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Stimmung
''Stimmung'', for six vocalists and six microphones, is a piece by Karlheinz Stockhausen, written in 1968 and commissioned by the City of Cologne for the Collegium Vocale Köln. Its average length is seventy-four minutes, and it bears the work number 24 in the composer's catalog. It is a tonal, and yet also a serial composition. It is "the first major Western composition to be based entirely on the production of vocal harmonics", the first "to use overtones as a ''primary'' element". An additional innovation is "the unique kind of rhythmic polyphony which arises from the gradual transformation/assimilation of rhythmic models". Title The German word ''Stimmung'' has several meanings, including "tuning" and " mood". The word is the noun formed from the verb ''stimmen'', which means "to harmonize, to be correct", and related to ''Stimme'' (voice). The primary sense of the title "implies not only the outward tuning of voices or instruments, but also the inward tuning of one's sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Vocale Köln
Collegium Vocale Köln is a German vocal ensemble, founded in 1966 as a quintet when its members were still students at the in Cologne. It is directed by Wolfgang Fromme, who also sings tenor in the ensemble. They are best known as the group for which Karlheinz Stockhausen composed ''Stimmung'' in 1968, a work which they had performed more than three hundred of times throughout the world by 1986. The original impetus for the ensemble's founding, however, was an appearance by Alfred Deller at the Cologne Courses for Early Music, and the group has always performed both early and contemporary works. In addition to ''Stimmung'', the Collegium Vocale performed other works by Stockhausen, notably as part of the ensemble of musicians who appeared with him at Expo '70 in Osaka, Japan, between March and September 1970, where individual singers of the group performed ''Spiral (Stockhausen), Spiral'' for a soloist with a short-wave radio. On 5 June 1971 the Collegium Vocale participated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or (Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moment Form
In music, moment form is defined as "a mosaic of moments", and, in turn, a moment is defined as a "self-contained (quasi-)independent section, set off from other sections by discontinuities". History and definition The concept of moment form, and the specific term, originated with the composition ''Kontakte'' (1958–60) by Karlheinz Stockhausen. A "moment", in Stockhausen's terminology, is any "formal unit in a particular composition that is recognizable by a personal and unmistakable character." It can be either an indivisible ''gestalt'', a structure with clear components, or a mixture of the two; and it can be static, or dynamic, or a combination of the two. "Depending on their characteristics, they can be as long or as short as you like". "Moment ''forming''", on the other hand, is a compositional approach in which a narrative overall line is deliberately avoided. The component moments in such a form are related by a nonlinear principle of proportions. If this system of propor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stockhausen - Stimmung Harmonics
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th-century classical music, 20th and early 21st-century classical music, 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance (Aleatoric music, aleatory techniques) into Serialism, serial composition, and for musical spatial music, spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serialism
In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of atonality, post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a tone row, row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variation (music), variations. Other types of serialism also work with set (music), sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameter (music), parameters"), such as duration (music), duration, Dynamics (music), dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architectu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overtone Singing
Overtone singing – also known as overtone chanting, harmonic singing, polyphonic overtone singing, and diphonic singing – is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract, in order to arouse the perception of additional, separate notes beyond the fundamental frequency being produced. From a fundamental pitch, made by the human voice, the belonging harmonic overtones can be selectively amplified by changing the vocal tract, i.e. the dimensions and shape of the resonant cavities of the mouth and human pharynx, the pharynx. This resonant tuning allows singers to create more than one pitch at the same time (the fundamental and one or more selected overtones), while usually generating a single fundamental frequency with their vocal folds. Overtone singing should not be confused with throat singing, in spite of the fact that many throat singing techniques comprise overtone singing. As mentioned, overtone singing involves the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Voices
Theatre of Voices is a vocal ensemble founded by baritone Paul Hillier in 1990; . Retrieved March 9, 2012. it focuses on early music and . The ensemble was formed by while he was teaching at the , as an avenue to performing more contemporary music while his other group, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Eternal Music
The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962. The core of the group consisted of Young (voice, saxophone), Tony Conrad (violin), Marian Zazeela (voice, lighting), and John Cale (viola), with additional participants including Angus MacLise, Terry Riley, Billy Name, Terry Jennings, Jon Hassell, Alex Dea, and Jon Gibson (minimalist musician), Jon Gibson. The group's self-described "dream music" explored drone (music), drones and just intonation, pure harmonic intervals, employing sustained tones and electric amplifier, amplification in lengthy, all-night performances. Archival recordings of the group's influential 1960s performances remain in the possession of Young, but none have ever seen official release. A dispute over compositional credit between Young and other members (namely Conrad and Cale) resulted in Young's refusal to release any of the material. Nonetheless, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain (Stockhausen)
''Refrain'' for three players (piano with woodblocks, vibraphone with alpine cowbells, and amplified celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. History ''Refrain'' was composed in June and July 1959 on commission from Gerhart von Westerman for the Berlin Festwochen, and is dedicated to . It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Berlin Congresshalle, as part of an all-Stockhausen concert that also included ''Kreuzspiel'', ''Zeitmaße'', ''Zyklus'', and the ''Klavierstücke I'', ''IV'', ''V'', ''VII'', ''VIII'', and ''XI''. Materials and form The title refers to the disturbance six times of a placid and wide-rangingly composed sound texture by a short refrain. These refrains are notated on a rotatable transparent plastic strip, superimposed on curved sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Albert Hall
The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London. One of the UK's most treasured and distinctive buildings, it is held in trust for the nation and managed by a registered charity which receives no government funding. It can seat 5,272. Since the hall's opening by Queen Victoria in 1871, the world's leading artists from many performance genres have appeared on its stage. It is the venue for the BBC Proms concerts, which have been held there every summer since 1941. It is host to more than 390 shows in the main auditorium annually, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestral accompaniment, sports, awards ceremonies, school and community events, and charity performances and banquets. A further 400 events are held each year in the non-auditorium spaces. Over its 151 year history the hall has hosted people from various fields, including meetings by Suffragettes, speeches from Winston Churchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monte Young
La Monte Thornton Young (born October 14, 1935) is an American composer, musician, and performance artist recognized as one of the first American minimalist composers and a central figure in Fluxus and post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition '' Trio for Strings.'' His compositions have called into question the nature and definition of music, most prominently in the text scores of his ''Compositions 1960''. While few of his recordings remain in print, his work has inspired prominent musicians across various genres, including avant-garde, rock, and ambient music. Young played jazz saxophone and studied composition in California during the 1950s, and subsequently moved to New York in 1960, where he was a central figure in the downtown music and Fluxus art scenes.Jeremy Grimshaw, ''Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young''. Oxford University Press, 2012 He then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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