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Super Video CD
Super Video CD (Super Video Compact Disc or SVCD) is a digital format for storing video on standard compact discs. SVCD was intended as a successor to Video CD and an alternative to DVD-Video, and falls somewhere between both in terms of technical capability and picture quality. Technical specifications Structure Similar to VCDs, SVCDs comply with the CD-i Bridge format, and are authored (or "burned") using the CD-ROM XA format. The first track is in CD-ROM XA Mode 2, Form 1, and contains metadata about the disc. The other tracks are in Mode 2, Form 2, and contain audio and video multiplexed in a MPEG program stream (MPEG-PS) container. This allows roughly 800 megabytes of data to be stored on one 80 minute CD (versus 700 megabytes when using Mode 1). One CD can hold up to 35 minutes of full quality SVCD-format video and audio. Video * Compression: MPEG-2 * Resolution: 2/3 D1 ** analog NTSC compatible: 480x480 (480i) ** analog PAL/SECAM compatible: 480x576 (576i) * Aspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Disc
In computing and optical disc recording technologies, an optical disc (OD) is a flat, usually circular disc that encodes binary data (bits) in the form of pits and lands on a special material, often aluminum, on one of its flat surfaces. Its main uses are physical offline data distribution and long-term archival. Changes from pit to land or from land to pit correspond to a binary value of 1; while no change, regardless of whether in a land or a pit area, corresponds to a binary value of 0. Non-circular optical discs exist for fashion purposes; see shaped compact disc. Design and technology The encoding material sits atop a thicker substrate (usually polycarbonate) that makes up the bulk of the disc and forms a dust defocusing layer. The encoding pattern follows a continuous, spiral path covering the entire disc surface and extending from the innermost track to the outermost track. The data are stored on the disc with a laser or stamping machine, and can be accesse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-1 Audio Layer II
MPEG-1 Audio Layer II or MPEG-2 Audio Layer II (MP2, sometimes incorrectly called Musicam or MUSICAM) is a lossy audio compression format defined by ISO/IEC 11172-3 alongside MPEG-1 Audio Layer I and MPEG-1 Audio Layer III (MP3). While MP3 is much more popular for PC and Internet applications, MP2 remains a dominant standard for audio broadcasting. History of development from MP2 to MP3 MUSICAM MPEG-1 Audio Layer 2 encoding was derived from the MUSICAM (''Masking pattern adapted Universal Subband Integrated Coding And Multiplexing'') audio codec, developed by Centre commun d'études de télévision et télécommunications (CCETT), Philips, and the Institut für Rundfunktechnik (IRT) in 1989 as part of the EUREKA 147 pan-European inter-governmental research and development initiative for the development of a system for the broadcasting of audio and data to fixed, portable or mobile receivers (established in 1987). It began as the Digital Audio Broadcast (DAB) project manage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbps
In telecommunications, data-transfer rate is the average number of bits (bitrate), characters or symbols (baudrate), or data blocks per unit time passing through a communication link in a data-transmission system. Common data rate units are multiples of bits per second (bit/s) and bytes per second (B/s). For example, the data rates of modern residential high-speed Internet connections are commonly expressed in megabits per second (Mbit/s). Standards for unit symbols and prefixes Unit symbol The ISQ symbols for the bit and byte are ''bit'' and ''B'', respectively. In the context of data-rate units, one byte consists of 8 bits, and is synonymous with the unit octet. The abbreviation bps is often used to mean bit/s, so that when a ''1 Mbps'' connection is advertised, it usually means that the maximum achievable bandwidth is 1 Mbit/s (one million bits per second), which is 0.125 MB/s (megabyte per second), or about 0.1192 MiB/s (mebibyte per second). The Institu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlaced Video
Interlaced video (also known as interlaced scan) is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth. The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the phi phenomenon. This effectively doubles the time resolution (also called ''temporal resolution'') as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting" a video image on an electronic display screen (the other being progressive scan) by scanning or displaying each line or row of pixels. This technique uses two fields to create a frame. One field contains all od ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blu-ray
