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String Quartet No. 2 (Enescu)
The String Quartet No. 2 in G major, Op. 22, No. 2, is a chamber music work by the Romanian composer George Enescu, composed mainly between 1950 and 1951, though it has a lengthy pre-history and received a number of revisions in 1952 and possibly early 1953. The score is dedicated to the American pianist, composer, and arts patron, Elizabeth Sprague Coolidge. A performance of it lasts about 25 minutes. History There are four undated preliminary sketches for the Second String Quartet, made by Enescu starting from about the time of completion of the First Quartet in 1920, or even earlier. The first of these, containing all of the thematic material for a four-movement quartet, may even have been made before the First World War. The second and third drafts are thought to date from the early 1920s, and the fourth probably from some time in the 1930s. In June 1950, in Paris, Enescu began composing his Second Quartet anew, finishing its fifth (and first complete) version on 30 January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanian composer, violinist, conductor and teacher. Regarded as one of the greatest musicians in Romanian history, Enescu is featured on the Romanian five lei. Biography Enescu was born in Romania, in the village of Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian Land"), and is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet No
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * Strings (1991 film), ''Strings'' (1991 film), a Canadian animated short * Strings (2004 film), ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * Strings (2011 film), ''Strings'' (2011 film), an American dramatic thriller film * Strings (2012 film), ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By George Enescu
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ștefan Niculescu
Ștefan Niculescu (July 31, 1927 – January 22, 2008) was a Romanian composer. Niculescu was born in Moreni, Dâmbovita. He was credited with introducing his own brand of heterophony, a technique based on superimposing melodic material onto variations of itself in order to create textures that are propelled by thematic energy as well as by the more common textural factors of density and levels of activity. This creative approach bears similarities with György Ligeti's micropolyphony, but important aesthetic and stylistic differences set them apart. Niculescu's work as a teacher made him a mentor to a whole generation of younger Romanian composers, among them Dan Dediu. Niculescu's work ''Ison II'' for wind and percussion permutates simultaneous segments of a diatonic melody producing a reverberating complexity of sound which is held together by a strong sense of modal clarity. ''Opus Dacicum'' for orchestra applies similar textural explorations but with a stronger sense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Bentoiu
Pascal Bentoiu (22 April 1927 – 21 February 2016) was a Romanian modernist composer. Life and career Bentoiu studied harmony, counterpoint and composition with Mihail Jora and piano with Theophil Demetriescu. He spent three years researching the rhythm and harmony of Romanian folk music at the Bucharest Folklore Institute and then began composing for the stage. His operas are written with dramatic flair and make use of a variety of elements, including folksong, tape, serialism and diatonic qualities. His instrumental and orchestral works also contain a variety of contemporary techniques, and Bentoiu's work is characterized by its color and lyricism. He has edited the sketches of the Fourth (1934) and Fifth (1941) Symphonies of Georges Enescu into shape for performance. (There is a recording of both realizations from a 1998 festival.) In 1949, he married Annie Deculescu. Bentoiu died in Bucharest on 21 February 2016 at the age of 88. Compositions Orchestral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition. This material is most often recapitulated in the tonic key of the movement, in such a way that it reaffirms that key as the movement's home key. In some sonata form movements, the recapitulation presents a straightforward image of the movement's exposition. However, many sonata form movements, even early examples, depart from this simple procedure. Devices used by composers include incorporating a secondary development section, or varying the character of the original material, or rearranging its order, or adding new material, or omitting material altogether, or overlaying material that was kept separate in the exposition. The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied. *In sonata form, the exposition is "the first major section, incorporating at least one important modulation to the dominant or other secondary key and presenting the principal thematic material." *In a fugue, the exposition is "the statement of the subject in imitation by the several voices; especially the first such statement, with which the fugue begins." In sonata form The term is most widely used as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. If the exposition starts in a minor key, it typically modulates to the relative major key. There are many exceptions, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octet (Enescu)
The Octet for strings in C major, Op. 7, is an octet composition for string instruments by the Romanian composer George Enescu, completed in 1900. Together with the Octet in F major, Op. 17 (1849) by Niels Gade, it is regarded as amongst the most notable successors to Felix Mendelssohn's celebrated Octet, Op. 20. History Following the completion of his Second Violin Sonata in 1899, composition of the Octet occupied Enescu for a year and a half. The complexity of a structure spanning forty minutes in performance caused him considerable difficulty, though he found the challenge exciting. "I wore myself out trying to make work a piece of music divided into four segments of such length that each of them was likely at any moment to break. An engineer launching his first suspension bridge over a river, could not feel more anxiety than I felt when I set out to darken my paper". Once he had completed the Octet, Enescu offered it to Édouard Colonne for performance in his Concerts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Lowens
Irving Lowens (19 August 1916 – 14 November 1983) was an American musicologist, critic, and librarian in the Washington, D.C. area. He served as the chief music critic at the ''Washington Star'' newspaper, the Assistant Head of the music division of the Library of Congress, and the dean of the Peabody Institute in Baltimore, Maryland. Lowens was president of the Music Library Association, executive board member of the American Musicological Society, and founder of the Music Critics Association of North America and the Sonneck Society, later renamed the Society for American Music. Lowens was instrumental in improving working conditions for American critics as well as increasing standards of criticism. His main interests and scholarly works concerned American tunebooks, of which he held a significant collection. This collection contains some 2,000 volumes including American hymnals and psalm books from the 18th and 19th centuries. The collection now resides at the Moravian Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Enescu Festival
The George Enescu Festival (also known as George Enescu International Festival and Competition), held in honor of the celebrated Romanian composer George Enescu, is the biggest classical music festival and classical international competition held in Romania and one of the biggest in Eastern Europe. Enescu's close associate George Georgescu organized the first festival in 1958; highlights included a performance of Bach's Concerto for Two Violins with Yehudi Menuhin and David Oistrakh as soloists and a staging of Enescu's sole opera, '' Å’dipe'', with Constantin Silvestri conducting. The official opening day of the Enescu Festival took place on 4 September 1958, merely three years after George Enescu's death. Among the music world's personalities that were present for this first edition of the festival were performers such as David Oistrakh, Halina Czerny-Stefanka, Nadia Boulanger, Monique Haas, Iacov Zak and Claudio Arrau, and conductors such as Sir John Barbirolli, Carlo Felice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Salabert
Francis Salabert (born François-Joseph-Charles Salabert, 27 July 1884 – 28 December 1946) was an innovative and influential French music publisher, who was the head of Éditions Salabert in the first half of the twentieth century. Biography He was born François-Joseph-Charles Salabert in Paris. His father, Edouard Salabert (1838-1903), started the publishing business Éditions Salabert in the rue de la Victoire in 1878, initially to publish martial music, and acquired the rights to the marches of John Philip Sousa. However, Edouard became incapacitated through illness, and in 1901 Francis took over running the company at the age of 16. In 1908 he moved the business to rue Chauchat, and began expanding it to include the repertoires of composers and writers of light music, including Henri Christiné, Reynaldo Hahn, Aristide Bruant, Maurice Yvain, Vincent Scotto, Georges Van Parys, and, later, Charles Trenet. For Christiné's successful operetta ''Phi-Phi'' in 1919, Salabert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
