of smoothness, and provides a method for finding all such pairs using Pell equations. It follows from the Thue–Siegel–Roth theorem that there are only a finite number of pairs of this type, but Størmer gave a procedure for finding them all. Statement If one chooses a finite set P=\ of prime numbers then the -smooth numbers are defined as the set of integers :\left\ that can be generated by products of numbers in . Then Størmer's theorem states that, for every choice of , there are only finitely many pairs of consecutive -smooth numbers. Further, it gives a method of finding them all using Pell equations. The procedure Størmer's original procedure involves solving a set of roughly 3''k'' Pell equations, in each one finding only the smallest solution. A simplified version of the procedure, due to D. H. L ...
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Ptolemy
Claudius Ptolemy (; grc-gre, Πτολεμαῖος, ; la, Claudius Ptolemaeus; AD) was a mathematician, astronomer, astrologer, geographer, and music theorist, who wrote about a dozen scientific treatises, three of which were of importance to later Byzantine, Islamic, and Western European science. The first is the astronomical treatise now known as the '' Almagest'', although it was originally entitled the ''Mathēmatikē Syntaxis'' or ''Mathematical Treatise'', and later known as ''The Greatest Treatise''. The second is the ''Geography'', which is a thorough discussion on maps and the geographic knowledge of the Greco-Roman world. The third is the astrological treatise in which he attempted to adapt horoscopic astrology to the Aristotelian natural philosophy of his day. This is sometimes known as the ''Apotelesmatika'' (lit. "On the Effects") but more commonly known as the '' Tetrábiblos'', from the Koine Greek meaning "Four Books", or by its Latin equivalent ''Quadrip ...
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Octave Equivalency
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing t ...
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Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Bulletin Of The American Mathematical Society
The ''Bulletin of the American Mathematical Society'' is a quarterly mathematical journal published by the American Mathematical Society. Scope It publishes surveys on contemporary research topics, written at a level accessible to non-experts. It also publishes, by invitation only, book reviews and short ''Mathematical Perspectives'' articles. History It began as the ''Bulletin of the New York Mathematical Society'' and underwent a name change when the society became national. The Bulletin's function has changed over the years; its original function was to serve as a research journal for its members. Indexing The Bulletin is indexed in Mathematical Reviews, Science Citation Index, ISI Alerting Services, CompuMath Citation Index, and Current Contents/Physical, Chemical & Earth Sciences. See also *'' Journal of the American Mathematical Society'' *''Memoirs of the American Mathematical Society'' *''Notices of the American Mathematical Society'' *'' Proceedings of the American M ...
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Dense Graph
In mathematics, a dense graph is a graph in which the number of edges is close to the maximal number of edges (where every pair of vertices is connected by one edge). The opposite, a graph with only a few edges, is a sparse graph. The distinction of what constitutes a dense or sparse graph is ill-defined, and depends on context. The graph density of simple graphs is defined to be the ratio of the number of edges with respect to the maximum possible edges. For undirected simple graphs, the graph density is: :D = \frac = \frac For directed, simple graphs, the maximum possible edges is twice that of undirected graphs (as there are two directions to an edge) so the density is: :D = \frac = \frac where is the number of edges and is the number of vertices in the graph. The maximum number of edges for an undirected graph is = \frac2, so the maximal density is 1 (for complete graphs) and the minimal density is 0 . Upper density ''Upper density'' is an extension of the concept of g ...
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Erdős–Stone Theorem
In extremal graph theory, the Erdős–Stone theorem is an asymptotic result generalising Turán's theorem to bound the number of edges in an ''H''-free graph for a non-complete graph ''H''. It is named after Paul Erdős and Arthur Stone, who proved it in 1946, and it has been described as the “fundamental theorem of extremal graph theory”. Statement for Turán graphs The ''extremal number'' ex(''n''; ''H'') is defined to be the maximum number of edges in a graph with ''n'' vertices not containing a subgraph isomorphic to ''H''; see the Forbidden subgraph problem for more examples of problems involving the extremal number. Turán's theorem says that ex(''n''; ''K''''r'') = ''t''''r'' − 1(''n''), the number of edges of the Turán graph ''T(n, r − 1)'', and that the Turán graph is the unique such extremal graph. The Erdős–Stone theorem extends this result to ''H=Kr''(''t''), the complete ''r''-partite graph with ''t'' v ...
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Graph Theory
In mathematics, graph theory is the study of ''graphs'', which are mathematical structures used to model pairwise relations between objects. A graph in this context is made up of '' vertices'' (also called ''nodes'' or ''points'') which are connected by '' edges'' (also called ''links'' or ''lines''). A distinction is made between undirected graphs, where edges link two vertices symmetrically, and directed graphs, where edges link two vertices asymmetrically. Graphs are one of the principal objects of study in discrete mathematics. Definitions Definitions in graph theory vary. The following are some of the more basic ways of defining graphs and related mathematical structures. Graph In one restricted but very common sense of the term, a graph is an ordered pair G=(V,E) comprising: * V, a set of vertices (also called nodes or points); * E \subseteq \, a set of edges (also called links or lines), which are unordered pairs of vertices (that is, an edge is associated with t ...
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