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Suga Suga
"Suga Suga" is a song by American rapper Baby Bash featuring Frankie J. The song was written by both singers and was released on July 21, 2003, as the second and final single from Baby Bash's third studio album, ''Tha Smokin' Nephew'' (2003). It is Baby Bash's highest-charting song on the US ''Billboard'' Hot 100, reaching number seven, and it appeared on several international rankings, including the New Zealand Singles Chart, where it peaked at number one. It has received sales certifications in Australia, Germany, New Zealand, and the United States. "Suga Suga" was sampled in the Robin Schulz song "Sugar" in 2015. Music video The music video, filmed in New York City, shows Baby Bash and Frankie J in a car stuck in traffic, Frankie J turns on the video screen in Bash’s Escalade. A delivery woman in a low-cut shirt walks up, catching Bash and J's attention. She smiles at Bash and J as she walks by while the two sit on a porch with other men playing instruments. Bash and J wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Bash
Ronald Ray Bryant (born October 18, 1969), better known by his stage name Baby Bash (formerly Baby Beesh), is an American rapper. From 1995 until 1998, as part of Dope House Records, after which he changed the last part of his stage name to "Bash." His first album ''Savage Dreams'' (2001), was followed by ''On Tha Cool'' (2002), and his first major label release: ''Tha Smokin' Nephew'' (2003). The album included the single "Suga Suga" (alongside Frankie J), which peaked at number 7 on the Billboard Hot 100, ''Billboard'' Hot 100. In 2005, ''Super Saucy'' was released, preceded by the lead single "Baby, I'm Back (song), Baby, I'm Back" (featuring Akon). ''Cyclone (Baby Bash album), Cyclone'' followed in 2007, with Cyclone (song), its title single (featuring T-Pain) and its follow-up, "What Is It" (featuring Sean Kingston), finding moderate success on the ''Billboard (magazine), Billboard'' charts as well. He contributed to other performers' works, including the song "Obsession ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Music Charts
The Polish music charts are provided by ZPAV, the Polish Society of the Phonographic Industry (Polish: Związek Producentów Audio-Video). Albums charts In the 1970s and the 1980s, Polish music monthly ''Non Stop'' published a year-end list of the best selling albums in Poland. In the mid-1990s, two monthly sales lists were launched and published in music magazines. The first one was a top 50 compiled by ZPAV, based on shipment, not sales, which continues to be published to date. The other was a top 100 called Gorąca Setka (English: Hot 100), printed monthly in ''Gazeta Muzyczna''. This chart was compiled from actual sale figures as reported by over 130 music shops across Poland and included both albums and singles. From autumn 1994 to September 1997, journalist Artur Orzech presented a top 20 albums list on Radio Bis which was later extended to 25 and 30 positions. This chart was also based on actual sales data obtained from about 150 music shops, including albums as well as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Songs
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Singles
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 2004
This is a list of '' Billboard'' magazine's Top Hot 100 songs of 2004. References See also * 2004 in music *List of Billboard Hot 100 number-one singles of 2004 *List of Billboard Hot 100 top-ten singles in 2004 This is a list of singles that charted in the top ten of the ''Billboard'' Hot 100 during 2004. Usher scored five top ten hits during the year with " Yeah!", "Burn", "Confessions Part II", " My Boo", and " Lovers & Friends", the most among all ... {{italic title, string=Billboard Billboard charts United States Hot 100 Year-end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GfK Entertainment Charts
The GfK Entertainment charts are the official music charts in Germany and are gathered and published by GfK Entertainment (formerly Media Control and Media Control GfK International), a subsidiary of GfK, on behalf of Bundesverband Musikindustrie. GfK Entertainment is the provider of weekly Top 100 single and album charts, as well as various other chart formats for genres like compilations, jazz, classical music, schlager, hip hop, dance, comedy, and music videos. Following a lawsuit in March 2014 by Media Control AG, Media Control® GfK International had to change its name. Dissemination of the charts is conducted by various media outlets, some of which include MTV music channel, and the Swiss charts website. Other entities that present the charts are MusicLoad and Mix 1, both of which are online associations that post almost all the charts published by GfK Entertainment on a weekly basis. Furthermore, GfK Entertainment also runs a dedicated website providing chart-related ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syndicat National De L'Édition Phonographique
The National Syndicate of Phonographic Publishing (french: Syndicat national de l'édition phonographique; SNEP) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in 1922 and has 48 member companies. SNEP's responsibilities include collecting and distributing royalty payments for broadcast and performance, preventing copyright infringement of its members' works (including music piracy), and sales certification of silver, gold, platinum and diamond records and videos. SNEP also compiles weekly official charts of France's top-selling music, including singles and albums. Official charts History The first attempt at a French national chart of best-selling records originated from a request by the American music industry magazine '' Billboard''. The magazine's French correspondent, Eddie Adamis, compiled a top 10 list of the country's preferred format, the exten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultratop
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published, one on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia. Ultratop charts The music charts produced by Ultratop organization are separated along regional-language boundaries, an unusual division that is justified by the cultural differences in Belgium. So it is that the mainly Dutch-speaking Flanders region has one set of charts of record activity there, while the mainly French-speaking Wallonia region has another set to measure popularity in those provinces. The charts are broadcast on several Belgian radio statio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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