String Quartet No. 3 (Tchaikovsky)
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String Quartet No. 3 (Tchaikovsky)
The String Quartet No. 3 in E minor, Op. 30, by Pyotr Ilyich Tchaikovsky, was composed in 1876, and is the last of his three string quartets. It was written as a memorial for Ferdinand Laub. (The date upon the manuscript is early February 1876.) The quartet was performed for the first time at a party at Nikolai Rubinstein's apartment on March 2, 1876. The first public performance was at a concert on 30 March (new style/March 18 (old style), the performers being: Jan Hřímalý and Adolph Brodsky, violins; Yuly Gerber, viola; and Wilhelm Fitzenhagen, cello. Once, while Tchaikovsky was staying with some friends, they surprised him by bringing in a string quartet who performed this quartet for him. When they finished playing, Tchaikovsky remarked, "At first I didn't much like the Finale, but now I see that it is quite good." Recently, it was featured in the downloadable content ''Left Behind'' for the 2013 video game ''The Last of Us ''The Last of Us'' is a 2013 action-adven ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ...
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Ferdinand Laub
Ferdinand Laub (January 19, 1832March 17, 1875) was a Czech violinist and composer. Life and career Laub was born in Prague from a German Bohemian family which had assimilated into the ethnic Czech community. His father Erasmus (1794–1865) arranged for Ferdinand's first public appearance at age six. His first solo concert was at age ten in the Stavovské divadlo (a theater in Prague). From 1843 to 1846, he studied at the Prague Conservatory. He began his adult career as a virtuoso in Vienna, at the imperial court. In 1850, he traveled across Europe with a series of exhibitions. He stayed for a longer time in Weimar and Berlin (1855–62 as professor at the Stern Conservatory). From 1866 to 1874 he was professor of violin at the Moscow Conservatory, where his many notable students included Stanisław Barcewicz. Laub was a well-admired violinist, winning awards all over Europe; Pyotr Ilyich Tchaikovsky called him "the best violinist of our time". He was the first violinist in t ...
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E-flat Minor
E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps. The E-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic minor and melodic minor scales are: : : Music in E-flat minor In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce preferred D-sharp minor. In Book 1 of ''The Well-Tempered Clavier'' by Bach, Prelude No. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor. Haydn's Piano Trio No. 41, H. XV.31 in two movements, composed in 1794/95 ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ...
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Nikolai Rubinstein
Nikolai Grigoryevich Rubinstein (russian: Николай Григорьевич Рубинштейн; – ) was a Russian pianist, conductor, and composer. He was the younger brother of Anton Rubinstein and a close friend of Pyotr Ilyich Tchaikovsky. Life Born to Jewish parents in Moscow, where his father had just opened a small factory, Rubinstein showed talent at the keyboard early on. He studied piano first with his mother, and while the family was in Berlin between 1844 and 1846, he studied piano with Theodor Kullak and harmony and counterpoint with Siegfried Dehn; during this time both he and his brother Anton attracted the interest and support of Mendelssohn and Meyerbeer. When the family returned to Moscow, Nikolai studied with Alexander Villoing, who also toured with him. He studied medicine to avoid army conscription, graduating from Moscow University in 1855. As a result of his playing, Rubinstein was welcomed in all the fashionable artistocratic houses in Mo ...
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Jan Hřímalý
Jan Hřímalý (russian: Иван Войцехович Гржимали, also ''Ivan Voitsekhovich Grzhimali''; 13 April 1844 – ) was an influential Czech violinist and teacher, who was associated with the Moscow Conservatory for 46 years in 1869–1915. He was born in Pilsen, Bohemia (then part of the Austrian Empire), the second son of the organist and composer Vojtěch Hřímalý (1809–1880), and a member of a notable Czech musical family. He was taught by his older brother Vojtěch Hřímalý jr., and by Moritz Mildner. Hřímalý studied violin at the Prague Conservatory (1855–1861), and went on to become leader of the Amsterdam Orchestra (1862–1868). In 1869 he was appointed violin teacher at the Moscow Conservatory. He succeeded Ferdinand Laub as professor of violin studies 1874–1915. He was leader of the Russian Musical Society Orchestra in Moscow from 1874 until 1906. He was acquainted with Pyotr Ilyich Tchaikovsky, who held him in high regard. He co-premiere ...
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Adolph Brodsky
Adolph Davidovich Brodsky (russian: Адольф Давидович Бродский, ''Adolf Davidovič Brodskij''; – 22 January 1929) was a Russian violinist. He enjoyed a long and illustrious career as a performer and teacher, starting early in Vienna, going on to Moscow, Leipzig, and New York City and finally Manchester. During its course he met and worked with composers such as Tchaikovsky and Elgar. Biography He was born into an assimilated Jewish family in Taganrog on the Sea of Azov. His grandfather and father were also violinists. He started music lessons at the age of five, a year after he first played his first violin, which he had bought at a fair. For four years he was taught music in his home town. Aged nine, he gave his first concert in Odessa, where a wealthy person heard him and was so impressed that they provided Brodsky with the funds to study in Vienna. In 1860, he immediately started his studies at the Vienna Conservatory with Joseph Hellmesberger, Sr. ...
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Wilhelm Fitzenhagen
Wilhelm Karl Friedrich Fitzenhagen (15 September 1848 – 14 February 1890) was a German cellist, composer and teacher, best known today as the dedicatee of Pyotr Ilyich Tchaikovsky's ''Variations on a Rococo Theme''. Life Fitzenhagen was born in Seesen in the Duchy of Brunswick, where his father served as music director. Beginning at age five, he received lessons on the piano, the cello and the violin. Many times, he had to substitute for wind players absent due to various emergencies.Campbell, p. 76. At age 14, Fitzenhagen began advanced studies of the cello with Theodore Müller. Three years later, Fitzenhagen played for the Duke of Brunswick, who released him from all military service. In 1867, some noble patrons enabled him to study for a year with Friedrich Grützmacher in Dresden, A year later he was appointed to the Dresden Hofkapelle, where he started his career as soloist.MacGregor, 8:912. Fitzenhagen's playing at the 1870 Beethoven Festival in Weimar attracted the atte ...
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Downloadable Content
Downloadable content (DLC) is additional content created for an already released video game, distributed through the Internet by the game's publisher. It can either be added for no extra cost or it can be a form of video game monetization, enabling the publisher to gain additional revenue from a title after it has been purchased, often using some type of microtransaction system. DLC can range from cosmetic content, such as skins, to new in-game content such as characters, levels, modes, and larger expansions that may contain a mix of such content as a continuation of the base game. In some games, multiple DLC (including future DLC not yet released) may be bundled as part of a " season pass"—typically at a discount in comparison to purchasing each DLC individually. While the Dreamcast was the first home console to support DLC (albeit in a limited form due to hardware and internet connection limitations), Microsoft's Xbox console and Xbox Live platform helped to popularize th ...
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Video Game
Video games, also known as computer games, are electronic games that involves interaction with a user interface or input device such as a joystick, controller, keyboard, or motion sensing device to generate visual feedback. This feedback mostly commonly is shown on a video display device, such as a TV set, monitor, touchscreen, or virtual reality headset. Some computer games do not always depend on a graphics display, for example text adventure games and computer chess can be played through teletype printers. Video games are often augmented with audio feedback delivered through speakers or headphones, and sometimes with other types of feedback, including haptic technology. Video games are defined based on their platform, which include arcade video games, console games, and personal computer (PC) games. More recently, the industry has expanded onto mobile gaming through smartphones and tablet computers, virtual and augmented reality systems, and remote c ...
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