Suffer The Children (song)
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Suffer The Children (song)
"Suffer the Children" is a song by the British band Tears for Fears. Written and sung by Roland Orzabal and released in October 1981, it was the band's first release, recorded shortly after the break-up of Orzabal and Curt Smith's previous band Graduate. The original single was produced by David Lord and recorded at his own facility, Crescent Studios in Bath, England. The song would eventually be re-recorded for inclusion on Tears for Fears' debut LP ''The Hurting'' (1983), this time produced by Chris Hughes and Ross Cullum. Origins and production Along with "Pale Shelter", "Suffer the Children" was one of two demo songs that landed Tears for Fears their first record deal with Phonogram in 1981. According to Orzabal: The song was later re-recorded by producers Chris Hughes and Ross Cullum for inclusion on the band's debut album ''The Hurting'' in 1983. This recording is distinct from the original 7" version by the subtraction of an extra Curt Smith-sung lyric at the be ...
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Tears For Fears
Tears for Fears are an English pop rock band formed in Bath, England, in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were associated with the new wave synthesizer bands of the early 1980s, and attained international chart success. The band's debut album, ''The Hurting'' (1983), reached number one on the UK Albums Chart, and their first three hit singles – "Mad World", "Change", and "Pale Shelter" – all reached the top five in the UK Singles Chart. Part of the MTV-driven Second British Invasion of the US, their second album, ''Songs from the Big Chair'' (1985), reached number one on the US ''Billboard'' 200, achieving multi-platinum status in both the UK and the US. The album contained two ''Billboard'' Hot 100 number one hits: " Shout" and "Everybody Wants to Rule the World", both of which reached the top five in the UK with the latter winning the Brit Award for Best British Sing ...
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United Kingdom
The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the continental mainland. It comprises England, Scotland, Wales and Northern Ireland. The United Kingdom includes the island of Great Britain, the north-eastern part of the island of Ireland, and many smaller islands within the British Isles. Northern Ireland shares a land border with the Republic of Ireland; otherwise, the United Kingdom is surrounded by the Atlantic Ocean, the North Sea, the English Channel, the Celtic Sea and the Irish Sea. The total area of the United Kingdom is , with an estimated 2020 population of more than 67 million people. The United Kingdom has evolved from a series of annexations, unions and separations of constituent countries over several hundred years. The Treaty of Union between the Kingdom of England (which included Wales, annexed in 1542) and the Kingdom of Scotland in 170 ...
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Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic music, electronic band formed in Wirral Peninsula, Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (musician), Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an Experimental music, experimental, Minimal music, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group The Id (band), the Id from 1977–1978, and re-recorded their track "Electricity (Orchestral Manoeuvres in the Dark song), Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of host ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Songs From The Big Chair
''Songs from the Big Chair'' is the second studio album by English pop rock band Tears for Fears, released on 25 February 1985 by Phonogram Records. The album peaked at number two in the UK and at number one in the US, becoming a multi-platinum seller and the band's most successful studio album to date. ''Songs from the Big Chair'' spawned the commercially successful singles " Mothers Talk", " Shout", "Everybody Wants to Rule the World", " Head over Heels", and " I Believe". Background Originally, the album was to be titled ''The Working Hour'', but Roland Orzabal fought to change it to ''Songs from the Big Chair'', which was derived from the 1976 television film '' Sybil'' about a woman with multiple personality disorder who only feels safe when she is sitting in her analyst's "big chair". The title of the album reflects the band's view of being targeted by a hostile English music press at the time. In an interview for the 2006 deluxe version booklet, Curt Smith noted that "We ...
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Peter Powell (disc Jockey)
Peter James Barnard-Powell (born 24 March 1951) is an English former disc jockey, popular on BBC Radio 1 in the late 1970s and 1980s, as well as a television presenter for the BBC music chart programme ''Top of the Pops''. He has also had a second career in talent management. Early career Powell was educated at Uppingham School, a boys' independent school in Rutland in the English Midlands. Powell began his broadcasting career as the first voice on air when BBC Radio WM launched in 1970, and then had a brief spell on BBC Radio 1 in 1972. He then went to Radio Luxembourg before rejoining Radio 1 in 1977. Almost immediately after his arrival at the station he made his debut as a ''Top of the Pops'' presenter, joining Radio 1 colleagues on the roster. BBC Radio 1 career Powell began as a weekend presenter on the station, presenting a Sunday show from 10am to 1pm, before a move to Saturdays in October 1978, again from 10am to 1pm. In 1980 he took over the weekday afternoon show ...
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John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ...
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BBC Radio 1
BBC Radio 1 is a British national radio station owned and operated by the BBC. It specialises in modern popular music and current chart hits throughout the day. The station provides alternative genres at night, including electronica, dance, hip hop and indie, while its sister station 1Xtra plays black contemporary music, including hip hop and R&B. Radio 1 also runs two online streams, Radio 1 Dance, dedicated to dance music, and Radio 1 Relax, dedicated to chill-out music; both are available to listen only on BBC Sounds. Radio 1 broadcasts throughout the UK on FM between and , digital radio, digital TV and BBC Sounds. It was launched in 1967 to meet the demand for music generated by pirate radio stations, when the average age of the UK population was 27. The BBC claims that it targets the 15–29 age group, and the average age of its UK audience since 2009 is 30. BBC Radio 1 started 24-hour broadcasting on 1 May 1991. According to RAJAR, the station broadcasts to ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ...
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Peter Gabriel
Peter Brian Gabriel (born 13 February 1950) is an English musician, singer, songwriter, record producer, and activist. He rose to fame as the original lead singer of the progressive rock band Genesis. After leaving Genesis in 1975, he launched a successful solo career with "Solsbury Hill" as his first single. His fifth studio album, '' So'' (1986), is his best-selling release and is certified triple platinum in the UK and five times platinum in the US. The album's most successful single, " Sledgehammer", won a record nine MTV Awards at the 1987 MTV Video Music Awards and, according to a report in 2011, it was MTV's most played music video of all time. Gabriel has been a champion of world music for much of his career. He co-founded the WOMAD festival in 1982. He has continued to focus on producing and promoting world music through his Real World Records label. He has also pioneered digital distribution methods for music, co-founding OD2, one of the first online music download ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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