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Suling
The suling or seruling (Sundanese: ) is a musical instrument of the Sundanese people in western Java, Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of "tamiang" bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes can be produced. The airflow speed also can modify the tone's frequency. A note with twice frequency can be produced mostly by blowing the air into suling's head's hole with twice speed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suling Tambur
The suling or seruling (Sundanese: ) is a musical instrument of the Sundanese people in western Java, Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of "tamiang" bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes can be produced. The airflow speed also can modify the tone's frequency. A note with twice frequency can be produced mostly by blowing the air into suling's head's hole with twice speed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suling Bambu
The suling or seruling (Sundanese: ) is a musical instrument of the Sundanese people in western Java, Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of "tamiang" bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes can be produced. The airflow speed also can modify the tone's frequency. A note with twice frequency can be produced mostly by blowing the air into suling's head's hole with twice speed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Suling
Kacapi suling is a form of Sundanese music from Indonesia. It is essentially ''tembang Sunda'' minus vocals, and also at interludes between songs at a typical Tembang Sunda performance. The higher pitched kacapi rincik, the lower pitched kacapi indung and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four, in laras sorog are more slow and grave. The change to laras sorog usually takes place at midnight and lasts until sunrise. Many hotels in Indonesia, especially in Bali, and other parts of the world like in Shenzhen China play this Sundanese music genre in their lobbies. Malaysia itself invited Sundanese Kacapi Suling experts from the Province of West Java to teach their expertise in Malaysia. See also *Tembang Sunda *Kacapi *Suling The suling or seruling ( Sundanese: ) is a musical instrument of the Sundanese people in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Degung
''Gamelan degung'' is a form of Sundanese musical ensemble that uses a subset of modified gamelan instruments with a particular mode of ''degung'' scale. The instruments are manufactured under local conditions in towns in West Java such as Bogor and Bandung. ''Degung'' music is often played at public gatherings in West Java, such as at local elections, as well as many other events. There is international interest in ''degung'' as well among communities in other countries interested in Indonesia and gamelan music.Dewi Anggraeni"Melbourne: Gamelan, elephants and 'Jackpot'" , ''The Jakarta Post'', 22 February 2004. Gamelan degung also playable in '' madenda'' scale, which included in the set as a complementary tone, usually marked as -3/''ni'' tone in the set. Playing gamelan degung in this scale requires the substitution of the 3/''na'' metal bars into -3/''ni'' tone on all instruments. Instruments The instrumentation of ''gamelan degung'' is quite flexible. It may include: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Degung
''Gamelan degung'' is a form of Sundanese musical ensemble that uses a subset of modified gamelan instruments with a particular mode of ''degung'' scale. The instruments are manufactured under local conditions in towns in West Java such as Bogor and Bandung. ''Degung'' music is often played at public gatherings in West Java, such as at local elections, as well as many other events. There is international interest in ''degung'' as well among communities in other countries interested in Indonesia and gamelan music.Dewi Anggraeni"Melbourne: Gamelan, elephants and 'Jackpot'" , ''The Jakarta Post'', 22 February 2004. Gamelan degung also playable in '' madenda'' scale, which included in the set as a complementary tone, usually marked as -3/''ni'' tone in the set. Playing gamelan degung in this scale requires the substitution of the 3/''na'' metal bars into -3/''ni'' tone on all instruments. Instruments The instrumentation of ''gamelan degung'' is quite flexible. It may include: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. In the 13th century, Mongolian metalsmiths who specialized in gold and silver used circular breathing techniques for crafting various decorative and ornamental items. In crafting such items, craftsmen were required to blow continuously to the flame through a pipe with a needle-like hole to make the hard metal melt or soften. From that necessity, craftsmen mastered a circular cycle of breathing by simultaneously inhaling through their noses while they blew without any pauses. The introduction of the circular breathing technique in the art of ancient windplayers was a productive invention in its performi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Note
In music, a note is the representation of a musical sound. Notes can represent the Pitch (music), pitch and Duration (music), duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: musical analysis#Discretization, discretizations of musical phenomena that facilitate performance, comprehension, and musical analysis, analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequency, fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Bali
The Music of Bali, Bali is an Indonesian island that shares in the gamelan and other Indonesian musical styles. Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog, gamelan gong gede, gamelan gambang, gamelan selunding and gamelan semar pegulingan, the cremation music angklung and the processional music bebonangan. Modern popular styles include gamelan gong kebyar, dance music which developed during the Dutch occupation and 1950s era joged bumbung, another popular dance style. In Balinese music you can also hear metallophones, gongs and xylophones. Characteristics More than 50 people must be dancing during the music. Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundanese Language
Sundanese (: , ; Sundanese script: ) is a Malayo-Polynesian language spoken by the Sundanese. It has approximately 40 million native speakers in the western third of Java; they represent about 15% of Indonesia's total population. Classification According to American linguist Robert Blust, Sundanese is closely related to the Malayic languages, as well as to language groups spoken in Borneo such as the Land Dayak languages or the Kayan–Murik languages, based on high lexical similarities between these languages. History and distribution Sundanese is mainly spoken on the west side of the island of Java, in an area known as Tatar Sunda (Pasundan). However, Sundanese is also spoken in the western part of Central Java, especially in Brebes and Cilacap Regency, because these areas were previously under the control of the Galuh Kingdom. Many place names in Cilacap are still Sundanese names such as Dayeuhluhur, Cimanggu, Cipari and so on. Until 1600 AD, Sundanese was the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen The jetigen ( kk, жетіген, , or dzhetigan or zhetygen) is a Kazakh plucked zither. Similar to Chinese guzheng, yazheng and se, Japanese koto, Korean gayageum and ajaeng, Mongolian yatga, Vietnamese đàn tranh, and Sundanese kacap .... The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian language, Indonesian), Pantun Sunda, pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to Santol (fruit), santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
