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String Quartet No. 6 (Villa-Lobos)
String Quartet No. 6 ("Brazilian") is one of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1938, in between his early and late periods. Villa-Lobos considered naming it "Quartet Popular No. 2" as opposed to "Brazilian," and while the work is indeed one of his more nationalist pieces, it also bears direct connections to the Viennese tradition of string quartet composition. A performance lasts approximately 24 minutes. History Villa-Lobos composed his Sixth Quartet in 1938 in Rio de Janeiro, and it was first performed in the same city by the Quarteto Haydn on 30 November 1943, on the same programme as the premiere of the String Quartet No. 7 (Villa-Lobos), Seventh Quartet. The published score bears no dedication, but the manuscript is dedicated to the violist Orlando Frederico, who many years earlier had participated in the premieres of both the String Quartet No. 2 (Villa-Lobos), Second and String Quartet No. 3 (Villa-Lobos), Third Qua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Vila-Lobos (c
Heitor is a given name (''Hector'' in the Portuguese language) which may refer to: * Heitor (footballer, born 1898) (1898–1972), Ettore Marcelino Dominguez, Brazilian football striker * Heitor (Portuguese footballer) (born 1978), Portuguese football player and coach * Heitor (footballer, born April 2000), Heitor Marinho dos Santos, Brazilian football centre-back * Heitor (footballer, born November 2000), Heitor Rodrigues da Fonseca, Brazilian football right-back * Heitor Canalli (1907–1990), Brazilian football player * Heitor Dhalia (born 1970), Brazilian film director and screenwriter * Heitor Pereira (born 1960), Brazilian musician ** ''Heitor TP'', a 1994 album by Heitor Pereira * Heitor da Silva Costa (1873–1947), Brazilian civil engineer and designer of the ''Christ the Redeemer'' monument * Heitor Villa-Lobos (1887–1959), Brazilian composer See also *Hector In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majestic Theatre (Broadway)
The Majestic Theatre is a Broadway theater at 245 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 1,681 seats across two levels and is operated by The Shubert Organization. Both the facade and interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone and is divided into two sections. The western portion of the facade contains the theater's entrance, with fire-escape galleries and a terracotta pediment above. The eastern portion is the stage house and is topped by archways. The auditorium contains Adam style detailing, steep stadium seating in the orchestra level, a large balcony, and an expansive plaster dome. Due to the slope of the seats, the rear of the orchestra is one story above ground. An interior leads to a large staircase, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turibio Santos
Turibio Soares Santos (born March 7, 1943) is a Brazilian classical guitarist, musicologist, and composer, who established himself as a performer with a wide repertoire of pieces by Heitor Villa-Lobos, Ernesto Nazareth, Francisco Mignone, and by accompanying musicians like Clara Sverner, Paulo Moura and Olivia Byington on many CDs. Life and career Turibio Santos was born in São Luís, Maranhão, and at the age of 10 was attracted to the classical guitar. His first teacher was Antonio Rebello , and later he studied with Oscar Càceres . He also studied composition with Edino Krieger . In 1962, he gave his first recital in Rio de Janeiro, followed by a series of concerts all over Brazil. In the following year, the Villa-Lobos Museum invited him to play the Brazilian composer's ''Twelve Etudes'' for guitar and the ''Mystic Sextet'', given its first public hearing. 1964 marked the formation of a duo with Oscar Càceres and several tours of South America. Turibio Santos decided to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Bessler
Bernardo Bessler (born 24 May 1954) is a Brazilian violinist, conductor, teacher, and producer. Bessler was born in Rio de Janeiro, Brazil. He is among the leading musicians of his country. His recordings have won for five consecutive years the Sharp Award for best classical album, highlight the New York Times among "the best of the year awards" and critics awards from the French magazines ''Répertoire'', ''Le Monde'' and'' Gramophone'', among others. Born in Rio de Janeiro, he began his violin studies at age five with Paulina D'Ambrosio. Later he studied with Yair Kless in Israel ( Rubin Academy in Jerusalem) and with Andre Gertler in Belgium. He plays a violin made in 1735 by Domenico Montagnana. As a producer has created dozens of series of concerts and shows with an educational basis, directed and produced music festivals across the country, and created socially relevant projects for poor communities. He has been performing since 1985 as first violin of the Bessler (later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuarteto Latinoamericano