The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc data storage format. It was invented and developed in 2005 and released on June 20, 2006 worldwide. It is designed to supersede the DVD format, and capable of storing several hours of high-definition video (HDTV 720p and 1080p). The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name "Blu-ray" refers to the blue laser (which is actually a violet laser) used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs. The polycarbonate disc is in diameter and thick, the same size as DVDs and CDs. Conventional or pre-BD-XL Blu-ray Discs contain 25 GB per layer, with dual-layer discs (50 GB) being the industry standard for feature-l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Video Disc
Super Video CD (Super Video Compact Disc or SVCD) is a digital format for storing video on standard compact discs. SVCD was intended as a successor to Video CD and an alternative to DVD-Video, and falls somewhere between both in terms of technical capability and picture quality. Technical specifications Structure Similar to VCDs, SVCDs comply with the CD-i Bridge format, and are authored (or "burned") using the CD-ROM XA format. The first track is in CD-ROM XA Mode 2, Form 1, and contains metadata about the disc. The other tracks are in Mode 2, Form 2, and contain audio and video multiplexed in a MPEG program stream (MPEG-PS) container. This allows roughly 800 megabytes of data to be stored on one 80 minute CD (versus 700 megabytes when using Mode 1). One CD can hold up to 35 minutes of full quality SVCD-format video and audio. Video * Compression: MPEG-2 * Resolution: 2/3 D1 ** analog NTSC compatible: 480x480 (480i) ** analog PAL/SECAM compatible: 480x576 (576i) * Aspect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variable Bitrate
Variable bitrate (VBR) is a term used in telecommunications and computing that relates to the bitrate used in sound or video encoding. As opposed to constant bitrate (CBR), VBR files vary the amount of output data per time segment. VBR allows a higher bitrate (and therefore more storage space) to be allocated to the more complex segments of media files while less space is allocated to less complex segments. The average of these rates can be calculated to produce an average bitrate for the file. MP3, WMA and AAC audio files can optionally be encoded in VBR, while Opus and Vorbis are encoded in VBR by default. Variable bit rate encoding is also commonly used on MPEG-2 video, MPEG-4 Part 2 video (Xvid, DivX, etc.), MPEG-4 Part 10/H.264 video, Theora, Dirac and other video compression formats. Additionally, variable rate encoding is inherent in lossless compression schemes such as FLAC and Apple Lossless. Advantages and disadvantages of VBR The advantages of VBR are that it pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constant Bitrate
Constant bitrate (CBR) is a term used in telecommunications, relating to the quality of service. Compare with variable bitrate. When referring to codecs, constant bit rate encoding means that the rate at which a codec's output data should be consumed is constant. CBR is useful for streaming multimedia content on limited capacity channels since it is the maximum bit rate that matters, not the average, so CBR would be used to take advantage of all of the capacity. CBR is not optimal for storing data as it may not allocate enough data for complex sections (resulting in degraded quality); and if it maximizes quality for complex sections, it will waste data on simple sections. The problem of not allocating enough data for complex sections could be solved by choosing a high bitrate to ensure that there will be enough bits for the entire encoding process, though the size of the file at the end would be proportionally larger. Most coding schemes such as Huffman coding or run-length en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megabits
The megabit is a multiple of the unit bit for digital information. The prefix mega (symbol M) is defined in the International System of Units (SI) as a multiplier of 106 (1 million), and therefore :1 megabit = = = 1000 kilobits. The megabit has the unit symbol Mbit or Mb. The lowercase 'b' in Mb distinguishes it from MB (for megabyte). The megabit is closely related to the mebibit, a unit multiple derived from the binary prefix mebi (symbol Mi) of the same order of magnitude, which is equal to = , or approximately 5% larger than the megabit. Despite the definitions of these new prefixes for binary-based quantities of storage by international standards organizations, memory semiconductor chips are still marketed using the metric prefix names to designate binary multiples. Using the common byte size of eight bits and the standard decimal definition of megabit and kilobyte, 1 megabit is equal to 125 kilobytes (kB) or approximately 122 kibibytes (KiB). The megab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