Cuarteto Latinoamericano is one of the world's most renowned string quartets and, for forty years, the leading proponent of Latin American music for the genre. Founded in Mexico in 1982, the Cuarteto has toured extensively throughout Europe, North and South America, Israel, China, Japan, and New Zealand. They have premiered over a hundred works written for them, and they continue to introduce new and neglected composers to the genre. Winners of two Latin Grammy Award for Best Classical Album, they have also been awarded the prestigious Diapason d'Or, have been recognized with the Mexican Music Critics Association Award, and have received three "Most Adventurous Programming" Awards from Chamber Music America/ASCAP. Cuarteto Latinoamericano's members are three Bitrán brothers: violinists Saul and Aron and cellist Alvaro, with violist Javier Montiel. They have recorded more than 100 CDs, including nearly the entire Latin American repertoire for the string quartet. Volume 6 of thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danubius Quartet
The Danubius Quartet was formed in Hungary in 1983. Its personnel comprise the violinists Judit Tóth (formerly Mária Szabó) and Adél Miklós, violist Cecilia Bodolai (formerly Agnes Apró) and cellist Ilona Wibli, under the artistic direction of the violinist Vilmos Tátrai. The quartet won a number of awards in the earlier years of its foundation, and has recorded, among other works, the String Quartet No. 1 of Reményi for Hungaroton, the complete String Quartets of Villa-Lobos for Marco Polo and for Naxos the Mozart and Brahms Clarinet Quintets, the Boccherini Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and ''galante'' style even while he matured somewhat apart from the major European ... Guitar Quintets and Spohr's Op. 33 String Quintets. References Hungarian string quartets {{Classical-ensemble-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joaquín Turina
Joaquín Turina Pérez (9 December 188214 January 1949) was a Spanish composer of classical music.''Encyclopædia Britannica'' online (2014)"Joaquín Turina"/ref> Biography Turina was born in Seville. He studied in Seville as well as in Madrid. He lived in Paris from 1905 to 1914 where he took composition lessons from Vincent d'Indy at his Schola Cantorum de Paris and studied the piano under Moritz Moszkowski. Like his countryman and friend, Manuel de Falla, while there he got to know the impressionist composers Maurice Ravel and Claude Debussy, whom he was heavily inspired by. Marco, Tomás (1993)''Spanish Music in the Twentieth Century'' pp. 36–44. Harvard University Press On 10 December 1908 he married Obdulia Garzón and together they had five children. She was the dedicatee of the '' Danzas fantásticas'', which he completed in 1919. Along with de Falla, he returned to Madrid in 1914, working as a composer, teacher and critic. On 28 March 1916, he joined the Madri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Guerra-Peixe
César Guerra-Peixe (March 18, 1914 – November 26, 1993) was a Brazilian violinist, composer, and conductor. Guerra-Peixe was born in Petrópolis, son of Portuguese immigrants with Romani origins. Throughout his lifetime, Guerra-Peixe held numerous positions playing in orchestras and working as a composer and arranger in the production of radio broadcasts, recording, films, and cultural documentaries. His music can be heard in many Brazilian films, such as ''Terra é Sempre Terra'', ''O Canto do Mar'', ''Quero Essa Mulher Tanto Assim'', ''Riacho de Sangue'', ''Meu Nome é Lampião'', and ''Soledade''. Although he strongly embraced serialist techniques through his compositional studies with Koellreutter, Guerra-Peixe took a strong interest in northeastern Brazilian traditional music and culture and integrated elements of Brazilian nationalism to varying degrees in his compositions. While living in Recife, Guerra-Peixe conducted field work on traditional Brazilian music and cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoltán Kodály
Zoltán Kodály (; hu, Kodály Zoltán, ; 16 December 1882 – 6 March 1967) was a Hungarian composer, ethnomusicologist, pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education. Life Born in Kecskemét, Hungary, Kodály learned to play the violin as a child. In 1900, he entered the Department of Languages at the University of Budapest and at the same time Hans von Kössler's composition class at the Royal Hungarian Academy of Music. After completing his studies, he studied in Paris with Charles Widor for a year. In 1905 he visited remote villages to collect songs, recording them on phonograph cylinders. In 1906 he wrote a thesis on Hungarian folk song, "Strophic Construction in Hungarian Folksong". At around this time Kodály met fellow composer and compatriot Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became lifelong friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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